Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The only way a self-absorbed treatise like this can get any kind of audience (not to mention distribution) is to cast famous people in it.
  2. It's not Fellini, by any means, but it's lively. Never stops moving, even though it crashes into cliches along the way.
  3. Even though he shows some master touches throughout the movie, Shyamalan flits a little too lightly across the surface, like a pond skater.
  4. Its one-sidedness flirts with propaganda.
  5. Every moment of the way, there is a delectable sense of subtle menace and, at the center of it all, Huppert's haunting expression, part sphinx, part grace and maybe part scary.
  6. Has to be one of the must-see films for any student of Hollywood fame and infamy.
  7. Absolutely refuse to make predictable patterns in the sand. Instead, they set their characters loose.
  8. The unexpected drama captured puts I Am Trying to Break Your Heart in the good company, if not quite the league, of "Let It Be" and "Gimme Shelter."
  9. If you're looking for some good family interspecies entertainment, take the little ones to see "Stuart Little 2" again; in the meantime, you might want to crawl into your cave and sleep through this one.
  10. Cletis Tout is both in love with and able to laugh at the conventions it adopts, which is exactly where it goes wrong. It's just a little too self-satisfied.
  11. Mike Myers unleashes (or seems to unleash) the entire contents of his comic mind.
  12. The film's maudlin focus on the young woman's infirmity and her naive dreams play like the worst kind of Hollywood heart-string plucking.
  13. Despite drawing from one of the most powerful and true stories from the Cold War, K-19 is only moderately moving.
  14. It's a pleasant experience. But that's what it is: a sequel that replays every aspect of the original movie.
  15. Doesn't need the passage of time to become a classic. It's one already.
  16. The actual movie is the cinematic equivalent of cheap Chinese egg rolls: all flour and cabbage shreds, maybe half a nibble of pork.
  17. Attal, who resembles a young Robert De Niro, seems as addled as a director as his character is as a husband, throwing all manner of distractions onto the screen in order to divert the audience.
  18. When I say this movie's a charm, I'm really talking about Irwin.
  19. A disaster of a drama, saved only by its winged assailants. You know a picture's in trouble when you find yourself rooting for humankind to lose.
  20. It's still pretty darn good, despite its smarty-pants aura.
  21. A meet-cute whimsy set among divorced fifty-somethings in New York, it blunders on toward oblivion, excruciatingly unfunny and pitifully unromantic.
  22. There's something impressive and yet lacking about everything.
  23. For the first time in 30 years, Ziggy Stardust and the Spiders From Mars appear on the movie screen as Pennebaker intended. It's almost worth the wait.
  24. Michelle Williams turns in a performance that is seamless, canny and artistically mature.
  25. Fascinating and transgressive love story.
  26. The frightening myths about adoption that run through Like Mike make even its happiest endings a little bit creepy.
  27. Smith and Jones seem like superannuated company men: They're going through the motions, but the zip is gone.
  28. Want to see something strange, funny, twisted, brilliant and macabre? Sure you do.
    • 65 Metascore
    • 60 Critic Score
    Offers cleverness and charm that are hard to come by in the summertime multiplex.
  29. Warmhearted and slightly edgy seriocomedy, these sisters experience some pretty entertaining ups and downs. Entertaining, that is, for people who appreciate irony.

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