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CRITIC SCORE DISTRIBUTION | ||
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Positive:
18
Mixed:
3
Negative:
0
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Critic Reviews
Season 3 Review:
This is not a seven episode season for anyone who craves convention. At times, the plot sequencing can feel chaotic, lurching. But tonally, Doom Patrol opens up boxes that offer opportunities rarely taken. This is a gift. Having hopped on the trauma exploration train long before its current fever pitch on TV, Doom Patrol gives you the ugliness of characters struggling.
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Season 1 Review:
The series is refreshingly self-aware, both in the hilarious meta narration by Alan Tudyk as the team’s archenemy Mr. Nobody. ... And in its more fundamental understanding that if you make a show about these characters, you’d best come weird or not come at all. Its highs aren’t as high, but it’s more consistently satisfying.
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Season 4 Review:
Doom Patrol is consistently solid and knows how to play to its strengths, which are making fun of any and every thing (there’s a clever Riverdale bit that delighted us) and narrowing in on the team relationships. ... If the group scenes don’t have the same depth, well, this season and the team itself are still works in progress.
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Season 2 Review:
In its early going, Doom Patrol’s second season sacrifices too much joy on the altar of its heroes’ troubled psyches, without enough chances to savor their unusual charms—or marvel at the oddities continually swirling around them. For its first few episodes, DC’s strange and engaging drama feels more like Doom And Gloom Patrol.
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Season 1 Review:
Doom Patrol’s second episode takes another tour through origin fatigue, sending some characters into hallucinations of their sorrowful past lives. ... The Cyborg subplot takes a detour I legitimately didn’t see coming, and the longer plan for Doom Patrol starts to look quite a bit trickier. The show seems to be trying to recapture the magic Morrison brought to these characters.
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Season 1 Review:
The two episodes sent to critics are three or four different superhero origin stories rolled into one, occasionally tip-toeing in the direction of a bigger ongoing narrative, without seeming wholly interested in anything more than being quippy, clever and, in its best moments, oddly sweet.
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