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CRITIC SCORE DISTRIBUTION | ||
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Positive:
75
Mixed:
40
Negative:
0
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Critic Reviews
The GuardianJan 30, 2026
Season 1 Review:
Show every sign of having watched one too many episodes of Downton Abbey. ... I felt by the end of the first episode it had delighted me with its presence long enough, and yet … and yet … Was there not, after all, room for just one more? And, perhaps, another after that?
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The TelegraphJan 30, 2026
Season 1 Review:
This is a series which wears its charms on its sleeve from the start and thus has no shame about its desire to beguile and bewitch viewers. It succeeds thanks to creator Chris Van Dusen’s understanding of the material and some smart, spritely scripts from a young female-led writing room.
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Season 4 Review:
Yerin Ha is sharp and effervescent as Sophie, and it’s hard not to fall in love with her almost instantly. Plot-wise, there’s some charming “upstairs-downstairs” type interplay a la “Downton Abbey” or “The Gilded Age.” .... The show also manages to give Benedict a bit more depth than he’d been afforded in the books.
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Season 4 Review:
As charming as she is, Ha cannot make up for scripts that struggle to create narrative stakes, import or feeling. It's as if everyone involved in the juggernaut Netflix show is twiddling their thumbs, waiting for a more interesting Bridgerton sibling to take over the main story.
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Season 4 Review:
The true romantic highlight of Season 4 thus far is the burgeoning lust, yearning and flirtation Lady Violet shares with Lord Marcus Anderson (Daniel Francis). A limited series could be devoted solely to them. Meanwhile, Benedict and Sophie fade into the background, especially amid the bizarrely split season, which harms the show’s pacing and its central romantic tension.
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The TelegraphJan 29, 2026
The IndependentJan 29, 2026
Season 4 Review:
It is the closest a human could come to creating an AI slop Regency romance: distilling plotlines from classic novels and fairy tales, generating consistently perfect facial bone structure, rendering everything in lurid, over-saturated colour. And yet, Bridgerton remains perfectly enjoyable.
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Season 4 Review:
Bridgerton Season 4 Part 1 retains the charm of past seasons, but it often feels like two clashing shows, competing for ultimate attention. .... My only hope is that that drama can be a bit more streamlined, a bit more sexy, and bit more focused on our wonderful season leads when Part 2 rolls out on February 26.
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Season 3 Review:
It’s all sumptuous fun. The spectacular balls with the orchestrated pop songs and the old-old-old-school line-dancing continue to dazzle. The supporting characters, including Lady Danbury (the fabulous Adjoa Andoh), her newly returned brother Marcus (Daniel Francis), and mean girl Cressida (Jessica Madsen), continue to amuse.
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Season 3 Review:
After watching the batch of episodes released as Part 1 of this new season, I—much like the “on-the-shelf” Penelope—confess myself exhausted by standing at the edges of all these endless ballrooms, watching these sumptuously dressed rich people do their dancing and exchange their speaking glances. After the fourth or so installment turning on the events at so-and-so’s musicale or so-and-so’s luncheon, I find myself thirsting for a different setting and different stakes.
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The TimesMay 16, 2024
Season 3 Review:
Be in no doubt, though, that this is Nicola Coughlan’s series. You are basically here for her. Without Coughlan’s luminous, showstopping performance as the shy, overlooked and underestimated wallflower Penelope Featherington, plus the frustrating will they, won’t they? dynamic between her and Colin, it would be a fairly shallow affair.
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The Daily BeastMay 16, 2024
Season 3 Review:
Penelope’s fractured friendship with Eloise Bridgerton (Claudia Jessie) practically steals the show. Penelope’s bubbling romance might deliver the most captivating scenes, but her desperation to win her best friend back after a gross betrayal cuts much deeper. .... This is the most fun Bridgerton has ever been.
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iMay 16, 2024
Season 3 Review:
The final episode of the four ends with an intoxicating cliffhanger, with Penelope and Colin’s future hanging in the balance. I would usually admonish Netflix for splitting up a series (a transparent ploy to keep viewers subscribed for longer) but, in the case of Bridgerton, it’s somewhat poetic. So far, it’s been worth the wait.
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Season 3 Review:
Once you’ve mastered basic “Bridgerton,” it’s possible to sit back and let each new season predictably wash over you, its level of satisfaction dictated simply by how much one connects with the latest characters to be paired off. Fortunately, the third round (after a “Queen Charlotte” detour) has the highly sympathetic Penelope Featherington (Nicola Coughlan) at its core, adding some additional sweetness to the formula.
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The TelegraphMay 16, 2024
Season 3 Review:
The dialogue, the gossip, the ballroom dances to Billie Eilish songs: it’s all there, just the same as it ever was. The writers seem to have given up. .... Fans of #Polin will be beside themselves when the pair finally get steam. Curiously, though, they have almost zero chemistry.
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Season 3 Review:
In Season 3 Part 1, familiar faces are spotlighted, new and evolving friendships flourish and blossoming romances infuse an air of freshness into the show. The catalyst for all this change begins with the metamorphosis of Penelope Featherington (a stellar Nicola Coughlan).
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Season 3 Review:
The first chunk of episodes in Bridgerton Season 3 are an ecstatic delight. Bridgerton might have a new showrunner in long-time writer Jess Brownell, but the world is still as enchanting and romantic as ever. .... This season is truly a showcase for new leading lady Nicola Coughlan. The Irish actress absolutely sparkles as wallflower-turned-heroine Penelope Featherington.
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Season 3 Review:
In their steamiest moments together, Coughlan and Newton emit a tenderness that instantly wipes away any doubts a viewer could possibly have about the characters’ ardor for each other. On the whole, however, this outing lacks the giddiness of earlier ones. .... The delicious yearning that has been Bridgerton‘s bread and butter is dulled, significantly, by the fact that there’s not much actually standing between the would-be couple.
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Season 3 Review:
Nicola Coughlan and Luke Newton excel as the couple at center stage, beautifully portraying the knife’s edge balance on which Penelope and Colin’s relationship sits. The first four episodes' primary weakness is an overabundance of irrelevant side plots, crowding the stage of the romance itself.
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LooperMay 16, 2024
Season 3 Review:
t's good but not great, yet it accomplishes the two things it really needed to do. One, it's a strong enough entry to keep the series going (hopefully through the romances of each "Bridgerton" sibling, if Netflix knows what's good for them). And secondly, this should be the season that makes Nicola Coughlan the bonafide star she deserves to be.
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Season 3 Review:
As with most of Bridgerton’s stories, nothing about this is particularly subtle. But damn if it still isn’t incredibly affecting. Coughlan and Newton’s chemistry remains sweetly adorable. .... This season largely belongs to Coughlan, who shines as Penelope and runs the gamut from furious to heartbroken to deeply indecisive.
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Season 3 Review:
Bridgerton has lost its charm, at least in part because Newton lacks the charisma of his male-hero predecessors. The sex scenes don’t evoke the same thrill they once did—and maybe, looking back, that was more the thrill of something new, not Bridgerton actually being good at depicting sex.
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The IndependentMay 16, 2024
The Mercury NewsMay 15, 2024
Season 3 Review:
Toss in an invitation to engage in a threesome, and this racier season, which, of course, is resplendent with gorgeous costumes, period details and classical-contemporary music, is just as much of a great escape from wretched reality as, says, a corker of a romance novel.
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Season 2 Review:
Take my word, dear reader, this second helping of the smash Netflix series still smolders. Despite a drag in the midsection and the no-show of season-one sex magnet Regé-Jean Page, the dishy Shondaland cosplay brims over with eye-popping spectacle and ravishing romance.
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Season 2 Review:
Season 2 proves that there's more than one Bridgerton worth rooting for, and considering future seasons will follow the romantic escapades of other siblings (artsy Benedict is up next), these new episodes pass an important test. "Bridgerton" wasn't just a one-hit wonder.
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The Daily BeastMar 23, 2022
Season 2 Review:
There’s heat between Ashley and Bailey, but the delicious, simmering tension of Season 1 never comes. Rather than a slow boil, Anthony and Kate’s relationship sputters through all the familiar beats without much rhythm. The crackling arguments, gasping emotional beats, and some admittedly hot glove play are all there, but the spark is not.
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Season 2 Review:
Clever asides here and there suggest this is a more PBS version of the romance novel; scant bedroom scenes confirm it. Season Two gets its heat from Anthony’s no-nonsense way of going about his matrimonial business. ... Bailey plays this oh-so-smoothly and raises the bar on “Bridgerton’s” elegance.
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Season 2 Review:
Despite its positives, Bridgerton is ultimately not as fully, effectively transportive this go-round. Even though both seasons rely heavily on the tropes of romantic storytelling, this one makes it easier to spot those tropes and become distracted by their presence. ... But the real scandal — Lady Whistledown herself would certainly confirm this — is that there’s less excitement.
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The TimesMar 21, 2022
Season 2 Review:
The performances of Bailey and Ashley are good, and make the series more substantial. Let's not get carried away, though: it's still candy-floss flimsy much of the time and packed with frocks, froth and cliche, but it is moreish, a splash of jolliness, glam and colour in a grim world (its timing is excellent).
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Season 2 Review:
Ten episodes may seem like a long time to stretch out a entangled love triangle, but the romantic complication rings true: Kate may long for Anthony, but her true loyalty lies with her sister, and she can’t ever be with him without hurting Edwina irrevocably. It’s an effective plot hurdle with no easy out. If only any of Bridgerton’s myriad subplots were half as compelling. ... Still, those looking for romantic escapism with picture-perfect historic detail could do a lot worse than Bridgerton.
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Season 2 Review:
But over the course of the season’s eight episodes running a solid hour-long each, this “Bridgerton” return too often feels like a luxurious carriage stuck in the mud, spinning its wheels before eventually heaving itself back on the road. ... The good news about Season 2, though, is that for as deliberately frustrating as the main love story becomes, the actors playing it are very, very good.
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The TelegraphMar 21, 2022
Season 2 Review:
As played by Claudia Jessie, Eloise is one of the best things here, bringing a spark that is missing from some of the bigger performances. There are times when the central relationship between Anthony and Kate seems to drag on without much passion. But after bingeing the series - in the service of this review, dear reader - their romance swept me away in the end.
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Season 2 Review:
Bailey and Ashley’s chemistry feels on the whole more evenly matched than their predecessors’ did. ... As with last season, the storylines around the central romance prove to be a mixed bag. ... Season two backs up the reputation season one earned for delivering fine, frothy romance.
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IndieWireMar 21, 2022
Season 2 Review:
“Bridgerton” Season 2 tries hard to please everyone, but ends up feeling watered down. Gone is the sexiness in favor of a more chaste series that almost everyone can watch together. Simone Ashley is a gem this season, but there’s never enough chemistry between her and Bailey to get a fire started.
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Radio TimesMar 21, 2022
ColliderMar 21, 2022
Season 2 Review:
Bridgerton successfully fills the very specific niche of unabashed romance-rooted storytelling that audiences have been anticipating — and those of us who get our thrills from watching people fall in love amidst the backdrop of a very restrained society (set to the tune of many excellent instrumental covers of contemporary pop songs) will have plenty to feast our eyes on.
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TV Guide MagazineJan 4, 2021
Season 1 Review:
Twisty romance plays out against a busy swirl of subplots. [4 - 17 Jan 2021, p.6]
Season 1 Review:
My empty, end-of-the-year brain was well served by the burlesque of selfish viscounts, conniving ladies of the house, and enterprising modistes. Less pleasurable were certain attempts at seriousness. ... The grafting of contemporary politics onto the period piece feels extraneous and vague. Maybe this interracial-love fetish would have jelled better in the Obama era.
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ColliderDec 27, 2020
Season 1 Review:
The costumes are beautiful. The actors are on point. It's a show that knows exactly what it is, but beautifully achieves that while also still layering in some surprises and modern twists. Turn your nose up at it, if you like. But you'll miss out on some of the year's most enjoyable television yet.
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The Daily BeastDec 27, 2020
Season 1 Review:
It’s a juicy show that will get you hard and make you cry—a real capturing of life under lockdown—while serving up a cast so stacked with attractive actors that by the time storied British hottie Freddie Stroma shows up, he starts to look almost plain. Let’s all just be grateful.
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Season 1 Review:
While it may not qualify as an instant classic, or even very good, it is good enough to smooth out the raggedy ending of 2020. All the graces and visual splendor one expects of some dream version of 19th century England seduces the eye on the front end, but beneath this show's heaving decolletage beats the heart of "Scandal" and lust of "Grey's Anatomy."
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RogerEbert.comDec 24, 2020
Season 1 Review:
The result is an inconsistently paced effort that ultimately reveals itself as an entirely predictable “Pride and Prejudice” retread. “Bridgerton” is amusing enough and will scratch a certain thirsty itch, but its themes about love, marriage, and class aren’t quite as progressive as it would like to think.
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Season 1 Review:
It’s an unqualified triumph. ... “Bridgerton” is Jane Austen meets “Scandal” meets “Gossip Girl” meets “The Favourite,” resulting in a wonderfully anachronistic mashup with gorgeous visuals, high-end production values and suitably larger-than-life performances by the talented cast.
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Season 1 Review:
The various marriage plots and melodramas feel familiar (and, in the season’s back half, drawn-out), and the gestures at upstairs-downstairs class-consciousness are underdeveloped. But what works here is fizzy and fun enough that you may not care. Page is magnetic. ... Dynevor likewise balances Daphne’s romanticism and independent-mindedness, and the bow-chicka-wow-wow physical chemistry between the two leads is a character in itself. ... The old-newness of “Bridgerton” is a kind of statement in itself.
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