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CRITIC SCORE DISTRIBUTION | ||
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Positive:
5
Mixed:
3
Negative:
2
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Critic Reviews
Sep 23, 2019
Season 1 Review:
An unabashedly sweet comedy. ... And yet it’s laudable that the first three episodes make the most of their abbreviated runtimes to treat the rest of the story, particularly that between Bob and Abishola themselves, with more heart and nuance. ... The show probably can’t keep them [Bob and Abishola] from a relationship for too long without stretching its premise too thin, but for now, their dynamic is a refreshingly unique one for a broadcast network sitcom.
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Sep 23, 2019
Season 1 Review:
What draws you into the show isn't the will-they-or-won't-they marriage plot, but Bob's earnest likeability contrasted with the pragmatic vivacity of its immigrant characters. Olowofoyeku bewitches as the delightfully gruff and straightforward Abishola. ... So far it's pleasant, detailed and occasionally laugh-out-loud funny.
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Oct 7, 2019
Season 1 Review:
If "Abishola" can move its main couple into a romance at a slow but steady pace and still find comedy once the relationship status is a little more official, Lorre may have another long-lasting sitcom on his hands. It probably won't have the volume or flair of "Big Bang," but going small and subtle can work just as well.
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Uncle BarkySep 19, 2019
Season 1 Review:
Bob Hearts Abishola feels good -- and good to go -- the second Olowofoyeku enters the picture and begins riffing with Gardell. They seem to be made for one another -- at first as actors and eventually as characters whose future dating ups and downs should keep this show on a steady, agreeable course.
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Sep 24, 2019
Season 1 Review:
“Bob” mines race and immigration somewhat in the sort-of-serious way that Lorre’s “Mom” got mileage from addiction and recovery. ... Though Gardell is clearly where the casting began, if there is an Emmy waiting here, it’s for Olowofeyeku, who delivers one of the more remarkably grounded performances I’ve seen in a multi-camera, live-audience comedy.
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Sep 23, 2019
Season 1 Review:
What you’re more likely to notice through the first three episodes, though, is how resolutely timid and unfunny it is, as if Lorre and his writers are scared laughless by their subject matter. It doesn’t help that his framework for interracial romance feels like a parody of an earnest 1950s social-problem play.
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