Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. However you view the western in American filmmaking — as a moth-eaten relic or an eternal form to be resurrected every few years — there's something stale about Kane Senes's tepid historical drama Echoes of War, which utilizes the genre's symbols without delivering on its potential for moral or narrative satisfaction.
  2. It's a fleet, engrossing, familiar drama, a movie that's forever moving.
  3. Schiffli and Dastmalchian deliver a sweet, elegiac concluding moment that offers a measure of hope without making a lot of unbelievable promises.
  4. Its central journey lives up to the title: Maclean finds time to savor rivers and starscapes and layers of light and mountainous land. The dialogue is flighty yet weighty, each line like some delicate woodcut.
  5. The story is stuffed with subplots and gags that are sometimes fun by themselves but don’t quite cohere into a whole — the picture has a melismatic waywardness, as if it’s singing as fast as it can yet is never quite sure where it’s going.
  6. For all the ways the movie feels singular and impossible, like something the studio suits couldn't possibly have signed off on, Fury Road also feels entirely of its era.
  7. Skin Trade's action is all blood and sinew, but its camerawork and choreography are nothing if not graceful.
  8. Infini doesn't go anywhere that superior science fiction films haven't already, but for a while, it's exciting enough to feel brand-new.
  9. Hot Pursuit is a quiet triumph of tone and timing. Nearly every scene is cut at just the right point, often topped off with a fantastic kicker of dialogue.
  10. The Seven Five makes for a fascinating character study, but the doc's drama is also compelling.
  11. It's rare to see process — the making of anything — dealt with as clearly and poetically as it is in Saint Laurent. It's too bad the movie feels like a confusing, misshapen muslin.
  12. There's satiric comedy to be mined from the conflicting messages society still sends about pregnancy, motherhood, and women's worth, but the script isn't smart enough to explore them.
  13. Proving that its chosen genre is best when its tropes are treated with a balance of sincere sweetness and wink-wink absurdity, Playing It Cool thrives through sheer liveliness, as well as the chemistry of its perfectly paired stars.
  14. The movie works because Christina's desire to help these kids feels natural, and because she herself shoulders burdens that would drive most people to the grave, all without losing her faith.
  15. While zombie drama Maggie seems intended as a showcase for Arnold Schwarzenegger's acting range, the star's performance is smothered by the film's deeply affected style.
  16. Amelio might just be trifling around, and sometimes that's how the film feels — rudderless and unsure of its own purpose. If fuzzy thematic thrust doesn't bug you, however, the essence of Albanese as a shrugging everyman for post-debt-crisis Europe may be its own reward.
  17. I like what I Am Big Bird is trying to do — I just wish it were a little less Bird-nice, and a little more Grouch-frank.
  18. The D Train has one great idea, a couple strong jokes, and a void at its center — a man who is only believable when he briefly becomes specific.
  19. Aside from a showy opening (a tracking shot that snakes through a club, cribbing freely from Carlito's Way, Boogie Nights, etc.), the movie satisfies mainly due to its affecting ensemble and considerable emotional intelligence.
  20. What starts as a somewhat charming — if prosaic — story of love in the time of gentrification inexplicably spends most of its third act mired in the finer points of apartment hunting, like a tastefully lit HGTV show.
  21. This portrait of an introverted soul brought out of her shell is not without its charms.
  22. The 100-Year-Old Man's equal-opportunity irreverence doesn't often translate to cleverness.
  23. Maya the Bee Movie does what it does very well, moving along at a brisk pace and with a strong underlying message for its young audience.
  24. This spiky, pushy, sometimes upsetting comedy finds Wiig creating something whole and alive out of her apparent contradictions.
  25. There's a wry sweetness to this picture.
  26. To play Marie today, Améris found the non-actor Ariana Rivoire at the Institute for the Deaf. And Rivoire is a revelation — showing what it's like to be in, and then break out of, a world of total darkness and silence.
  27. The film's convoluted moral trajectory to hell may be as unoriginal as quoting Taxi Driver, and the pervasive violent menace can be needlessly punishing (including a drugged sexual assault), but as stylish, scorched-earth entertainment, it'll get you in its teeth.
  28. Though its imagery is tame by LaBruce's standards, Gerontophilia follows his fascination with taboo sexual behavior.
  29. Its plotting is often a tad too plodding, but with the charismatic Mortensen exuding understated internal crisis (in a French- and Arabic-speaking role), Oelhoffen's film proves a compelling portrait of individuals striving to cope with, and at least somewhat overcome, cultural dislocation.
  30. As written by Hardy, Bathsheba is bracingly whole and human; here she’s been outlined, and thus circumscribed, by an eager student’s highlighter.

Top Trailers