Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Writer-director Radu Jude’s fascinating, cynical dramedy “Bad Luck Banging or Loony Porn” careens between lowbrow humor and highbrow philosophy, resulting in a film that is as frustrating as life itself; it’s a perfect mirror of our times.
  2. In giving equal weight to all subjects, “Older” flirts with triviality.... But Fegan punctuates some commonplace observations with more peppery ones.
    • 74 Metascore
    • 70 Critic Score
    At times tedious but ultimately beguiling, Song of Sparrows morphs from a sly dramedy about running a household into a fable about two ways of life (urban and rural) that can't coexist.
  3. The result is a movie of deceptive lightness and powerful sweep. And what makes it truly work is the presence of Kervel, a first-time actor whose Anna is disarmingly self-assured and sweet. Without her, nothing else matters.
  4. It’s a movie that, to put it in terms that the film’s screenwriters might appreciate, is Thor-ly needed.
  5. The film and the ticktock of recovery it follows are at times difficult to watch. At the same time, watching feels almost necessary in an age when mass shootings seem to have become all too common.
  6. By the end of this troubling film, the cognitive dissonance that it highlights — between the theoretical glorification of the illegal Mexican drug industry and its actual cost in blood — is jarring. It’s an important film, but Narco Cultura is also maddeningly hard to watch.
  7. The writing (by Bill and Cherie Steinkellner) has a non-sentimental appeal for that young preteen (and early teen) crowd that fancies itself too cool for kiddie stuff.
    • 74 Metascore
    • 63 Reviewed by
      Ty Burr
    There are pieces of a great movie here, but they never quite come together in a way that allows a gifted filmmaker to take flight.
  8. Riklis has made a powerful film, but can a powerful film change anything about the fatalistic culture of powerlessness that is felt throughout Palestine and Israel? The irony of Lemon Tree is that what it achieves adds, in the end, to the sense that nothing can unravel this mess.
  9. At its best, Queen & Slim isn’t just a crime drama but a nuanced portrayal of family, legacy and self-preservation — how they’re distorted by trauma and history, and how they thrive despite the near-constant threat of annihilation.
  10. The acting is superb, particularly from the three principals.
  11. It resides in that cinematic middle ground of not-bad, not-great, just okay.
  12. It's a grab bag of small delights -- and that includes a workmanlike performance by Toni Collette -- but it never quite amounts to a full load.
  13. It's a brutal, demonic film with a grip like a vise; it grabs you early, its fingers around your throat, and never lets go.
  14. Unrelentingly grim, unremittingly gross and unforgivably unattractive, 28 Days Later is an orgy of troubling images and bestial sound effects.
  15. Sharp, wildly funny social satire behind the profanity and potty jokes.
  16. Betts has put together a talented acting ensemble, and the performances are, for the most part, uniformly good and subtle, particularly among the actresses who play the young novices.
  17. The film deepens and grows more thoughtful — and, yes, sad — as its spotlight on the need for human connection — at any age — comes into focus. The stories of the four people at its center show Villagers to be more than statistics.
  18. Riddled with labor rhetoric, this coal-dusted tragedy wavers between well-acted propaganda and historical burlesque. Rambo's reactionism seems almost subtle by contrast.
  19. A frustrating update. Take away the comedy and you're left with a pallid version -- a sort of Reader's Digest condensation -- of the original.
  20. Georgian writer-director Zaza Urushadze avoids histrionics or moralizing, relying on a strong cast that expresses the film’s central argument about war’s absurdity largely through taciturn action, not words.
  21. There’s an air of “High Noon” to Török’s drama, which features an intrusive sound design, including Tibor Szemzö’s jarringly contemporary score and sound effects that include the ringing of a clock tower, buzzing flies, rumbling thunder and noisy birds — which transition from pleasant tweets to ominous caws of crows by the climax.
  22. Things happen in On the Rocks, but the caper-flick high jinks viewers expect to ensue never come to full, cockeyed fruition.
  23. Its story -- and eerie allure -- comes from our evolving perception of Jackie (Kate Dickie), a surveillance operator in Glasgow, Scotland, who spends long days and nights monitoring the screens.
  24. A spiritually enriching testament to the human capacity for change -- and surely Spike Lee's most universally appealing film.
  25. With Palm Trees and Power Lines, Dack has created a haunting portrait of how trust is manipulated and abused; the trust she builds up with her characters and audience, however, remains steadfast, resulting in a film of disarming candor and power.
  26. Sean Penn sings a powerful and poetic hymn to America with Into the Wild, his sweeping, sensitive and deeply affecting adaptation of Jon Krakauer's best-selling book.
  27. About a musical genre not known for quiet contemplation, “Rumble” asks us to be still for a moment and to listen to the heartbeat — at once familiar and newly strange — that pumps the lifeblood that flows through the songs this country is known for.
  28. This is a film that encapsulates the anxiety of the present moment, complicated by friendships that lean, at times, toward outright hostility.

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