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CRITIC SCORE DISTRIBUTION | ||
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Positive:
102
Mixed:
60
Negative:
10
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Critic Reviews
Oct 24, 2013
Season 3 Review:
Despite its cheap shock effects, the show is indulgently ridiculous. [[28 Oct 2013, p.41]
Sep 30, 2011
Season 1 Review:
It's funny and moves blindingly fast, barely giving you time to blink or gulp--Dark Shadows for the PlayStation age. [10 Oct 2011, p.39]
The Daily BeastSep 13, 2018
Season 8 Review:
Vignettes of people reacting to the world’s end carried more emotional heft than Horror Story is known for, and the depravity that follows doomsday is, as depicted here, suitably chilling. Yet at the same time, we’re watching Leslie Grossman shriek hilariously entitled freakouts and Joan Collins purr sassy one-liners while a Ryan Murphy-approved troupe of impeccably bone-structured twinks preen in fabulous clothes (and occasionally without!). It’s fun!
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The Daily BeastSep 6, 2017
Season 7 Review:
The concept for Tuesday night’s premiere of American Horror Story: Cult is so on-the-nose it can only be called brilliant. ... A murder investigation (led by Colton Haynes), and also a dizzying array of new plot points that distract from what works the best about this standout first episode: the crippling battle between politics and paranoia.
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ColliderSep 5, 2017
Season 7 Review:
The metaphors may be a problematic mess (I’ll wait to see the whole series before making any judgment), but there’s a crackling energy to Cult as it explores the consequences of a society desperate to assign blame for consequences we don’t even fully understand yet. Cult mines satire out of a real-life farce, and finds terror there too.
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Sep 5, 2017
Season 7 Review:
Perhaps best of all, it really is a horror story. One that uses artful cinematography and remarkable performances (Grossman and Paulson are best in show) to remind sympathetic viewers of the foreboding dread that hasn't abided since last year and to gin up pit-of-the-gut outright terror.
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RogerEbert.comSep 5, 2017
Season 7 Review:
It’s about the instability that has unearthed itself from the ground since Donald J. Trump was elected, one that feeds our greatest fears, from either side of the aisle, and, while it sometimes displays Murphy's go-for-broke inconsistency of character and style, it also makes for very fascinating television.
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Sep 1, 2017
Season 7 Review:
This show is trying to do a lot. Some may find that approach excessive and the idea of Grand-Guignol–ing what’s happening in our country a little crass, especially since the show takes some pretty pointed jabs at progressives. Others, especially those well-versed in the series’ over-the-top sensibility and drily snarky humor, will dig into it all with complete relish ... The whole cast is terrific, but the series is (no surprise) a real showcase for Paulson, who’s a bundle of jangled nerves and teary-eyed fear.
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Aug 31, 2017
Season 7 Review:
So far, I'm properly disturbed by Murphy and company's much-too-close-to-home allegory, amused by some of the sharp social satire and endlessly impressed by Sarah Paulson. That should keep me with American Horror Story: Cult longer than I've stuck with several other seasons.
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Sep 15, 2016
Season 6 Review:
None of it innovated on horror tradition--echoes of The Blair Witch Project, The Hills Have Eyes, and The Amityville Horror abounded--but the creep-outs were executed with careful timing and visual flair. The documentary aspect and the limited cast size thus far has also offered convincing, grounded characterization of the leads--and more importantly, characterization of their relationships.
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Sep 15, 2016
Season 6 Review:
A lot of this was great fun. ... The grace notes the show allowed itself--the witty depiction of Shelby as a bougie yoga lover who likes her evening glass of wine maybe a little too much, the unapologetic plot holes that garishly remind you that yes, this is a horror story--were actually allowed to resonate, rather than being muffled by too much too-muchness.
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Sep 15, 2016
Season 6 Review:
If you tuned in for the start of "My Roanoke Nightmare," chances are good that you'll continue with it because it was a lot of ground-laying, but almost none of the excess that the show is known for. ... Beyond the atmospheric set-up, the "My Roanoke Nightmare" was worth watching just for the initial casting fun, always an AHS staple.
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Oct 7, 2014
Season 4 Review:
Homicidal clown Twisty (John Carroll Lynch puts the horror back in Horror Story, and runs neck and neck (and neck) with Paulson’s Tattler twins as “Freak Show’s” most intriguing breakout character.... Elsa initially comes off as more cartoonish and less complex than Lange’s previous turns. That changes for the better once Lange lays bare the vulnerability beneath Elsa’s hardened exterior in a few poignant scene.
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Oct 9, 2013
Season 3 Review:
There's still blood and gore all over the floor, mind you. Not to mention rape, gruesome torture and evil run riot, and that's just the first episode. But there's also a lightness of touch and tone, a backlight of sly humor and, more important, a clearly delineated narrative.
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HollywoodChicago.comOct 9, 2013
Season 3 Review:
There are a LOT of characters and one hopes that Murphy & Falchuk don’t allow the program to get weighed down in subplots. Even if the show does get scattered, great performances by Lange, Bates, Bassett, Roberts, and Farmiga should keep viewers from wanting to leave this Coven.
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Oct 4, 2011
IndieWireSep 15, 2016
Season 6 Review:
Murphy and Falchuk didn’t exactly sell a whole new “Horror Story” in the first hour, but what’s here marks an effort to try something new in a franchise that both reinvents itself every season and remains frustratingly similar. ... "My Roanoke Nightmare” is a promising start with a central mystery as tantalizing as the ads teasing it.
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Oct 7, 2015
Season 5 Review:
As an actress, Lady Gaga wears clothes very well. That’s not the dis it seems. The extended 90-minute premiere doesn’t give her much chance to act, or speak, for that matter.... As Dr. Alex Lowe, John’s estranged wife, returning player Chloe Sevigny provides a welcome balance to the over-the-top bloodletting, but as good as she is, the bad soap opera dialogue just proves Murphy and Falchuk have no interest in writing “normal,” whatever that is. They’re here to deliver spectacle.
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Oct 16, 2012The Daily BeastOct 20, 2022
Season 11 Review:
AHS: NYC has all the Murphy-esque signatures, and more: It's sexy, it's salacious, and it's subversive—not least because of the era and the community in which it's set. Like most seasons of this show, NYC starts strong, though it's difficult at this point to say exactly what's going on.
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Sep 13, 2018
Season 8 Review:
It’s early yet, but the moments of genuine pain gleaned from the first moments of the episode redeem the somewhat aimless, camping next 45 minutes. ... In the absence of a greater theme announcing itself, American Horror Story: Apocalypse, ringing in the end of days with weird hairdos and an unbelievable story of the devil himself, counts as something close to escapism.
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Sep 6, 2017
Season 7 Review:
Unsurprisingly, though, it is not Cult’s take on Trump voters that has any real frisson. Murphy doesn’t respect that point of view enough to make it sound like anything other than raving semi-philosophy. But the show is more scathing about liberals and Ally in particular.
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Sep 5, 2017
Season 7 Review:
The fears fueling Cult are internal and externalized in an intensely gruesome fashion. It feels like just the ticket at some points, and at many others, seems too unsustainable to bear for an entire season. Its relative appeal, then, feels like a moment-to-moment determination.
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Sep 5, 2017
Season 7 Review:
You’ll have to sit through a few lackluster episodes before American Horror Story: Cult becomes truly enjoyable, but if you’re a fan of the show, it’ll be worth it. Seeming to have found itself with episode four, it’ll certainly be exciting to see if the season can continue its upward trend from here.
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Sep 15, 2016Sep 15, 2016
Season 6 Review:
All of that is clever, but after watching last night’s episode, I’m still not sure whether this season can accomplish what earlier seasons of American Horror Story and this summer’s Stranger Things did: spin all those embedded references into something engrossingly new. One of the problems of the documentary-style approach is that it automatically sucks some of the tension out of what we’re watching.
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Oct 8, 2015
Season 5 Review:
If this all sounds immensely convoluted and sadistic, well, welcome to American Horror Story. But there’s reason to hope that this will be among the better messes the show has served up.... Hotel’s premiere returned to the frightening essentials--death, desire, and property deeds.
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Oct 7, 2015
Season 5 Review:
AHS: Hotel more obviously resembles the first two, better seasons of American Horror Story than it does the latter, lesser two.... John provides the note of contrast and relief so delicious in the early goings of a scary story: the skeptical person who does not yet know fear, and who, for just a little while, is safe to hang around with.
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Oct 6, 2015
Season 5 Review:
Early on, Hotel hasn't hooked me with its storytelling, but it's always fun to see what the series does with its repertory acting company and with new additions. Throw in the normal grotesquerie and visual panache and that should keep me going for a while, even if all of the humor appears to have been funneled into Scream Queens.
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RogerEbert.comOct 6, 2015
Season 5 Review:
American Horror Story: Hotel is cluttered, unfocused, ridiculous, and silly, but it is very self-aware and stunningly confident at the same time. Murphy and Falchuk almost dare you not to join in the chaos, and it certainly feels more assured than the inconsistent “Freak Show.”
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The Daily BeastOct 9, 2014
Season 4 Review:
It’s hardly [his crowning achievement], lacking the aggressive whimsy and emboldened storytelling that’s made him the pied piper to a nation of TV-watching weirdos, mocked and ignored. But there’s a seriousness with which he’s given this first Freak Show outing that actually piques more of a curiosity than trotting out the expected onslaught of spooks, one-liners, and cheekiness could’ve possibly be done at this point in the American Horror Story run.
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Oct 9, 2013
Season 3 Review:
I’m less sure what the season will do with the potentially volatile racial themes the premiere hints at. But AHS seasons have always thrived on the philosophy of risk and excess. So far, the first episode of Coven is a stylish introduction (complete with black hats).
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Oct 8, 2013
Season 3 Review:
Fish-eye lenses and rotating cameras don't feel at home here as in other installments, and things aren't creepy so much as grotesque. Still, there are a number of decent effects and a healthy dose of humor that keep things moving along in an entertaining way. Eventually, the many stories find their way together, which helps propel the premiere to its promising finish.
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Oct 17, 2012
Season 2 Review:
Not everyone's going to like this or other aspects of Sister Jude's story, which essentially does for nuns what the first season did for real estate agents. But it's the kind of cliché meant to appeal to parochial-school survivors of a certain age of which, yes, I'm one. And Murphy another.
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Oct 6, 2015
Season 5 Review:
Like the previous four "AHS" editions, the fifth is a visual feast (which is probably the wrong word here, but you get the idea). Everything--everyone, and not just Gaga--is eroticized, too. Even the shadows are seductive. A shame that it all feels so grim and joyless.
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Oct 6, 2015
Season 5 Review:
[Lady Gaga] purrs like no other American Horror Story cast member has, turning the arch dialogue into something spellbinding, maybe even sexy.... More interesting than its tepid attempts at horror, and its even lousier ones at humor, is that American Horror Story is examining history through subjective perspective, art, architecture, and so on.
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Oct 8, 2014
Season 4 Review:
Based solely on the premiere, American Horror Story: Freak Show might rate a rave, or at least a "great if you like this sort of thing." But since the first season, I've learned that Murphy and Falchuk don't reliably follow the path they start down, often seeming to prefer to gross viewers out than tell a coherent story.
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