For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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Reviewed by
J. Hoberman
The movie is a superb riff with a boffo finale, a terrific, cynical punch line, and a crazy closing image of Bob's Plymouth on an empty beach.- Village Voice
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Reviewed by
Michael Atkinson
It's a campy, juiced-up ker-splat, busy with clumsy pyrotechnics and never nearing the vicinity of satire.- Village Voice
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Reviewed by
Jessica Winter
A happy ending is never at issue here -- it's clear where she's going, but there's little clue where she's been.- Village Voice
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Reviewed by
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- Village Voice
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Reviewed by
Michael Atkinson
The film exists in a humid meta-movie ether all its own.- Village Voice
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Reviewed by
J. Hoberman
Cure has a generic resemblance to "Seven," but it's far more oblique, and that much more troubling.- Village Voice
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Reviewed by
Amy Taubin
Michael and Mark Polish's debut feature, "Twin Falls, Idaho," was a cloying oddball love story involving adult male Siamese twins; their follow-up, Jackpot, is another piece of whimsical Americana.- Village Voice
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Reviewed by
Dennis Lim
Kormakur's debut feature fulfills the basic requirements of good slacker comedy: It's grounded in quotidian tedium and frustration, and it acknowledges both the humor and pathos of the relevant coping mechanisms (here, lackadaisical flings, porn addiction, amnesia-courting binges).- Village Voice
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- Village Voice
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Reviewed by
J. Hoberman
If nothing else, Brother confirms Kitano's stature as the most original purveyor of on-screen mayhem since Sam Peckinpah.- Village Voice
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Amy Taubin
It's this strategy (however unconscious), and not simply a lack of directing talent, that makes Hedwig so relentlessly assaultive, heavy-handed, and emotionally monochromatic.- Village Voice
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Reviewed by
J. Hoberman
Keep your "Lara Croft" and your "Shrek": For me, the summer's reigning icons are Enid, Thora Birch's geek goddess in Ghost World, and her action-movie analogue.- Village Voice
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- Village Voice
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Reviewed by
J. Hoberman
Doesn't dawdle and, despite some eye-rolling dialogue, is a generally amiable time-trip.- Village Voice
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Reviewed by
Jessica Winter
Handheld sprinting and swish-pans try to enliven the duo's shenanigans: undermotivated fisticuffs, fun with the nutty controls on their limousine (the roof slides open!), Vaughn's endless yapping.- Village Voice
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Reviewed by
Jessica Winter
A junk-food movie striving to be nutritious -- it's one of your racier Be Yourself after-school specials crossed with 'Who Moved My Cheese?" for Cosmo girls.- Village Voice
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- Village Voice
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Reviewed by
J. Hoberman
The script is worse than slack, and despite its lurid premise, Bully doesn't have "Kids" tabloid immediacy.- Village Voice
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Reviewed by
Dennis Lim
Perhaps awed by the congress of Method men, director Frank Oz stands back as his actors phone it in.- Village Voice
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Reviewed by
Michael Atkinson
Ostensibly factual, helplessly self-conscious -- Adanggaman is being touted as the continent's first film about slavery as it was experienced on African soil—where the victims and enslavers were both native peoples.- Village Voice
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Reviewed by
Michael Atkinson
The techies still can't manage to make two characters look convincingly into each other's eyes -- it's like watching Disney World animatronic figures do soap opera.- Village Voice
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Reviewed by
Mark Holcomb
Watstein handily directs and edits around his screenplay's sappier elements.- Village Voice
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- Village Voice
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Reviewed by
Jessica Winter
A veteran of commercials and music videos, director Chris Nahon crowds out too much of the sprawling combat gymnastics, but his film doesn't lack for luxuriously seedy ambience --his Paris is a retro-futurist sewer.- Village Voice
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Reviewed by
J. Hoberman
Filled with bird sounds, Vertical Ray is almost surreal in its paradise imagery -- the movie is a sultry, harmoniously expressionistic riot of pale greens and deep yellows.- Village Voice
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Jessica Winter
A startling letdown after (Léa Pool's) plaintive, understated coming-of-age tale "Set Me Free."- Village Voice
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Amy Taubin
The relationship between the hysterical Gerard and the careful, compulsive George is classic screwball material and more compelling than the relationship between George and Alicia.- Village Voice
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Reviewed by
Dennis Lim
The Wayans brothers' new bottom-feeder signals its utter exhaustion -- and barely veiled contempt for the audience.- Village Voice
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Reviewed by
Dennis Lim
Tumbles happily into every pitfall that lines its well-trodden path.- Village Voice
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Reviewed by
Jessica Winter
The exposition is thick, the characterization choppy, the wigs terrible.- Village Voice
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