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Critic Reviews
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While it's emphatically not a great show, it is an overheated yet intriguing one, driven more by visuals than words--and if you don't mind that its gory action and soap-opera plots aren't yet matched by dialogue and performance, it's worth a look.
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It does what it sets out to do reasonably well without breaking my brain in the process.
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Banshee has has elements of "Justified," "Big Love," Ball's "True Blood" and, of course, the film "Witness." What it doesn't have, at least in the first two episodes, is anything new to say, about small towns, power, corruption, fear, crime or love.
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It has a solid pedigree. It's also part of Cinemax's effort to expand its original programming. That effort pays off with Banshee.
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Banshee's not a terrible show. At times it can be entertaining. But at best it's terribly, entertainingly superfluous.
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Banshee is a mangy mutt of a TV show and doesn't care if you know it.
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The show has some unorthodox elements, but feels fairly cliched in most of its beats, largely serving as an excuse for bouts of grisly violence and gratuitous sex.
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A slow-pokey drama punctuated by shocking violence and sex.
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The show doesn't pretend to be anything more than what it is--a violent, sexy, somewhat cheesy, but generally entertaining genre drama--and that makes it easier to like.
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What looks like a flat noir thriller could still make for a pretty entertaining police procedural.
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Its smartness comes shining through despite the claptrap (none worse than the parade of sex scenes, soft-porn variety, whose noisiness is exceeded only by their unconvincingness); its story, littered with intriguingly repellent characters, like Kai Proctor (Ulrich Thomsen), local evil tycoon, grows ever more enticing.
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Banshee has the audacity to behave as though its bloody violence, implausible set-up and studied ugliness is somehow vanguard television. In fact, it's just more of the same.
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Like True Blood, Banshee can be preposterously entertaining, or perhaps entertainingly preposterous.
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It's the characters of Banshee and their labyrinth of relationships that make the show an engrossing, entertaining portrait of a fictional small town.
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It's all much better than it sounds, and more importantly, like "Strike Back," is written better than you'd expect.
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Its overall implausibility and everything-but-the-kitchen-sink plotting work against what little promise Banshee has.
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Yes, it can often sound like a pulp setup bound to go sideways, but Banshee ends up being taut, entertaining and smart enough, and you won't completely turn your brain off.
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Neither a clear message nor steady mood can be properly discerned amid the taxing commotion.
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Banshee is baloney, but viewed as pure camp, there are some good action sequences and amusing moments.
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Despite the somewhat strained setup, Banshee is a kick: ultraviolent, over-the-top, and wickedly fun. [11 Jan 2013, p.80]
Awards & Rankings
User score distribution:
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Positive: 289 out of 316
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Mixed: 18 out of 316
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Negative: 9 out of 316
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Mar 1, 2013
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Jan 13, 2013
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Feb 22, 2014