Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Ozon has created a monster that he can’t seem to let go of. Isabelle doesn’t just frighten her mother (and us). She seems to terrify Ozon, and I’m not sure I want to know why.
    • 64 Metascore
    • 50 Critic Score
    A reasonably diverting tale of pre-middle-aged floundering that can’t stop pointing out how unexpected everything is.
  2. The movie’s great strength is the way it captures these dancers, sometimes in slow motion, as they contort their bodies in ways that don’t seem possible. When it comes to the narrative, though, the movie struggles a bit.
  3. Think Like a Man Too, the derivative, intermittently amusing follow-up to the surprise hit rom-com from 2012, is so frenetically paced and hysterically pitched that it makes almost no room for simple enjoyment.
  4. Fans of the play will be pleased. And for those that love the Four Seasons’ music but haven’t made it to the play, you can put your fear of missing out to rest. This is a much more affordable way to very nearly re-create the experience.
  5. A sprawling yet engrossing documentary.
  6. There are as many awkward, discomfiting sequences in Obvious Child as there are interludes of genuine fun and romance. The result is a movie that feels risky and forgiving and, despite its traditional rom-com contours, refreshingly new.
  7. The movie’s focus on good vibes and high times leaves little room to contemplate the more human story. Regardless, the movie is good-natured and an enjoyable watch. If Myers really just wanted to show his appreciation, he went above and beyond.
  8. Even with the odd misgiving or two, The Grand Seduction will effortlessly charm anyone susceptible to an endearing story told with modesty, wit and unprepossessing sweetness.
  9. This may be a buddy comedy on its surface, but Bicycling With Molière also gives some insight into the way art imitates life, and also the way life informs art.
  10. The Signal has visual style to burn. And it takes good advantage of the current state of paranoia arising from our surveillance culture and the pervasive mistrust in government. On paper, this sounds like a good formula. If handled well, it could really pay off.
  11. This is a sequel that wears its well-worn formula, mocking inside jokes and gleeful taste for overkill proudly, flying the high-lowbrow flag for audiences that like their comedy just smart enough to be not-too-dumb.
  12. A riveting, moving and beautifully animated film.
  13. Walking the Camino: Six Ways to Santiago may not be entirely brilliant, but it’s at the very least inspiring.
  14. It does exactly what its subject didn’t do: toe the line.
  15. It’s a richly engrossing drama, so long as you understand that it’s aiming for the head, not the gut.
  16. Ping Pong Summer may not be an instant classic, but it knows its time and place. There’s a humble honor in that.
  17. None of the movie’s faults can undo the power of Binoche and Owen. Their interactions look so naturalistic that they seem unscripted.
  18. Like summer movies themselves, it’s become so easy to be glib in dismissing Tom Cruise. “Edge of Tomorrow” provides welcome and hugely entertaining evidence that he’s still a star of considerable gifts, and savvy enough not to let them be squandered just yet.
  19. A wise, warm, funny and touching romantic drama.
  20. As agenda-driven as Documented is, it also is a deeply engrossing self-portrait.
  21. For all the spectacular weirdness, Jodorowsky manages to generate real emotion.
  22. The real problem with A Million Ways to Die in the West is one of editing. There are a million jokes in it, but only 500,000 of them are funny.
  23. For all its limitations, Maleficent manages to be improbably entertaining to watch, due solely to its title character. As befits a star of her regal standing and superb self-awareness, Angelina Jolie has managed to bend even the Brothers Grimm to her indomitable will.
  24. Even if you’ve never heard any of this back story — let alone anything about Mine That Bird — the outcome of the film is never seriously in doubt. That leaves filmmaker Jim Wilson in the predicament of having to entertain us by showing how the horse and his handlers get their act together. Unfortunately, 50 to 1 never really does that.
    • 77 Metascore
    • 88 Critic Score
    Gray directs this handsome and evocative film with emotional restraint, making its archetypal title character a living individual whose moral journey is never simple.
  25. Wolf — who wrote Teenage with Jon Savage, author of “Teenage: The Creation of Youth Culture 1875-1945” — deftly weaves together various media in a way that breathes its own youthful, stream-of-conscious life into the documentary genre.
  26. Ida
    Each and every detail accrues to create a vivid, unforgettable portrait, and all are absorbed and reflected by Anna, portrayed by Trzebuchowska with the transparency and wonder of a woman for whom not just history but secular life itself is almost totally abstract.
  27. Puenzo has a knack for plumbing the heads and hearts of teenage girls. The director coaxes a mesmerizing, unmannered performance out of Bado, who is making her feature-film debut.
  28. The first half of Cold is tense and suspenseful, albeit in a conventional way; the second half is sickeningly compelling. It’s hard to watch and hard to look away from.

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