For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
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Reviewed by
Pat Padua
Writer-director Radu Jude’s fascinating, cynical dramedy “Bad Luck Banging or Loony Porn” careens between lowbrow humor and highbrow philosophy, resulting in a film that is as frustrating as life itself; it’s a perfect mirror of our times.- Washington Post
- Posted Dec 14, 2021
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Mark Jenkins
In giving equal weight to all subjects, “Older” flirts with triviality.... But Fegan punctuates some commonplace observations with more peppery ones.- Washington Post
- Posted May 19, 2016
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- Critic Score
At times tedious but ultimately beguiling, Song of Sparrows morphs from a sly dramedy about running a household into a fable about two ways of life (urban and rural) that can't coexist.- Washington Post
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Reviewed by
Desson Thomson
The result is a movie of deceptive lightness and powerful sweep. And what makes it truly work is the presence of Kervel, a first-time actor whose Anna is disarmingly self-assured and sweet. Without her, nothing else matters.- Washington Post
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Michael O'Sullivan
It’s a movie that, to put it in terms that the film’s screenwriters might appreciate, is Thor-ly needed.- Washington Post
- Posted Oct 28, 2017
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Michael O'Sullivan
The film and the ticktock of recovery it follows are at times difficult to watch. At the same time, watching feels almost necessary in an age when mass shootings seem to have become all too common.- Washington Post
- Posted Jul 13, 2022
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Michael O'Sullivan
By the end of this troubling film, the cognitive dissonance that it highlights — between the theoretical glorification of the illegal Mexican drug industry and its actual cost in blood — is jarring. It’s an important film, but Narco Cultura is also maddeningly hard to watch.- Washington Post
- Posted Dec 5, 2013
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Desson Thomson
The writing (by Bill and Cherie Steinkellner) has a non-sentimental appeal for that young preteen (and early teen) crowd that fancies itself too cool for kiddie stuff.- Washington Post
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Ty Burr
There are pieces of a great movie here, but they never quite come together in a way that allows a gifted filmmaker to take flight.- Washington Post
- Posted Nov 15, 2024
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Philip Kennicott
Riklis has made a powerful film, but can a powerful film change anything about the fatalistic culture of powerlessness that is felt throughout Palestine and Israel? The irony of Lemon Tree is that what it achieves adds, in the end, to the sense that nothing can unravel this mess.- Washington Post
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Reviewed by
Ann Hornaday
At its best, Queen & Slim isn’t just a crime drama but a nuanced portrayal of family, legacy and self-preservation — how they’re distorted by trauma and history, and how they thrive despite the near-constant threat of annihilation.- Washington Post
- Posted Nov 25, 2019
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- Washington Post
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Reviewed by
Ann Hornaday
It resides in that cinematic middle ground of not-bad, not-great, just okay.- Washington Post
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Desson Thomson
It's a grab bag of small delights -- and that includes a workmanlike performance by Toni Collette -- but it never quite amounts to a full load.- Washington Post
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Hal Hinson
It's a brutal, demonic film with a grip like a vise; it grabs you early, its fingers around your throat, and never lets go.- Washington Post
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Ann Hornaday
Unrelentingly grim, unremittingly gross and unforgivably unattractive, 28 Days Later is an orgy of troubling images and bestial sound effects.- Washington Post
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Rita Kempley
Sharp, wildly funny social satire behind the profanity and potty jokes.- Washington Post
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Reviewed by
Michael O'Sullivan
Betts has put together a talented acting ensemble, and the performances are, for the most part, uniformly good and subtle, particularly among the actresses who play the young novices.- Washington Post
- Posted Nov 2, 2017
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Reviewed by
Michael O'Sullivan
The film deepens and grows more thoughtful — and, yes, sad — as its spotlight on the need for human connection — at any age — comes into focus. The stories of the four people at its center show Villagers to be more than statistics.- Washington Post
- Posted Jan 14, 2021
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Rita Kempley
Riddled with labor rhetoric, this coal-dusted tragedy wavers between well-acted propaganda and historical burlesque. Rambo's reactionism seems almost subtle by contrast.- Washington Post
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Desson Thomson
A frustrating update. Take away the comedy and you're left with a pallid version -- a sort of Reader's Digest condensation -- of the original.- Washington Post
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Michael O'Sullivan
Georgian writer-director Zaza Urushadze avoids histrionics or moralizing, relying on a strong cast that expresses the film’s central argument about war’s absurdity largely through taciturn action, not words.- Washington Post
- Posted Apr 30, 2015
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Reviewed by
Michael O'Sullivan
There’s an air of “High Noon” to Török’s drama, which features an intrusive sound design, including Tibor Szemzö’s jarringly contemporary score and sound effects that include the ringing of a clock tower, buzzing flies, rumbling thunder and noisy birds — which transition from pleasant tweets to ominous caws of crows by the climax.- Washington Post
- Posted Apr 3, 2018
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Ann Hornaday
Things happen in On the Rocks, but the caper-flick high jinks viewers expect to ensue never come to full, cockeyed fruition.- Washington Post
- Posted Oct 6, 2020
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Reviewed by
Desson Thomson
Its story -- and eerie allure -- comes from our evolving perception of Jackie (Kate Dickie), a surveillance operator in Glasgow, Scotland, who spends long days and nights monitoring the screens.- Washington Post
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Rita Kempley
A spiritually enriching testament to the human capacity for change -- and surely Spike Lee's most universally appealing film.- Washington Post
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Ann Hornaday
With Palm Trees and Power Lines, Dack has created a haunting portrait of how trust is manipulated and abused; the trust she builds up with her characters and audience, however, remains steadfast, resulting in a film of disarming candor and power.- Washington Post
- Posted Mar 1, 2023
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Reviewed by
Ann Hornaday
Sean Penn sings a powerful and poetic hymn to America with Into the Wild, his sweeping, sensitive and deeply affecting adaptation of Jon Krakauer's best-selling book.- Washington Post
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Reviewed by
Michael O'Sullivan
About a musical genre not known for quiet contemplation, “Rumble” asks us to be still for a moment and to listen to the heartbeat — at once familiar and newly strange — that pumps the lifeblood that flows through the songs this country is known for.- Washington Post
- Posted Aug 24, 2017
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Reviewed by
Alan Zilberman
This is a film that encapsulates the anxiety of the present moment, complicated by friendships that lean, at times, toward outright hostility.- Washington Post
- Posted Feb 20, 2018
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