Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Hardly out of the driveway before director Penny Marshall loses control.
  2. Robert Redford does everything but wear a crown of thorns as the selfless war hero of The Last Castle, a heavy-handed military prison melodrama.
  3. Feels razor thin. None of the characters is particularly noteworthy. And the revelations of deep-seated conspiracy in the usual privileged, closed circles are hackneyed and tired.
  4. It's a cult movie in search of a cult. It'll probably find one. It certainly looks and feels like no other movie ever made.
  5. You probably never dreamed a charming romantic movie could be staged against a backdrop of Scud attacks from Saddam Hussein.
  6. The movie is fussy and organized rather than moving. It follows a pattern so precisely, it's as if Lahti thought points would be taken off if she colored outside the lines.
  7. Showcases its cast's athleticism and Ping's kinetic high-wire artistry. But unlike similar Western-made fare, it doesn't take itself seriously.
  8. It's depressing enough to sit through an unfunny comedy, but it's worse to watch Falk, Penn and Berg having to earn a living like this.
  9. As for Billy Bob, they all steal the money, but he steals the show.
  10. Mulholland Drive is an extended mood opera, if you want to put an arty label on incoherence.
  11. The kind of stunning and contentious work of art that will leave a lot of folks speechless.
  12. Think of this movie as a glorified home video rather than a bitingly insightful documentary. But for Garcia and Grisman, this soft-shoe approach couldn't be more appropriate.
  13. In noir, everybody's guilty, and that's one of the pleasures of Joy Ride. The three youngsters aren't exactly innocent.
  14. It is also, despite the all-too-rare focus on the Filipino American community, a creakily familiar take on an age-old family dynamic.
  15. Insipid, by-the-numbers romance.
    • 71 Metascore
    • 50 Critic Score
    A taut, high-velocity film that departs from the action flick template by having actual ideas.
  16. It's a clever plot with a minimum of the already tired standard kids-on-computers sequence and a maximum of silly face-to-face deflation.
  17. It yields surprisingly unspectacular results.
  18. Yes, it's corny and reemerging cynics need not apply. But it is blissfully heartwarming.
  19. A sometimes inspired but sputtering parody of the fashion industry. It's desperate to please, yet never unzips the fancy pants of haute couture.
  20. The movie isn't exactly providing entertaining escape. In fact, the only escape on your mind is going to be the exit door.
  21. Genuine, amusing and, best of all, humanly scaled and humanely oriented.
  22. It is through the genius of Frears, screenwriter Jimmy McGovern and this talented cast that Liam lets no one off the hook, least of all the audience.
  23. If you appreciate fine animation and edgy material, this blood's for you.
  24. An engrossing chronicle.
    • 14 Metascore
    • 30 Critic Score
    We don't have much space to tell you about Glitter, so we'll be blunt. This star vehicle for singer Mariah Carey is primarily a showcase for her breasts.
  25. Let's not waste any time: This movie is just awful. Prime problem: Josh Kornbluth, the chubby, wild-haired, bug-eyed star.
  26. It is surprising that no matter how much we know what will happen, we never stop watching.
    • 48 Metascore
    • 60 Critic Score
    It is only when Reeves meets up with his incredibly cute baseball team that this movie comes to life.
  27. Doesn't anyone get sick of this same old routine?

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