Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Paris is a funny, sad, romantic and deeply felt love letter to a great city. If you can't book a trip now, it's the next best thing.
  2. Is it a great movie? John Malkovich's portrayal of an aging and sexually aggressive professor of poetry is enough to make the film worth anyone's while.
  3. It is stylistically breezy but deeply sincere, as Tickell offers a thoughtful, well-researched argument for alternative energy.
  4. That rare, genuinely transporting movie that creates an alternate universe, invites the audience in and lets them sink ever deeper into its particular, sublime reverie.
  5. The French actor Alex Descas is mesmerizing in 35 Shots of Rum, where he plays a metro conductor.
  6. Manages to be both engrossing history and astonishingly germane to present-day political debates.
  7. You know what they say: Behind every successful, self-flagellating environmental activist is a woman. And that's what saves both Beavan and the movie.
    • 60 Metascore
    • 60 Critic Score
    9
    Does 9 rival last year's "Wall E" as the best post-apocalyptic "cartoon"? The short answer is Nein. 9 is, however, a visual stunner.
  8. If the movie is any indication, Chevron would have the public believe there was no Amazon at all -- something people might be willing to believe, were Berlinger not sticking Crude in their faces.
    • 55 Metascore
    • 50 Critic Score
    The most damning assessment comes from animator-historian John Canemaker, who concludes that Disney's ethnically neutered South American output "gagged it up so that the American influence overwhelmed the cultural" influence of South America.
  9. Much of what's offensive and insufferable about All About Steve can be laid at the feet of screenwriter Kim Barker, best known for inflicting "License to Wed" on the world. Why do these people still earn obscene amounts of money churning out dreck? And why do stars like Bullock keep paying them?
    • 61 Metascore
    • 20 Critic Score
    May be the most disappointing American comedy of the decade, partly because it's jokeless and joyless but mostly because it squanders an all-star cast of superb comic talent.
    • 73 Metascore
    • 80 Critic Score
    Abetted by an observant cast, she (Dabis) navigates across politically and emotionally fraught terrain with a warming inflection of humor and a mother-hen's attention to the needs of all of her characters.
  10. You won't soon forget the therapist at Johns Hopkins who counsels recently homeless patients who've fallen into depression or substance abuse -- and then goes home to her own bitter foreclosure fight.
    • 69 Metascore
    • 50 Critic Score
    It's delicious and ensnaring and easy on the eyes, but it can't give you the definitive truth about notoriously frosty Vogue editor Anna Wintour.
  11. The title of Ondi Timoner's Sundance award-winning documentary about the loss of privacy in the Internet age says it all: "We Live in Public." Don't believe it? Just try Googling "Tiger Woods" or "Michaele Salahi."
  12. Siegel's depiction of the film's supporting characters too often borders on caricature. By the movie's strained, overheated climax, it's clear that Siegel, in his directing debut, is less interested in his protagonist as a character capable of transformation than as a human petri dish of futility and pathology.
  13. A sex romp starring Andy Griffith? Holy AARP! The good news is that the seemingly perennial TV fixture is still funny and sharp and folksy. The bad news is that he lost the bet, or whatever it was that got him into Marc Fienberg's smarmy, lackluster comedy.
  14. A choppy and occasionally unsure film, one that doesn't achieve the superb tonal control of "The Ice Storm," but that certainly doesn't represent an unqualified disaster on a par with Lee's first attempt at the western, "Ride With the Devil."
  15. Isn't about history or war, or people and their problems, or anything of substance or meaning. It's a movie about other movies. For all its visual bravura and occasional bursts of antic inspiration, it feels trivial, the work of a kid who can't stop grabbing his favorite shiny plaything.
  16. May not be for everyone, but filmgoers tuned in to its particular, perverse frequency will find much to value in its bent sense of humor and compassion.
  17. Boils down, in the end, to the age-old question: Career or life? That Post Grad draws a stark line between the two, and forces its heroine into an untenable decision, might be the most disappointing thing about a movie that never quite succeeds in capturing a generation adrift.
  18. If parents feel like they've seen much of Shorts before, its celebration of mayhem and restless, thrill-seeking vibe will absorb young viewers, especially as the boredom of late summer begins to set in.
  19. Seems propelled by a doomed sense of inevitability and is all the more gripping for it.
    • 43 Metascore
    • 60 Critic Score
    For a quick ticket into the world of extreme sports, the sky-high, adrenaline-gorged stunts captured in X Games will make any spectator gasp, wince and brace with fear.
  20. One of the more accomplished and beautiful films released thus far this year.
  21. A sci-fi-fueled indictment of man's inhumanity to man -- and the non-human -- District 9 is all horribly familiar, and transfixing.
  22. Ponyo isn't Hayao Miyazaki's greatest film -- that would be a tall order in a 30-year feature career that includes the Oscar-winning "Spirited Away" -- but his beautiful, quirky fable has magic other children's movies can't touch.
  23. What makes The Time Traveler's Wife work as drama, though, and certainly better than it might have, is an unhesitating emotional commitment on the part of the actors (and Schwentke).
    • 66 Metascore
    • 80 Critic Score
    the script's earnest intelligence and the actors' charm (Connell, Hudgens and Kudrow are especially fun to watch) make this film an entertaining ode to teenage joie de vivre.

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