For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
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Reviewed by
Rita Kempley
Weaned on the homilies of "Happy Days" and the hominy grits of Mayberry, Ron Howard brings sitcom aphorisms to bear on the sticky-fingered realities of the beamish Parenthood.- Washington Post
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Ann Hornaday
Residue is a delicately layered depiction of the dance between alienation and belonging. In this moving portrait, it’s a dance is defined by struggle, grief and undiminished grace.- Washington Post
- Posted Sep 16, 2020
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Desson Thomson
A sobering reflection on our culture's attitude toward violence.- Washington Post
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Reviewed by
Judith Martin
The total effect is fast and attractive and occasionally amusing. Like a good hot dog, that's something of an achievement in a field where unpalatable junk is the rule.- Washington Post
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Mark Jenkins
With its multiple intersecting narratives, writer-director Saim Sadiq’s debut feature takes an almost novelistic approach to its central theme: the repression of human individuality by a regimented traditional society.- Washington Post
- Posted May 22, 2023
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- Washington Post
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Reviewed by
Ann Hornaday
At its heart, it's about the communities we forge - real and imagined - to save our own lives.- Washington Post
- Posted Dec 9, 2010
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Stephen Hunter
Director Ken Loach is full of astonishments. An avowedly leftist filmmaker, he has always seen beyond political cant to compassionate reality. He's also incredibly sensitive to what might be called the nuances of life, and he always brings a high sense of spontaneous reality to his films.- Washington Post
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Stephanie Merry
Unfortunately, the movie’s second act tends to drag, getting bogged down by uninspired twists, while the first flies by with witty dialogue and a steady stream of novel details.- Washington Post
- Posted May 19, 2016
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- Washington Post
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Reviewed by
Richard Harrington
His dazzlingly brilliant "Nightmare" -- directed by Henry Selick -- is more of a postmodern fractured fable, one he scribbled as a poem-script 10 years ago when he and Selick were working as Disney animators...This is a modern classic that enriches the Christmas tradition by turning it on its head and spinning it like a bob.- Washington Post
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Hal Hinson
Paris Is Burning, Jennie Livingston's brilliantly entertaining documentary look into the New York subculture of drag queens and transsexuals, is a rapturous, desperate ode to self-invention.- Washington Post
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Desson Thomson
Although it contains many visually compelling passages and some provocative moments, the movie is strangely banal and simplistic.- Washington Post
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Reviewed by
Desson Thomson
This story doesn't just belong to them anymore. This richly observed, sometimes heartbreaking movie has become ours, too.- Washington Post
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- Critic Score
Mysteries still surround many aspects of bird migration. This film unravels exactly none of them. Rather, in some of the most remarkable footage you'll ever see, the film lets you look over the shoulders of migrating birds.- Washington Post
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Reviewed by
Mark Jenkins
Rebels of the Neon God rarely cracks a smile, but it’s as droll as it is disaffected.- Washington Post
- Posted Jul 9, 2015
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Desson Thomson
A movie for almost everyone, from boomer parents (who remember their teens and twenties) to their teenage kids (who can't wait to get started with same). And if there's anyone who can bring so many into the same mosh pit, it's Black, who so occupies the role you can't believe he's acting.- Washington Post
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Michael O'Sullivan
An Oscar nominee for best international feature, Denmark’s harrowing, slow-boil thriller “The Girl With the Needle” has been described by some as a horror film. And from the hallucinatory opening montage of distorted, leering faces, this black-and-white drama promises to be the stuff of nightmares.- Washington Post
- Posted Jan 31, 2025
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Ann Hornaday
This installment has achieved a nearly impossible hat trick. It's a movie that is exegetically correct enough to appease the most hard-core buffs, while opening up the final frontier to a whole new generation of fans who have yet to appreciate Star Trek's ineffable combination of sci-fi action, campy humor and yin-yang philosophical tussle between logic and emotion.- Washington Post
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Ann Hornaday
As a celebration of the physical expressiveness and visual storytelling of silent cinema, A Quiet Place speaks volumes without a word being uttered.- Washington Post
- Posted Apr 5, 2018
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Reviewed by
Michael O'Sullivan
Only the third feature from writer and co-director Ilker Catak, who won a student academy award in 2015 for his film school project “Fidelity,” “Teachers’ Lounge” is far more than a conventional whodunit, though it does build a nice head of suspense as it grapples with themes of justice, doubt and bias.- Washington Post
- Posted Jan 8, 2024
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Desson Thomson
Although we miss some of the finer details that made Jhumpa Lahiri's 2003 book so meaningful, we're moved by the movie's themes of cultural displacement and the power of chance.- Washington Post
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Reviewed by
Ann Hornaday
The writing is so musical, so attuned to human frailty and aspiration, that I defy anyone to watch the movie without smiling — with amusement one minute, rueful recognition the next, but probably always with some measure of simple, undiluted delight.- Washington Post
- Posted May 24, 2013
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Ann Hornaday
Johnny’s tentative dip into family life artfully captures the tedium, terror and confounding ecstasy of parenthood, but it more eloquently conveys the pain and discovery involved in simply trying to do one’s best.- Washington Post
- Posted Nov 22, 2021
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Reviewed by
Ann Hornaday
McQueen has taken the raw materials of filmmaking and committed an act of great art.- Washington Post
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Reviewed by
Michael O'Sullivan
Miyazaki, like an evil sorcerer, has plucked the heart out of Jones's story and left it there to die.- Washington Post
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Reviewed by
Desson Thomson
Thanks to Schlesinger's exacting direction and Malcolm Bradbury's witty, restrained script, these characters are kept more amusing than horribly pitiable.- Washington Post
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Reviewed by
Michael O'Sullivan
To refuse to call A Hijacking a thriller is not to say it isn’t thrilling, in a dryly cerebral way. Writer-director Tobias Lindholm has a point to make, and he makes it pungently.- Washington Post
- Posted Jun 27, 2013
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- Washington Post
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Reviewed by
Ann Hornaday
Have you ever been trapped in the back seat of a car while the old married couple up front bickers and banters for hours? It's either sheer torture or, if the couple happens to be Steve Coogan and Rob Brydon, wildly entertaining.- Washington Post
- Posted Jun 23, 2011
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