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CRITIC SCORE DISTRIBUTION | ||
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Positive:
39
Mixed:
11
Negative:
0
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Critic Reviews
Season 1 Review:
Episodes, which got uproarious laughter in cut-down form at the Television Critics Assn. press tour in July, does not disappoint an ounce as it rolls through a seven-episode season. It also signals a savvy return to television for LeBlanc, who manages to be the butt of the joke one moment then hilariously likable the next.
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Season 1 Review:
This seven-episode series, written by David Crane and Jeffrey Klarik, doesn't offer many new ideas about the evils of the TV business--a lot of the ground covered here was previously mined by the underrated 1999-2001 Showtime series "Beggars & Choosers"--but it's still fun to join in the mocking of Hollywood, a big, juicy target that Episodes hits with ease.
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Season 1 Review:
Episodes mines Hollywood absurdities for dependable laughs, it's LeBlanc, playing himself, or more accurately, a character who shares his name and resume, who elevates the seven-episode first season above simple parody as the actor forced down the writers' throats. He might even be the most interesting character in the show.
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Season 4 Review:
The new season thus showcases both the program’s strengths and inherent weaknesses, alternating between feeling clever (the promise of a trip to a Golden Globes gifting suite represents an effective bribe) and tired (seriously, aren’t we done with the agent-doing-business-on-the-treadmill gag yet?).
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Season 3 Review:
It’s hard not to see Episodes as a pretty good metaphor for what show-within-the-show “Pucks” is: A TV series that starts with high hopes and the promise of doing something a little different and--despite the latitude, in this case, afforded by its premium venue--winds up just settling for more of the same.
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Season 1 Review:
Episodes isn't even as funny as Crane and Klarik's last collaboration, the exceedingly mediocre short-lived CBS comedy "The Class" - and that's even considering that the new show features Crane's old "Friends" star Matt LeBlanc delivering a terrific performance as an exaggerated version of himself.
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