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CRITIC SCORE DISTRIBUTION | ||
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Positive:
12
Mixed:
1
Negative:
0
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Critic Reviews
Season 2 Review:
At the moment, one of the smartest, funniest and sweetest shows on television. ... Barring some unforeseen and drastic drop in quality, "Everything's Gonna Be Okay" is poised to offer some exceptionally strong storytelling in 2021. I can say at the very least that it is off to a roaring start.
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IndieWireApr 8, 2021
IndieWireJan 16, 2020
TV Guide MagazineJan 21, 2020
Season 1 Review:
Wildly offbeat, genuinely original and remarkably frank family comedy for the Euphoria generation. [20 Jan - 2 Feb 2020, p.9]
Season 1 Review:
Much of the show's success or failure will rest on how it handles the character arcs that it has built up so far — many series achieve sublime lift-off before crashing and burning during their journey, and "Everything's Gonna Be Okay" could easily suffer that fate. But what has premiered so far is pretty damn exquisite. If the series can maintain this momentum, it could become the next big thing in American pop culture, and deservedly so.
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Season 1 Review:
The premise fuels the show, but doesn’t overwhelm it. More than any one scenario, this is a series about three distinct people — intense Matilda, raw nerve Genevieve, blunt and kind Nicholas — exploring what it means to be a person and part of a family. ... Watching them express their absolute loyalty to each other in ways that ring true and tender is a real joy.
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Season 1 Review:
While “Everything’s Gonna Be Okay” addresses myriad issues, it does so with good humor, warmth and fresh approaches to an orphaned family, Nicholas’ sexuality and a child on the spectrum. Yes, this newly formed-by-circumstance family faces crises but they’re realistic with an equal mix of drama and comedy, just like real life.
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The GuardianJan 17, 2020
Season 1 Review:
The dialogue is sometimes quite amusing, such as when Alex – having discovered Darren has cancer – responds: “I can’t figure out if it’s rude to leave or if it’s rude to stay.” But the jokes suffer from its distracted direction, which isn’t helped by an annoyingly jaunty score and the kind of over-lit cinematography befitting of a daytime TV soap opera.
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