Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. It's an amusing vehicle for Pryor and Candy, amiable partners wallowing in monetary ecstasy. [24 May 1985, p.25]
    • Washington Post
  2. Gimme Shelter has a lighter touch than you might think. Yet there are times when its attempts at wringing drama out of real life are more strenuous than is strictly necessary.
    • 37 Metascore
    • 38 Critic Score
    With summer comes theaters filled with superheroes, sequels and forgettable family fare. In the last category, we find Judy Moody.
  3. Don’t expect to see a great film, or even a very good one. Whether you discover a meaningful channel with which to continue your walk with the film’s protagonist, however, is strictly between you and your god.
  4. The twist is, yes, audacious, even daring. It’s full of risk and defiance of expectation. So half a star for that. Steven Knight, you’ve got some nerve. But none of those things mean that the movie works.
  5. Cinema-as-shoplifting is okay, as long as you still get the feeling it's for a greater good. But that's something The Tourist is sorely missing.
  6. Too infuriatingly quirky and taken with its own style to get down to telling a story.
  7. This latest, utterly gratuitous chapter in the saga of the wisecracking reptile hunter will add nothing to the ever-dimming reputation of the Subaru pitchman.
  8. Now and then sputters to comic life but more usually wheezes along.
  9. It's like a ferret on crystal meth that belatedly discovers ecstasy, and it's a tiresome trip either way.
  10. So primitive, it must have been written in lizard blood on animal skin.
  11. The only reason you'll feel any wrath is because you shelled out 12 bucks for this steaming bucket of half-baked plot, cliched dialogue and disappointing 3-D special effects.
  12. This mishmash of styles, genres and tonal shifts makes for a dizzying pastiche best described in terms of the many movies it references throughout its nearly 2 1/2-hour running time, from “Little Big Man,” Buster Keaton’s “The General” and the Monument Valley-set canon of John Ford to “Dead Man,” “Rango” and “Pirates of the Caribbean.”
  13. In Evan Almighty, Mr. God goes to Washington. Frank Capra, stop rolling in your grave. At least they cared enough to steal from the very best.
  14. No, it's not a great movie. It is, however, an interesting one.
  15. With all due respect to Cook's novel, another book - the Bible - teaches us that on the seventh day, God gave it a rest. Seven Days in Utopia should have followed His lead.
  16. Charlie St. Cloud, like its star Zac Efron, is a gorgeous, unblemished thing. Both would be much improved with a tiny flaw or two.
  17. Like an elaborately decorated wedding cake, the kid-friendly Walking With Dinosaurs 3D may leave you wondering how something so stunning could end up being so bland.
  18. Despite its deficiencies, Annabelle is not without a modicum of verve. It has its unnerving moments, but they’re outweighed by the sheer stupidity and predictability of the story.
  19. The movie winds up a casualty of schmaltzy, patronizing sentiment on the one hand and overweening ambition on the other.
  20. A longwinded, predictable scenario.
  21. When a burning rat is the funniest thing in your movie, I think you're in big trouble, even in Miami.
  22. I can't recall the original, or even if I saw it or not. But this variation certainly makes its points effectively, in what must be a more superheated milieu.
    • 37 Metascore
    • 30 Critic Score
    Unfortunately for the makers of Tuff Turf, the plot's as hokey as they come; the dialogue is dreadful ("Life isn't a problem to be solved, it's a mystery to be lived!"); and kids in 1985 are just too sophisticated for such juvenile tripe. Right kids? Right? [1 Feb 1985, p.19]
    • Washington Post
  23. Essentially, Chuck & Larry is an oafish chance for audiences to laugh at gay-bashing jokes and then feel morally redeemed for doing so -- courtesy of an obligatory wrap-up scene that reminds us that homosexuals are humans, too.
  24. There's something secondhand about everything here. Hoge (this is his debut) seems to be mimicking the tone and fabric of other, better indie movies.
  25. It's a like a film made by people who don't really care, for an audience of people who don't really care. It stars Tim Conway and Don Knotts, who are not exercising their legitimate comic talents beyond one expression each: Conway crosses his eyes, and Knotts makes his eyeballs disappear upwards. [13 July 1979, p.25]
    • Washington Post
  26. All the King's Men hasn't been directed so much as over-directed, although the result, when you make an effort to filter out all the film school pyrotechnics, is an honorable run at Robert Penn Warren's classic novel.
  27. [A] scatterbrained imitation. [15 Oct 1993, p.D7]
    • Washington Post
  28. The slapsticky, sight-gag-heavy yukfest, which is filled with the kind of phallic humor you may have sniggered at when you were 16, floats like a dead butterfly and stings like a B-movie.

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