Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Long before it ends, its leisurely immersion in the Mississippi Delta has turned downright lukewarm and even chilly.
  2. Following is modest and engaging, but in being strenuously clever, it surrenders any dibs it might have on being relevant, or original.
    • 70 Metascore
    • 70 Critic Score
    Anyone who hates '80s pop will find this movie awfully tiresome, but Stiles and her underage Petruchio (Australian actor Heath Ledger, as hunky as his name) are charismatic and bold enough to carry any romantic comedy.
  3. The cumulative effect is perversely deflationary: long before it's over, the film has flushed the paranoia from its system.
  4. It's a lot of plot but none of it is particularly funny or compelling. What keeps the film chugging along and also gives it a depressive aftertaste is a middle-aged male sexual anxiety subtext that intermittently sputters to the surface.
    • 71 Metascore
    • 80 Critic Score
    Tony Goldwyn, making his directorial debut, lets his cast do the work for him, and they hold up well.
    • 46 Metascore
    • 70 Critic Score
    Well-constructed, if chilly, road romance, with some great throwaway lines.
  5. Ravenous loses resonance as it proceeds.
  6. A ridiculous deus-ex-machina "wrong man" story.
    • 21 Metascore
    • 30 Critic Score
    Gets sucked into a gravitational cesspool of sci-fi clichés.
    • 64 Metascore
    • 70 Critic Score
    There's a great deal of love in Trekkies, Roger Nygard's warm and good-naturedly funny documentary about the world of Star Trek fandom.
  7. A smart, realist drama -- I wouldn't be surprised if this one winds up on my 10-best list for '99.
  8. That in such a miserable film I could still care whether his character lived or died is, perhaps, the greatest proof that Chow Yun Fat's a movie star.
    • 54 Metascore
    • 40 Critic Score
    Messina's characters gripe at being typecast as goombah hit men, yet the director seems blissfully unaware that he dooms them to the very fate they protest by painting them with such prosaic, uninspired strokes. (review of re-release)
  9. Enjoyable but slight— an intermittently funny, one-joke vaudeville.
  10. A "guilty pleasure" -- only it's the sort of film that would mock anyone who felt guilt in pleasure.
  11. Given its boundless sarcasm, running-jumping- standing-still ambience and hyperbolic Guignol violence, Lock, Stock aspires to be something like the Beatles meet the "Wild Bunch." Too bad it doesn't have even a rubber soul.
  12. Predicated as it is on Huppert's pensive, provocative blankness, the action moves a bit slowly, although, as is often the case with Jacquot, events make more sense after the movie is over.
    • 35 Metascore
    • 30 Critic Score
    The movie's best observations come from its sinister, unseen producer, who sneers at Berkowitz, "You're making a cartoon piece of shit . . . that ends with you jerking off by yourself."
  13. Nothing much happens, and that's the point, but all this wheel spinning could have used more grease.
  14. Plunging headfirst into mush at every opportunity, Marshall brings out the worst in his actors.
  15. 8MM
    A nasty piece of work, and it's nasty in a particularly ostentatious and sophomoric way.
    • 68 Metascore
    • 80 Critic Score
    A surprisingly good-natured comedy.
    • 71 Metascore
    • 80 Critic Score
    A professionally crafted family film that reserves all its challenging moments for its characters, letting the audience bask comfortably in the approach of a predetermined warm and fuzzy ending.
  16. Stein's script is slack and tin-eared, too feeble to pass for satire, and inadequate even by lazy-pastiche standards.
    • 50 Metascore
    • 50 Critic Score
    Most fun when it's locked up with daddy.
    • 27 Metascore
    • 70 Critic Score
    Scores points for oddball charm.
    • 51 Metascore
    • 40 Critic Score
    Amid all the cameos (Anna Paquin, Usher, Lil' Kim), only Prinze, who has the ethereal, gentlemanly quality of a young Anthony Perkins, gets enough screen time to really make an impression.
  17. Clumsily staged (a bike accident any 15-year-old Super-8 maven could’ve cut better), lit like a soap opera, and acted with all the bribed relish of a peanut butter commercial, Majidi’s movie is merely the simplistic bid being made by every national industry impatient for mass audience attention. Gallingly, it may succeed.
  18. The film slips into a coma early on and never awakens.

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