We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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    • 42 Metascore
    • 50 Critic Score
    Opus
    Armed with a glistening beating heart but too stubborn to open itself up, Opus falls into the very trap that it warns against.
    • 35 Metascore
    • 40 Critic Score
    The Unbreakable Boy
    The Unbreakable Boy will satisfy the terminally vanilla moviegoers, but the rest will see right through its game.
    • 62 Metascore
    • 60 Critic Score
    The Monkey
    The Monkey quite competently makes a monkey out of the human ego, though the comedy choreography is a few bananas short of a bunch.
    • 65 Metascore
    • 60 Critic Score
    Paddington In Peru
    Olivia Colman goes with this franchise like bread and marmalade, but the 'Paddington' charm of yore mostly goes out the window.
    • 42 Metascore
    • 40 Critic Score
    Captain America: Brave New World
    A committed Anthony Mackie and a game Harrison Ford deserve better than this sadly superficial excuse for a 'Captain America' film whose troubled production is written all over its face.
    • 34 Metascore
    • 50 Critic Score
    Love Hurts
    A harmless, unexciting directorial debut that tries to do too much too fast but is thankfully propped up by an always delightful Ke Huy Quan in his first ever leading role.
  7. Wolf Man
    Despite some innovative ideas about language and body horror, Whannell's 'Wolf Man' is a disappointing follow-up to 'The Invisible Man,' struggling with uneven effects, choppy editing, and underdeveloped themes.
    • 73 Metascore
    • 40 Critic Score
    One Of Them Days
    The buck unfortunately stops at the inspired casting, reducing 'One of Them Days' to another destiny method comedy that might find viewers, but not an audience.
    • 56 Metascore
    • 60 Critic Score
    Mufasa: The Lion King
    It may not reach the heights of Disney classics of yesteryear, but Mufasa: The Lion King is a movie worth watching for the clear attempt to turn it into something it could never have been.
    • 54 Metascore
    • 40 Critic Score
    The Lord of the Rings: The War of the Rohirrim
    Well-equipped to succeed but ill-prepared to do so, 'The Lord of the Rings: The War of the Rohirrim' drowns its potential in a far too hesitant narrative.
  11. Nightbitch
    A stay-at-home mother's slow descent into lycanthropy serves as a metaphor for maternal struggles in this uneven adaptation that never fully commits to its provocative premise, despite Amy Adams' raw and transformative performance.
    • 60 Metascore
    • 60 Critic Score
    That Christmas
    Its unique narrative approach stumbles as often as it shines, but an endearing mission statement makes 'That Christmas' a worthwhile family watch.
    • 34 Metascore
    • 50 Critic Score
    Red One
    A grandiose action-comedy, with an over-reliance on CGI, and not a crumb of Christmas charm.
  14. Allswell in New York
    Flashes of narrative inspiration and solid performances are not enough to rescue Allswell from mediocrity, as momentum remains in short supply.
    • 60 Metascore
    • 50 Critic Score
    Saturday Night
    Saturday Night plays with the sharp erraticism of an improv comedian's neurons, but it quite simply doesn't believe in itself the way Lorne did about the film's subject.
  16. Joker: Folie à Deux
    In Joker: Folie à Deux, director Todd Phillips's attempt to blend courtroom drama with musical elements results in a disjointed and sluggish narrative that fails to capitalize on its potential.
    • 47 Metascore
    • 40 Critic Score
    Salem's Lot
    The breathtaking visuals and bloody scares are not enough to bring this adaptation back from the dead.
    • 60 Metascore
    • 60 Critic Score
    Wolfs
    George Clooney and Brad Pitt fail to bring the big guns out on 'Wolfs,' but are just the right amount of endearing for streaming success.
    • 66 Metascore
    • 60 Critic Score
    Speak No Evil
    It pulls too many punches while being too keen on delivering others, but Speak No Evil's mighty cast and swath of subtleties seal a fine deal indeed.
  20. The Union
    Netflix's The Union is a formulaic spy thriller that wastes its promising premise. Despite the star power of Mark Wahlberg and Halle Berry, the film suffers from a predictable plot, mediocre action sequences, and shallow character development.
    • 48 Metascore
    • 50 Critic Score
    The Instigators
    While surfacing sometimes thanks to a decades-old friendship, 'The Instigators' remains a tonally chaotic sinking boat.
    • 26 Metascore
    • 40 Critic Score
    Borderlands
    One of the best video game movies ever is buried far, far, far beneath this foul, foul, foul thing.
    • 48 Metascore
    • 60 Critic Score
    Mothers' Instinct
    Perhaps poetically, Hathaway and Chastain's instincts are the immaculate saving grace for those of 'Mothers' Instinct's story.
    • 65 Metascore
    • 50 Critic Score
    Twisters
    Powell's screen presence is undeniable. Unfortunately, so is the lethal lack of confidence with which 'Twisters' tends to present itself.
  25. Beverly Hills Cop: Axel F
    Beverly Hills Cop: Axel F struggles to balance nostalgia and reinvention, with Eddie Murphy's charm unable to save it from a muddled script.
  26. Bad Boys: Ride or Die
    Bad Boys: Ride or Die leans heavily on nostalgia and fan service. While Smith and Lawrence's chemistry remains, the film's predictable plot and over-reliance on past glories make it a forgettable experience for all but diehard fans.
    • 46 Metascore
    • 40 Critic Score
    The Watchers
    The excitement with which one can anticipate Ishana's next directorial effort, is matched only by the dread of anticipating her next screenwriting effort.
  28. Furiosa: A Mad Max Saga
    While 'Furiosa: A Mad Max Saga' is highly entertaining, it fails to capture the chrome-painted perfection of 'Mad Max: Fury Road.' Instead, we end up with a bloated epic that focuses too much on world building and not enough on its titular character.
  29. IF
    While 'IF's colorful creatures and set pieces might offer a temporary distraction, the weak script and superficial world building crumbles into dust at any sign of scrutiny.
  30. The Strangers: Chapter 1
    The Strangers: Chapter 1 just feels like an overstretched introduction.
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