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Positive:
31
Mixed:
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Negative:
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Critic Reviews
IndieWireMay 27, 2016
Season 2 Review:
Series creators/showrunners Todd A. Kessler, Daniel Zelman and Glenn Kessler find their groove in Season 2, incorporating a handful of exciting surprises--both in story and storytelling techniques--at various points throughout the season to keep things fresh, build tension and expose the inner workings of John's brain.
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Uncle BarkyApr 15, 2015
Season 1 Review:
Mendelsohn is superb as Danny, who shifts between vulnerability and venality with a swiftness that will leave you breathless. And there is an authenticity to the interplay between these adult siblings, freighted with unspoken accusations, long-held grudges, bitter rivalries and yes, even love, hinted at in flashbacks and fleshed out in a shocking flash-forward.
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Season 1 Review:
As madly tied to one another as they are, the Rayburns are, in the first few episodes, at least, a little hard to care about. Yet there is enough happening by the third episode that I will definitely watch the fourth, just to see what might or might not happen, what herrings might be red, and what surprises might be truly surprising.
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RogerEbert.comMar 17, 2015
Season 1 Review:
The premiere is weighed down with a lot of character set-up, taking place mostly at the reunion and focusing on the dynamic between John and Danny. While the next two episodes are tighter, thanks in no small part to an interesting narrative twist that ratchets up tension in the family, there are things that work right from the very beginning, mostly thanks to the cast.
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Season 3 Review:
The third and final season of Bloodline, like the two that preceded it, is steeped in the show’s best qualities: the palpably noirish heat of the Florida Keys and fine acting from an ensemble that is truly as good as it gets on television. But its murders and cover-ups and layers of lies to mask the cover-ups often become extreme and trying to the patience.
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Season 2 Review:
The final episode contains clues and answers to mysteries that, when the season ends and you think about it, could easily have been introduced in the first or second episode without any diminishment of suspense--indeed, would probably have resulted in a pleasing increase in suspense. As a languid mood piece, Bloodline is one pleasantly decadent binge. And as I said, Chandler and Cardellini are particularly effective.
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Season 1 Review:
Too much of those first nine episodes is taken up with vague hints of something dramatic happening just over the horizon.... Chandler, Mendelsohn, and Spacek all give searing performances. In particular, the final confrontation between Chandler and Mendelsohn is filled with meaty moments that both actors sink their teeth into.
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IndieWireMar 4, 2015
Season 1 Review:
Bloodline creates a unique, insular world, but also one without the heartbeat that gave life to its alt-world, comedic brother [Arrested Development]. Rarely do we escape the distinctly depressed insular universe of the Reynolds' family, making for an experience both intoxicating and claustrophobic.
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Season 2 Review:
Despite even their most reckless actions, the remaining Rayburn family struggles and strives to keep up appearances alongside [Kyle Chandler's John], and Bloodline similarly feels the need to stress the maturity of its characters and the seriousness of their situation. In doing this, the creators fail to fully survey the storm of feral impulses hiding beneath the postcard image of both the Florida Keys and one of its supposedly most celebrated families.
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Season 3 Review:
There are a few coincidences in the final hours that make the plotting strain credulity, and the second-to-the-last episode feels as though a big chunk of it was cut and pasted from previous seasons and leftover editing-room footage in order to reach the assigned 10 hours. Lumbering along, dragging family history along in a way that slows down its thriller storytelling, Bloodline contains too many instances of a character saying some variation on the line, “When’s it going to end?” or “How did we get here?”
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Season 2 Review:
It's so relentlessly self-serious that it becomes increasingly tough to sit through. There's no levity or break from the insistence that what we're watching is a very important story about a family falling apart. If the characters were more active, or even just funnier, that might make them more palatable to hang out with. As it is, they're all mostly there to glower and worry about what they stand to lose.
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Season 2 Review:
Bloodline might not be the deeply meaningful prestige drama it wants to be, but watching the Rayburn family attempt to keep hidden all the secrets and lies constantly threatening to rise from beneath the surface, as they attempt to protect their business and reputation (and even, in John’s case, rise yet further up the social ladder), still makes for a diverting binge-watch.
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IndieWireMay 30, 2017
Season 2 Review:
The first new episode of season two--which takes place just a day after the first season's actions--seemed exponentially long, which was not a good sign. Getting through a second one was also a chore but had enough ridiculous signs of where Bloodline was going this time to be enough evidence to bail right then and there.
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