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CRITIC SCORE DISTRIBUTION | ||
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Positive:
24
Mixed:
3
Negative:
3
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Critic Reviews
Season 1 Review:
Often violent and brutal (Sydney packs one mean karate kick and knows how to use a dentist's pliers effectively), Alias is a jumbled, cliche-ladened offering. Not only is it laced with hip, mellow, contemporary songs a la "Felicity," it also has guitar chords reminiscent of the James Bond 007 theme, and a musical segment inspired by the theme to "Shaft." [30 Sept 2001, p.TV-6]
Season 1 Review:
Abrams directs stunning action scenes, and he develops a shadowy world of long-term potential. Garner manages to keep the show involving in the sillier moments, such as when Sydney dyes her hair loud red and goes off to settle scores single-handedly...Garner plays this conflicted heroine with poignancy and grit. [30 Sept 2001, p.4]
Season 1 Review:
Though there are surprises and crosses and double-crosses in the show's waning minutes, Alias fails to make me care much about its characters, their future or understanding who the good guys are and who the bad guys are. "La Femme Nikita" kept these mysteries beguiling in its early seasons; Alias can't manage to do that in its first episode. [30 Sept 2001, p.TV-5]
Season 1 Review:
Alias suffers from a split personality. It's half John LeCarre, half comic book. In the field, Sydney, who looks about as formidable as your average Vogue cover girl, becomes a spike-heeled super-spy who shoots and karate-kicks her way through a horde of terrorist storm troopers as if they were targets in a video game. She's preposterous, and so is half the show. But viewers who just want to see bad guys die may not mind.
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Season 1 Review:
Great fun. Leave your brain in neutral and enjoy the zany ride. When the twisting and turning are over, the briskly paced and visually intriguing Alias glides home as solid escapist fare. Don't ask questions. If logic gets in the way, this material will start unraveling like the proverbial cheap suit. Yet, while comic-bookish and derivative, Alias emerges as a winner because it shrewdly assembles bits and pieces of "La Femme Nikita" and other espionage thrillers. There's even a little "X-Files" trust-no-one paranoia thrown in for good measure. [29 Sept 2001, p.6]
Season 1 Review:
There's plenty of espionage action and kick-boxing but little concern for political authenticity. The appeal rests in the heroine, played by Jennifer Garner with an attractive combination of vulnerability and entrepreneurial self-protectiveness. This lively piece of entertainment is too cartoonish to feel threatening.
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Season 1 Review:
Alias is one of the most non-linear and illogical pilots I have ever seen. It's also one of the most exciting television rides I've had in years. I love its energy. The breathless, roller-coaster montage of movement, color, action and emotion never quits. [29 Sept 2001, p.1D]
Season 1 Review:
The stylish, fast-moving series premiere is filled with surprising twists, witty repartee and some revved-up, well-choreographed action sequences. But the real star of Alias is, well, the star: athletic Jennifer Garner, who portrays Sydney with intelligence and graceful, hard-bodied charisma. [29 Sept 2001]
Season 1 Review:
Can Alias work on a weekly basis? While the Alias pilot plunges forward effortlessly, it also leads to some fairly complicated twists involving Sydney's father (Victor Garber) and the nature of her agency. These twists could make future episodes overly layered, or too dependent on backstory. Also, any CIA suspense series, with or without a flashy pilot, faces the challenge of coming up with 20 or so fresh espionage plots each season - no easy task.
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Season 1 Review:
Sunday's Alias premiere plays out as a high-energy adventure wrapped in a mystery -- and it's better than a lot of theatrical films of the genre. Whether the series holds up is open to question. But the premiere is a gas. And the show could well turn out to be a good one. [28 Sept 2001, p.C08]
Season 1 Review:
Alias is so captivating because the actors and the writers make you believe in the characters, the situations and the jeopardy. There's a lot of humor, too, in both the romantic relationship and the James Bond-style spy gadgetry. And there are plenty of surprising turns. [28 Sept 2001, p.149]
Season 1 Review:
Garner played Felicity's new friend in that series' first two years, and here she replaces character's earnestness with ferocity, confusion and concealed pain. She plays the more human side with aplomb, but gets stuck in fight scenes that are so stagy one can count out the steps.
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