Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Weaned on the homilies of "Happy Days" and the hominy grits of Mayberry, Ron Howard brings sitcom aphorisms to bear on the sticky-fingered realities of the beamish Parenthood.
  2. Residue is a delicately layered depiction of the dance between alienation and belonging. In this moving portrait, it’s a dance is defined by struggle, grief and undiminished grace.
  3. A sobering reflection on our culture's attitude toward violence.
  4. The total effect is fast and attractive and occasionally amusing. Like a good hot dog, that's something of an achievement in a field where unpalatable junk is the rule.
  5. With its multiple intersecting narratives, writer-director Saim Sadiq’s debut feature takes an almost novelistic approach to its central theme: the repression of human individuality by a regimented traditional society.
  6. A film of rare intelligence, beauty and compassion.
  7. At its heart, it's about the communities we forge - real and imagined - to save our own lives.
  8. Director Ken Loach is full of astonishments. An avowedly leftist filmmaker, he has always seen beyond political cant to compassionate reality. He's also incredibly sensitive to what might be called the nuances of life, and he always brings a high sense of spontaneous reality to his films.
  9. Unfortunately, the movie’s second act tends to drag, getting bogged down by uninspired twists, while the first flies by with witty dialogue and a steady stream of novel details.
  10. This is a captivating experience.
  11. His dazzlingly brilliant "Nightmare" -- directed by Henry Selick -- is more of a postmodern fractured fable, one he scribbled as a poem-script 10 years ago when he and Selick were working as Disney animators...This is a modern classic that enriches the Christmas tradition by turning it on its head and spinning it like a bob.
  12. Paris Is Burning, Jennie Livingston's brilliantly entertaining documentary look into the New York subculture of drag queens and transsexuals, is a rapturous, desperate ode to self-invention.
  13. Although it contains many visually compelling passages and some provocative moments, the movie is strangely banal and simplistic.
  14. This story doesn't just belong to them anymore. This richly observed, sometimes heartbreaking movie has become ours, too.
    • 82 Metascore
    • 90 Critic Score
    Mysteries still surround many aspects of bird migration. This film unravels exactly none of them. Rather, in some of the most remarkable footage you'll ever see, the film lets you look over the shoulders of migrating birds.
  15. Rebels of the Neon God rarely cracks a smile, but it’s as droll as it is disaffected.
  16. A movie for almost everyone, from boomer parents (who remember their teens and twenties) to their teenage kids (who can't wait to get started with same). And if there's anyone who can bring so many into the same mosh pit, it's Black, who so occupies the role you can't believe he's acting.
  17. An Oscar nominee for best international feature, Denmark’s harrowing, slow-boil thriller “The Girl With the Needle” has been described by some as a horror film. And from the hallucinatory opening montage of distorted, leering faces, this black-and-white drama promises to be the stuff of nightmares.
  18. This installment has achieved a nearly impossible hat trick. It's a movie that is exegetically correct enough to appease the most hard-core buffs, while opening up the final frontier to a whole new generation of fans who have yet to appreciate Star Trek's ineffable combination of sci-fi action, campy humor and yin-yang philosophical tussle between logic and emotion.
  19. As a celebration of the physical expressiveness and visual storytelling of silent cinema, A Quiet Place speaks volumes without a word being uttered.
  20. Only the third feature from writer and co-director Ilker Catak, who won a student academy award in 2015 for his film school project “Fidelity,” “Teachers’ Lounge” is far more than a conventional whodunit, though it does build a nice head of suspense as it grapples with themes of justice, doubt and bias.
  21. Although we miss some of the finer details that made Jhumpa Lahiri's 2003 book so meaningful, we're moved by the movie's themes of cultural displacement and the power of chance.
  22. The writing is so musical, so attuned to human frailty and aspiration, that I defy anyone to watch the movie without smiling — with amusement one minute, rueful recognition the next, but probably always with some measure of simple, undiluted delight.
  23. Johnny’s tentative dip into family life artfully captures the tedium, terror and confounding ecstasy of parenthood, but it more eloquently conveys the pain and discovery involved in simply trying to do one’s best.
  24. McQueen has taken the raw materials of filmmaking and committed an act of great art.
  25. Miyazaki, like an evil sorcerer, has plucked the heart out of Jones's story and left it there to die.
  26. Thanks to Schlesinger's exacting direction and Malcolm Bradbury's witty, restrained script, these characters are kept more amusing than horribly pitiable.
  27. To refuse to call A Hijacking a thriller is not to say it isn’t thrilling, in a dryly cerebral way. Writer-director Tobias Lindholm has a point to make, and he makes it pungently.
  28. Unfolds with a marvelously understated humanism.
  29. Have you ever been trapped in the back seat of a car while the old married couple up front bickers and banters for hours? It's either sheer torture or, if the couple happens to be Steve Coogan and Rob Brydon, wildly entertaining.

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