Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
    • 33 Metascore
    • 20 Critic Score
    With its superficial script, toneless direction, and unadmirable intentions...Diamonds is inappropriate for audiences of all ages.
  1. Irritatingly repetitious and piled high with long-foreseen conclusions.
  2. Soft-boiled blarney so sluttish with Hollywood clichés it could've been made in Burbank.
  3. Filled with flashy sight gags, overwrought performances, and madly overlapping dialogue.
  4. About halfway through I began to imagine it as it might have been directed by Douglas Sirk as a vehicle for Jane Wyman and Rock Hudson.
  5. It's the prettiest movie of the year, maybe of Allen's career.
  6. Scott Elliott's palsied directorial debut, from a mine shaft-ridden script, is a sick joke, and Weaver's part in it screams of temporary insanity.
  7. Flawless never approaches the rancid bluster of "8MM," but it's an equally dishonest piece of manipulative hackwork.
  8. One of the refreshing aspects of the slight, flawed Tumbleweeds is that it creates a world inhabited by recognizable people.
  9. 85 percent explosions and editing idiocy (a window can't break without director Peter Hyams cutting between five different angles) and 15 percent Arnold trying to grow a third dimension. Seeing him try for "sad" is like watching a dog try to talk.
  10. The movie is not unintelligent but it is insipid
  11. The kitsch is back in full bloom.
  12. Makes the strongest case for retirement since late-period Roger Moore.
  13. As straightforward and plot-driven as any movie about life imitating art imitating life could possibly be.
  14. There isn't a bankable Hollywood director with a flintier sense of aesthetic integrity.
  15. The 7Up series is thus one of the rare documentaries to have had a positive practical effect on the life of at least one of its subjects.
    • 71 Metascore
    • 50 Critic Score
    In trying so hard to entertain, ends up sabotaging itself.
  16. Buoyant with quiet smiles and unpretentious fondness.
  17. Egoyan, whose sophisticated eye is connected to a brain that seems, for the moment, to have gone dead.
  18. Inexplicable as it is, the Joan of Arc story encourages contemplation of ourselves as a species. The Messenger is more apt to prompt meditation on the nature of show business.
  19. A tediously childish exhibition.
    • 43 Metascore
    • 60 Critic Score
    Unexpectedly satisfying feel-good agitprop.
  20. Possibly the most deranged, pointlessly complex, automatic-writing-like cultural manifestation outside the cosmologies of the more creative psychotics.
  21. A meditation-brilliant, humorous, and moving-on history and memory.
    • 54 Metascore
    • 70 Critic Score
    The performances are uniformly strong.
  22. Pummeling, jagged, and extremely well-edited film.
  23. A first-person doc assembled largely from footage taken in the course of the five features they made, being madmen together.
  24. It's entertainment that never lets us off the hook.
  25. Although I don't begrudge Borchardt his year of fame, what he doesn't seem to understand about his exploitation creeps me out.
  26. So formulaic and predictable that you're bored even when you're scared.

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