Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. As smooth and powerfully packed as its protagonist.
  2. Refreshingly direct and even courageous in its confrontation of female pleasure -- specifically orgasms and masturbation, the staple of teen-boy comedies, but hitherto off-limits for girls.
  3. One of Gitaï's greatest assets in Kadosh is such stillness, which leaves facile outsiders' judgment out of the frame and thereby deepens our immersion in the narrative.
    • 52 Metascore
    • 50 Critic Score
    Pays lip service to the seriousness of craft but won't let us watch the dancing.
  4. Stylish, funny, and smart...but only up to a point.
  5. The movie's mode is brutal and excremental.
  6. The digital animation is far more evident here than in "The Phantom Menace."
  7. Chock-full of feisty-frank go-girl sextalk speculating on white guys' underplayable size.
  8. Takes its shape from (Viard's) performance, which is as big as life.
  9. More analytical than contemplative, never less than straightforward, Dream of Light makes no showy bid for the sublime.
    • 53 Metascore
    • 50 Critic Score
    Combines the wholesomeness of "Old Yeller" with the moral and physical claustrophobia of "The Waltons."
  10. Hudson keeps the movie rambling and episodic, deferring to the imposing backdrop whenever possible.
  11. The Haases, whose previous films ("Angels and Insects," "The Music of Chance") evinced a remote, unfussy sensibility, are a poor fit for the melodramatic contortions that the story demands.
  12. Little more than a cartoon, and not a funny one at that.
  13. Sweet, ribald, and even inspired in an off-the-cuff way.
  14. Anemic.
  15. Indulges something of a number obsession, amounting not exactly to a movie but rather a tallying of atrocities.
  16. I suspect that Time Code was a lot more fun to make than it is to watch.
  17. It manages to be both ponderous and silly.
  18. The viewer, though unavoidably alert, is before long too numb to care.
  19. The film's pathos lies not with people who have justice on their side, but with those who don't know where they belong.
  20. It's a simple pleasure watching an American movie that respects genre, knows its limitations, and genuflects at the memory of Don Siegel in the age of Spielberg.
  21. Polished and adroit ado about next to nothing, Hodges's film owes everything to Owen, who nails the vaguely unsavory, unreadable, half-lidded hunks that inhabit every profitable entertainment-industry outpost.
  22. Coppola looks beyond the seductive metaphysical puzzle and locates the core of Eugenides's allegory in an obsessive, almost forensic act of remembering, both futile and inexplicably essential.
  23. Prince-Bythewood gives the film a style that's easy on the eye but also has muscle -- on and off the court.
  24. A caper film hardly worthy of his (Newman's) presence.
  25. Occasionally smirky.
  26. An austere and fascinating documentary.
  27. Its exploration of faith and love is skin deep.
  28. Largely a showcase for Puri, and he rises to the occasion with a performance that bursts from the screen and tears into your heart.

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