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CRITIC SCORE DISTRIBUTION | ||
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Positive:
47
Mixed:
7
Negative:
0
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Critic Reviews
Season 11 Review:
The premiere episode here, “The Woman Who Fell to Earth,” reminded me, more than anything, of “The X-Files,” when it was really good. It takes you back to the days when Doctor Who was a fun sci-fi procedural. ... [The alien] resembles some gleaming villain out of a Marvel movie, which makes his blokey name, Tim Shaw, even more incongruously funny. This is Doctor Who at its best--nerdy and chilling and quick with a joke. And, most significantly of all, generous of spirit, a quality that simply shimmers off Whittaker.
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Season 11 Review:
All in all, “The Woman Who Fell To Earth” succeeds as a statement of intent for this brand new era of Doctor Who, telling us that it’s going to be easily accessible, gorgeous to look at and listen to, all about the character drama and brought to life with a lead actress who has a lot of energy. In terms of comparing it to past Who, it’s not a flawless season opener, but it does a terrific job of making us excited for the rest of Doctor No. 13’s tenure.
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Season 11 Review:
There’s a convincing ordinariness underpinning the fantastic events here. ... “The Woman Who Fell to Earth” does feel like a fresh start; Moffat’s later years were heavy in tone and hobbled by long arcs and psychology. If only for a transitional moment, but maybe longer, the new season has put that baggage down.
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Season 11 Review:
Striking the right balance has been a tall order for any new Doctor and showrunner to take on, as several pairs have done over the last decade, but the level of difficulty this particular team had to master is arguably the highest yet. That’s why it’s so impressive that “The Woman Who Fell to Earth” is, for the most part, an extremely typical episode of “Doctor Who.”
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RogerEbert.comOct 5, 2018
Season 11 Review:
The virtues of “The Woman Who Fell to Earth” go well beyond Whittaker’s performance and Chibnall’s confident, thoughtful writing of the character. Gill, Cole, and Walsh make excellent additions to the cast, and while each character still wants development (unsurprising, this early on), each also has a moment, or more than one, to shine.
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Season 10 Review:
If the first episode of the new season--which is Capaldi’s last as the Doctor--is a bit of a greatest-hits rehash, that is easy to forgive. Mackie is an energetic and enjoyable addition to the show, and her down-to-Earth character brings a healthy scepticism to all things Doctor-related. Even more charming than Bill’s curiosity and intelligence are her interactions with Nardole (Matt Lucas).
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Season 10 Review:
It looks like this will be a fun season. The first episode is called “The Pilot,” and in its way reintroduces us to the Doctor by seeing him through Bill’s uninitiated eyes. ... Mackie, a relative unknown, proves instantly likable, and the character distinguishes itself from the other companions in the series.
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Season 8 Review:
What Capaldi lacks in youthful energy, he more than makes up for in gravitas and wry eccentricity.... Everyone involved can take particular pride in the centerpiece restaurant tiff between Clara and the Doctor, which cements their new relationship and showcases the instant chemistry between Coleman and Capaldi.
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Season 5 Review:
Sharply satirical and playfully dorky without getting bogged down in its own mythology, this iteration should continue to broaden the show's appeal beyond its twin fanbases of Comic-Con lifers and Anglophiles, though both groups will certainly give their seal of approval.
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Season 5 Review:
Smith's work in "The Eleventh Hour" showed us exactly what Moffat saw in that audition...."Eleventh Hour" is also a great build-up for Karen Gillan's immensely likable Amy Pond, who has by far the most interesting, emotionally resonant backstory of the modern companions.
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Season 5 Review:
There's no darkness looming just yet, and the season premiere is almost too jokey at times--certain comedic bits are stretched longer than they should be. Still, this is quite a bold and energetic (if not frenetic) new edition of Doctor Who. Hang on to the TARDIS, fans, it looks like we're in for quite a ride.
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Season 11 Review:
We get a sense of this reboot's concept, but not its tone. Chibnall may be responding to fans' hopes for less timey-wimey jibber-jabber, offering more plot simplicity. Will a female Doctor Who be enough to revitalize the series? The development is certainly enticing, but a series has nothing without compelling storylines.
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Season 8 Review:
Capaldi's Doctor is not just older but looks to be drier in his humor, more reticent, more coldblooded and dangerous. From a critic’s point of view, that’s interesting and potentially an improvement.... In other ways, the season premiere is a bit of a space holder, a middling story that’s concerned mainly with introducing Mr. Capaldi and establishing the relationship between the new Doctor and his sidekick, Clara.
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Season 1 Review:
This remake achieves an Avengers-like balance of cheeky wit amid the cheesiness.
IndieWireOct 8, 2018
Season 11 Review:
Goofy and curious, commanding and contemplative, Thirteen is already well on her way to demonstrating the complex emotional makeup that is the Doctor. She also demonstrates a cheerful, can-do spirit. ... With the exception of Tim Shaw’s unappealing self, very little about the episode feels Whovian. Gone is former showrunner Steven Moffat’s sense of play, both in the verbal sparring and convoluted storytelling.
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Season 1 Review:
The real disappointment of the new Who isn't its use of (slightly) slick special effects, though. It's a structural problem: Instead of stretching a storyline across a whole season, each adventure is resolved within a single episode, making this closer to your average detective series.
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Season 5 Review:
Allowances must be made for a scene-setting episode introducing an entire new cast, and the show could easily get back in the groove next week. But perhaps, once the new Doctor gets the hang of the Tardis, he could go back to late 2009 and pick up Mr. Davies, just for a consult.
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Season 11 Review:
This Doctor Who feels like a lot of other TV shows, not just in its writing but in its pacing, its cinematography, its use of music. When the scary monsters appear, you could be watching any other well-made but conventional science-fiction or horror show. Or a police procedural, for that matter. Everything about the show is more ordinary, which may have to do with levels of inventiveness but also feels like a choice. ... Ms. Whittaker performs gamely, if not yet distinctively, as the 2,000-year-old Time Lord. It’s far too early to tell what kind of stamp she might put on the character.
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