Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. It's a mannered, precious exercise that seems to have less to do with lived moral dilemmas than with the smug piety of its makers.
  2. This ensemble comedy has its inventively funny moments. But ultimately, it gets a little too cute for its own good.
  3. As a terrifying example of what can happen when too many angry people are crowded into too small a space, it's a gripper.
    • 60 Metascore
    • 60 Critic Score
    Red Dragon is merely the distant echoes of what we liked about "Lambs."
    • 39 Metascore
    • 30 Critic Score
    Clumsily written and numbly performed comedy of yammers.
  4. The result isn't merely ludicrous, it's something far worse. It's drab. It's uninteresting. It squanders Chan's uniqueness; it could even be said to squander Jennifer Love Hewitt!
    • Washington Post
  5. Its strength is the documentary-textured depiction of Native Americans in their social environment. Its weakness is a story that's a patchy combination of soap opera, low-tech magic realism and, at times, ploddingly sociological commentary.
  6. Despite the film's shortcomings, the stories are quietly moving.
  7. Tends to speculation, conspiracy theories or, at best, circumstantial evidence.
  8. From the get-go, the story remains bogged down in its rather limited morass.
  9. At the movie's thoroughly expected conclusion, a visual joke has a bedraggled cat licking at the icing on a wedding cake, but it's really Melanie who gets to have it and eat it, too.
    • Washington Post
    • 59 Metascore
    • 90 Critic Score
    It's a combination of good story, nice moments and appealing texture.
  10. Damning legal brief against the former secretary of state.
  11. This movie pulls out so many bad-action-movie cliches, you wonder if this is a how-not-to primer.
  12. The movie's deeper problem and its primary disappointment: its unwillingness to deal directly with the issue of colonialism.
  13. From opening to closing credits, there isn't a single genuine moment -- as phony as a dime bag of oregano.
  14. Both a snore and utter tripe.
  15. A movie that grows better by the minute.
  16. A gorgeous, if disjointed, spectacle, made endurable – if not entirely comprehensible – by its eye-popping cast.
  17. In a movie as unrewarding as this, there's really only one burning question: When does the spanking begin?

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