Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. It has the aspirations of an epic of crime and punishment, a superb feel for time and milieu, and an almost subliminal feel for myth.
  2. The more the movie progresses, the more you realize how much Seinfeld's voice sounds like a droning bee -- the kind you want to swat away.
  3. See Darfur Now, and you won't read the daily news the same way again.
  4. One artist's moving tribute to another.
  5. In drama, and just about everything else, almost is never enough. Which is why Martian Child, about the growing bond between an adult and child, never reaches us.
  6. In addition to being a study in great acting, this is a study in great directing.
  7. A Mexican movie in which the outcome is never in doubt, the scenes are endless -- sorry, we meant poetic-- and the false beard on the central character's face looks as though it could use a little extra gum.
  8. Filmgoers haven't seen a family this neurotically enmeshed since the last Diane Keaton movie.
  9. The movie doesn't offer much new to anyone familiar with Carter.
  10. If it does nothing else, Music Within shows us how deeply Ron Livingston's amiable face can take us into a movie. But even likable mugs like his -- remember him in "Office Space"? -- need help from the movies around them.
  11. It's fast and furious, and it proves that crime doesn't pay, unless you know how to do it right.
  12. Directed by David Slade ("Hard Candy"), the action scenes are artful and terrifying; these killers move so quickly and decisively, there seems to be no hope for humanity.
  13. The movie is taut, fast, achingly authentic and terribly melancholy.
  14. Reese Witherspoon paces and cries through Rendition in a performance that does as much a disservice to her talent as the movie does to the issues it raises.
  15. Ruffalo is so squirrelly in the role that he seems like a dead giveaway from the start. You know exactly where the story is going, and, dang, that's exactly where it goes.
  16. Del Toro will probably get an Oscar nod for his Jerry, because the film is so full of Oscar moments, including a cold-turkey detox bit. He rumbles and shivers and screeches and bangs his head on the wall and takes a shower in his clothes. I never believed a second of it.
  17. Seems to me, teenage suicide isn't that funny, and nothing in this movie changed my mind.
  18. Makes the mistake of including too sweeping a scope in too small a movie and with too few resources.
  19. Overdresses and ultimately abandons what drew us to its 1998 predecessor in the first place: an intimate embrace with history.
    • 43 Metascore
    • 50 Critic Score
    Nathan Wang's score borrows blatantly from "The Natural" and is slathered on thick in all the big emotional scenes. They establish the right nostalgic mood, but it's broken with that loud "ping" of a metal bat every time a kid gets a hit.
  20. Gosling's performance is a small miracle, not only because he's so completely open as a man who's essentially shut off, but because he changes and grows so imperceptibly before our eyes.
  21. Little more than a sleek, stylish stunt.
  22. The result is a panorama of European radicalism. Depending on your politics, you may think "long live the revolution" or "curse the day the CIA ended its assassination program."
  23. Phoenix is an arresting presence on screen, but don't expect any "Departed"-esque fast talk from Wahlberg, who is oddly inert in a role that should crackle with brotherly ambivalence.
  24. It should be required viewing before going into a supermarket, McDonald's or your very own refrigerator.
  25. Corbijn makes us achingly aware of the singer's talent, the haunting poetry of his songs and how, living in the gloomy culture he did, his passing was virtually inevitable.
  26. A brisk, entertaining and even moving exploration of the sometimes frayed intersection where Christianity meets homosexuality.
  27. You can expect to fall about, snort and hoot, at times hard enough to hurt inner body parts that only doctors can identify.
  28. This uncommonly intelligent thriller evokes the great films of the 1970s ("All the President's Men," "Klute," "Three Days of the Condor") that managed to elicit gritty urban realism while maintaining a suave sense of style and moral complexity.
  29. This movie is a particular disappointment. Although The Seeker is in Walden's tradition of positive storytelling, John Hodge's script is guilty of downright goofy utterances on occasion.

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