- Network: Netflix
- Series Premiere Date: Nov 3, 2022
User Score
Generally unfavorable reviews- based on 14 Ratings
User score distribution:
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Positive: 3 out of 14
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Mixed: 3 out of 14
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Negative: 8 out of 14
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User Reviews
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Nov 5, 2022This review contains spoilers, click expand to view.
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Nov 14, 2022Most of the jokes were used during the trailer. The acting is surprisingly bad, even given the genre and expectations I had going in.
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Nov 6, 2022It's a light-hearted feel good comedy. If something like Big Bang can be popular and go on for so many seasons then I certainly don't understand why Blockbuster can't. Season 2 is setting solid foundations for a stronger, better season 2.
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Nov 3, 2022If this is comedy, this is the most depressing and boring show i have ever seen.
Terrible actors too, i don't expect this to go past the first season. It's just sad. -
Nov 3, 2022Great ensemble cast. Funny, touching and well-written (Vanessa Ramos created the series). Totally a feel good binge. Can't wait for season 2!
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Nov 3, 2022admirable
[ ad-mer-uh-buhl ]
adjectiv
worthy of admiration; inspiring approval, reverence, or affection. -
Nov 13, 2022Great sitcom/comedy with some heart if you like shows like Brooklyn 99, Good Place, New Girl, and Happy Endings. These type of shows some of my favs, always on the hunt for more like them. This isn’t quite as good as those but still a very enjoyable watch. I’m confused by these other reviewers.
Awards & Rankings
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Nearly every character in Blockbuster exemplifies a version of this tension: adulthood and childhood, intersecting at awkward angles. That makes the show, like so many of its fellow workplace comedies, an apt reflection of its time. ... Blockbuster becomes not just a workplace comedy but also a family comedy and a buddy comedy. ... Blockbuster is comedy infused with loss, as a fact and as a looming threat. It is a show fit for a moment shaped by regressions.
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The show isn’t bad, but it’s definitely familiar, with a cast of quirky characters who constitute a likable, if occasionally kooky workplace family. ... But these first 10 half-hour episodes are less interesting than “The Last Blockbuster,” Taylor Morden and Zeke Kamm’s documentary about how the Bend outlet came to be the last Blockbuster in America.
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There’s a lot of squandered potential here. The lack of focus on the customers is an easy win missed. And while the lack of a “big bad” may be refreshing but means the show lacks any sense of real peril or urgency. By the halfway mark we lose sight of the driving force of the show and slip into soapy silliness.