For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
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Reviewed by
Rita Kempley
A low-horsepower chase movie with Charlie Sheen and D.B. Sweeney...Peter Werner, with plenty of documentaries and "Moonlighting" episodes to his credit, directs this out-of-gas look at the young and the mobile. What this movie needs is more macho, more moxie, more attitude. Fill it up, and make it high testosterone.- Washington Post
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Reviewed by
Rita Kempley
It's exactly like "Star Wars" -- if you subtract a good story, sympathetic characters, intelligence, wit and moral purpose.- Washington Post
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Reviewed by
Michael O'Sullivan
In the end, The Devil's Double is one long balance sheet. On the plus side are the dueling performances of Cooper, which anchor the film. On the minus side is a seemingly interminable litany of violence, abuse and degradation. They cheapen the film by nudging it in the direction of a splatter flick.- Washington Post
- Posted Aug 4, 2011
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Michael O'Sullivan
Takes a turn for the dark side that will satisfy the franchise’s adult fans even more.- Washington Post
- Posted Nov 8, 2018
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Reviewed by
Michael O'Sullivan
For those with no vested interest in this protracted and supernatural soap opera, but who do care about cinema, The Twilight Saga: Breaking Dawn -- Part 2 will be, unsurprisingly, a silly and somewhat cheesily made waste of time.- Washington Post
- Posted Nov 15, 2012
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Mark Jenkins
A serviceable mash-up of sitcom and sports flick, 80 for Brady should please fans of Lily Tomlin, Jane Fonda, Rita Moreno, Sally Field and/or Tom Brady. Everybody else might want to call a timeout.- Washington Post
- Posted Jan 31, 2023
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Rita Kempley
It's foul, with so little left to the imagination that we get a look between his toes. [13 May 1983, p.19]- Washington Post
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- Critic Score
As an attempt to expose college athletics for what it is — a laughably lucrative hierarchy that relies on free labor by student-athletes to line the pockets of coaches, commissioners and other bigwigs — National Champions gets a notch in the win column.- Washington Post
- Posted Dec 10, 2021
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Reviewed by
Gary Arnold
Despite its obviously derivative elements and lack of flair in certain areas, notably writing and casting, the movie is at worst an entertaining redundancy, a brisk and diverting pastiche of familiar science-fiction adventure hokum. [24 Dec 1979, p.C1]- Washington Post
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The latest collaboration between ever-reliable Brit of Few Words Jason Statham and writer-director David Ayer — who teamed up more fruitfully on last year’s “The Beekeeper,” a revenge flick as wonderfully unhinged as its title — seems to belong to a bygone, channel-surfing era.- Washington Post
- Posted Mar 27, 2025
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Reviewed by
Desson Thomson
It's a kill movie, the filmic equivalent of a hate crime.- Washington Post
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Reviewed by
Sonia Rao
Your mission, should you choose to accept it: Laugh a little bit, but prepare to be overwhelmed a lot.- Washington Post
- Posted Aug 1, 2018
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Desson Thomson
There's a little too much over-the-top drama, as well as superfluous detail, in this Icelandic film.- Washington Post
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Rita Kempley
The result is cutesy but harsh, a hybrid of saucer-eyed anime and square-jawed angularity that brings to mind an edgier "Pokemon."- Washington Post
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Michael O'Sullivan
Shakespeare asked, "Or in the heart, or in the head?" It's not a new question by any means, but it's one that is given a fresh and refreshing adult twist by Decena's heady yet steady-handed Dopamine.- Washington Post
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Michael O'Sullivan
It's less a children's movie made for contemporary children than a children's movie made for people who still remember, and pine for, how children's movies were made 50 years ago.- Washington Post
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Michael O'Sullivan
A martial-arts adventure with more video-game and comic-book DNA than the traditional kung fu flick, Tai Chi Zero is good, if empty-headed, fun.- Washington Post
- Posted Oct 19, 2012
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Reviewed by
Ann Hornaday
Ping Pong Summer may not be an instant classic, but it knows its time and place. There’s a humble honor in that.- Washington Post
- Posted Jun 5, 2014
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It's a fluffy, mildly inspiring, celebration of the hero leading up to his big moment.- Washington Post
- Posted Feb 11, 2011
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Reviewed by
Gary Arnold
Watcher in the Woods represents a botched effort by the Disney studio to locate a suitable opening somewhere within the flourishing genres of supernatural and horror fantasy.- Washington Post
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Ann Hornaday
The films of Michel Gondry aren't for everyone, but viewers who vibe to his playful, cerebral, wildly imaginative sensibility might get a kick out of Be Kind Rewind.- Washington Post
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Reviewed by
Hal Hinson
What "Wild at Heart" feels like is a kind of housecleaning -- a disjointed collection of images and odd snatches of ideas that the director couldn't make room for anyplace else. They have no context, and as a result, no power to thrill or disturb.- Washington Post
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Reviewed by
Michael O'Sullivan
With Casa de Mi Padre, it's often hard to tell the difference between when it's making fun of bad movies and when it's being one.- Washington Post
- Posted Mar 15, 2012
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Reviewed by
Hal Hinson
Spielberg and Co. have finally made their Disney movie -- or better yet, their film version of a theme park at Disneyland. It's sort of like "Pirates of the Caribbean" and "It's a Small World" rolled into one. It's a helluva contraption, and certainly one to be marveled at. It gives good ride.- Washington Post
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Reviewed by
Stephen Hunter
It's kind of a ghastly hoot, and while I suppose it does no harm, it also contributes nothing. It's a guilty unpleasantness.- Washington Post
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Race to Witch Mountain has Johnson, who lifts the script above its conventional cat-and-mouse stratagems with his buoyant wiseacre timing.- Washington Post
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- Washington Post
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Put the whole movie down to cartoonery...This is a drive-in theater battle of wills between the forces of evil and the forces of good.- Washington Post
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Reviewed by
Michael O'Sullivan
The film is an effective, even heartwarming, tale of one man’s commitment to teaching that playing by the rules is more important than winning.- Washington Post
- Posted Jan 16, 2014
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Reviewed by
Tom Shales
The film aspires to some sort of commentary about the modern problems of career-minded spouses. Shyer and Meyers are trying to tap a modern vein but they don't know where to put the needle; all they get is water. This is a film with Perrier in its veins. [28 Sep 1984, p.C4]- Washington Post
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Ann Hornaday
This lurid celebration of shock, schlock and the shamelessly perverse finds the 67-year-old grandfather of torture porn scraping the bottom of his admittedly limited creative barrel.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
Becomes a strung-together collection of interesting, semi-interesting, boring and sometimes embarrassing (seemingly improvised) moments from the cast.- Washington Post
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Reviewed by
Desson Thomson
The kid chews up the scenery like a baby T-Rex, egged on, no doubt, by director Agresti.- Washington Post
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Reviewed by
Michael O'Sullivan
The problem is, the movie doesn't really care if we are laughing with it or at it.- Washington Post
- Posted Apr 14, 2011
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Reviewed by
Michael O'Sullivan
Big, slick and showy. It is also undeniably effective entertainment.- Washington Post
- Posted Apr 21, 2011
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Reviewed by
Michael O'Sullivan
At times, “Apocalypse” can be great fun, even if it doesn’t know when to hand its car keys to a friend and ask to be taken home.- Washington Post
- Posted May 26, 2016
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Reviewed by
Michael O'Sullivan
Like Maxime’s roach-man, “Despicable Me 4” is a hallucinatorily imaginative yet overstuffed amalgam of unrelated elements.- Washington Post
- Posted Jul 3, 2024
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Reviewed by
Stephanie Merry
At its worst, the movie is a blunt critique of materialism, but there are some smart moments along the way in this methodically paced drama, which puts more emphasis on atmospherics than storytelling.- Washington Post
- Posted Apr 6, 2017
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Reviewed by