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CRITIC SCORE DISTRIBUTION | ||
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Positive:
19
Mixed:
15
Negative:
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Critic Reviews
Season 1 Review:
The actors, including the charismatic William Petersen and the exquisite Marg Helgenberger, lend credibility to the portrayals that might be indistinct in lesser hands. There's also a compelling, pulsating edge at the outset of CSI that commands instant attention, thanks in part to dynamic work from director Danny Cannon. [5 Oct 2000]
Season 1 Review:
CSI doesn't shy from the less savory aspects of the business it covers. There are flashback cams that show the crime taking place and micro cams that look closely at the evidence...But it's kind of tasteful, if you can imagine, and contributes to a Friday night show that is not only entertaining, but might actually teach you a thing or two. [6 Oct 2000]
Season 2 Review:
On CSI, each victim's body is a rich source of detail, a novel in which the investigators read about deception and murder. The lead characters are another matter. They're sexy and likable but self-effacingly undeveloped. The series tosses us a tidbit every now and then--Grissom is a lapsed Catholic, Willows used to be a stripper--but the show is least original when it delves into their private lives.
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Season 9 Review:
While toying with chemistry is always dicey--especially when somebody as prominent as Grissom is involved--the storytelling remains the star, a fact neatly underscored by the casual nature the Petersen-Fishburne baton pass plays at least within this fast-paced hour.
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Season 1 Review:
The premiere has a nice look, and its "Rashomon"-style flashbacks are very well shot. It also features a socko ending and one ingenious bit of plotting involving thieving hookers. Yet the storytelling is often muddy, and sorting out characters and determining who does what is more of a challenge than the episode is worth. [6 Oct 2000, p.F1]
Season 1 Review:
The setting and crimes are interesting, and Petersen in particular is terrific, but C.S.I. tries to show the thoughtful nature of its characters by underplaying them - and it relies for liveliness on stomach-turning lab work. Slick but plodding, C.S.I. could be DOA. [6 Oct 2000, p.5E]
Season 1 Review:
But more often than not CSI isn't sure if it's trying to be intellectual or just sensational. John M. Keane's heavy-handed music, inversely proportional to the events onscreen, doesn't help. Subsequent episodes would do better to pull back on attention-grabbing stunts in favor of the mystery and drama that lies at the core of this premise. [4 Oct 2000, p.2]
Season 1 Review:
We're supposed to buy that the C.S.I. unit is the next wave of high-tech crimefighting,
but their tools don't look very high-tech to me. One gizmo looks
suspiciously like a canister vacuum cleaner and the only thing it
"finds" is a toenail clipping that could've been spotted with the
naked eye. [6 Oct 2000, p.E1]
Season 1 Review:
The science and deduction on C.S.I. is mildly interesting, if grim, but the show's small forensics team, including actors William Petersen and Marg Helgenberger, is as cliched as they come. From the forced co-worker banter to the second-rate office dramas, the ensemble is as lively as a trip to the morgue. [6 Oct 2000, p.D1]
Season 1 Review:
Why did executive producer Jerry Bruckheimer ("Remember the Titans") populate his CBS series with such revolting characters? With the exception of Marg Helgenberger's harried but compassionate investigator, this is a crew teeming with bullies and psychos. [6 Oct 2000, p.S32]
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