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CRITIC SCORE DISTRIBUTION | ||
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Positive:
144
Mixed:
19
Negative:
4
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Critic Reviews
Season 4 Review:
As '24' quickly revs up the anxiety and action on the new season, the show is still flashing its taut, characteristic strengths: distinctive real time storytelling, tighten-the-vise tension, compelling split-screen visuals and sudden, sometimes shocking, outbursts of violence. All of it pushed at a dazzling pace and built around Sutherland's grim, courageous antihero with the hair-trigger volatility. [7 Jan 2005]
Season 2 Review:
It brings with it last season's same gift for immediately innards-knotting suspense, fate-of-the-free-world plotting and page-turning viewing, if such a metaphor can be mixed. It also hits the implausibility buttons much earlier in its run, although part of '24's' genius is that it drives so relentlessly forward that it leaves no time for contemplation. [29 Oct 2002]
Season 8 Review:
24" works best when the show doesn't take itself too seriously -- incorporating just enough sobering geopolitics to establish a credible foundation before indulging in wild flights of counterespionage fancy. Moreover, having one villain drive the plot for a handful of episodes before being supplanted by another has added greater satisfaction and closure to the program's high-wire storytelling.
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Season 8 Review:
If it’s not an ingenious or very new device (see: Nina, Tony, Curtis, et. al.), the damaged soul who is Jack’s Self Reflected re-raises and continues to complicate the questions that are typically understood as resolved in Jack. Patriotism and heroism, bad choices and hideous torture in the name of a big picture: it’s 24 repeating.
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Season 8 Review:
Stick around past the disappointing opening night, and on Monday, you’ll get a terrific third-hour cliffhanger and, in hour four, the arrival of a seriously damaged Renee Walker (Annie Wersching), who contributes to a shocking climax that, in fabled 24 tradition, leaves you wanting more.
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Season 3 Review:
This is now the problem with '24': The first season was a giddy novelty; the second season was a guaranteed tune-in to see if the producers could pull off the same trick twice. But now we know the rhythm of the series, and so its anything-can-happen energy has dissipated into a how-can-we-bring-back-fan-favorites waiting game.
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Season 7 Review:
There are, maybe, some hopeful signs. The series seems to have given up on trying to create a bigger WMD for every season, which it needed to do. The political subplot—new president Cherry Jones wants a humanitarian invasion of a Darfur-like African country but is being undermined—is intriguing and a bit different for the show.
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Season 4 Review:
This should be solid, action-packed stuff. Where it flattens out is that with Bauer involved -- and even if CTU wants nothing to do with him, he's going to put himself in the middle of all of this -- you know things are going to work out and too often you know how they'll work out. It takes nearly all of the tension away from a series that trades on suspense. [7 Jan 2005]
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