Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. The storyline sometimes veers into melodrama; a subplot concerning Alex's involvement in the white-slave trade is particularly lurid. But the director retains a light touch in the character of Aurelie, whose combination of innocence and knowing is magical.
  2. The photographer's show-don't-tell stance is admirable, but it can make him a problematic documentary subject. War Photographer infers the psychological and physical toll of his peripatetic existence, but provides scant insight into his technique.
  3. Dull, if not devoid of wit, this shaggy dog longs to frisk through the back alleys of history, but scarcely manages more than a modest, snoozy charm.
  4. Kid-pulp screenwriter Goyer (Dark City, Blade I and II) manages some mature textures but his movie never surmounts its manipulative ideas.
  5. Ishii's rough-hewn film may be the nastiest entry in its dubious but resonant subgenre since "I Spit on Your Grave." It's a black pearl for anyone who likes a little existential psychosis with their semi-softcore exploitation.
  6. At once chintzy and grandiose, awash in battlefield sentimentality and platoon clichés.
  7. The actors all function as best they can as glowering clichés, though the narrative's temporal jump presents difficulties.
  8. As this movie knows what it is, Scooby-Doo's a relatively painless 85 minutes.
  9. Banal big-budget adaptation of Robert Ludlum's 1980 espionage thriller.
  10. Has marked affinities to "Ghost World" and "Donnie Darko." It's more amorphous and less sharply drawn than either but has an acute sense of guilty secrets and secret places.
    • 62 Metascore
    • 50 Critic Score
    Frustratingly, Dridi tells us nothing about El Gallo other than what emerges through his music.
  11. Jordan and Kirsten Russell, as the deadbeat-hooker love interest, bring the film to intermittent life, suggesting several more dimensions than the stale, futile scenario ever allows them.
  12. There's a certain gutsy allure to the wildly improbable proceedings.
  13. Predictably soulless techno-tripe, this Bruckheimer-in-a-can thriller is leavened only by the ludicrous notion of Chris Rock playing separated twins.
  14. Boldly engineering a collision between tawdry B-movie flamboyance and grandiose spiritual anomie, Rose's film, true to its source material, provides a tenacious demonstration of death as the great equalizer.
  15. The only flicker of thematic interest -- AM radio obsession as psychopathology -- is duly subsumed into a sea of desperate soundtrack come-ons.
  16. As earnest and smart-alecky as an entire season of Designing Women, Ya-Ya is sure to score with its redemptive family melodramatics and stock eccentric characterizations.
  17. So elemental in its means yet so cosmic in its drama, it could herald a rebirth of cinema.
  18. These after-school specials are distinctly depoliticized and seem tailored for Western audiences, so the African settings feel oddly superfluous.
  19. The filmmakers skillfully evoke the sense of menace that nature holds for many urban dwellers. -- Sometimes, though, the editing is choppy, and the film could use more of a script.
  20. Mad Songs saves its most memorable image for its hard-earned climax, which molds the ambiguous, hallucinatory spectacle of a combusting effigy into a viewer-implicating demonstration of crowd psychology and a harrowing cri de coeur.
  21. The jerry-rigged result is a trite espionage thriller without the thrills but with a lingering measure of nausea.
  22. Much of Undercover Brother plays as a funnier, if similarly addled, "Bamboozled."
  23. Elling is nothing if not carefully controlled hokum -- both actors, the director, and screenwriter all worked it through first as a stage adaptation of a novel by Ingvar Ambjornsen.
    • 47 Metascore
    • 20 Reviewed by
      Ed Park
    Posner's dishearteningly unsophisticated treatment itself rings false.
  24. Münch's characters are given to a certain rapt, unwieldy thoughtfulness, and accordingly, his films cultivate a mood of almost trancelike introspection.
    • 55 Metascore
    • 10 Critic Score
    A real snooze.
  25. The loud, musty production design -- steeped in lime greens and tangerine oranges -- smells of recirculated air and enervated ambition, but unfortunately, so does the movie itself.
  26. Snags the viewer's attention by lacing its martial-arts high jinks with a compelling weirdness.
  27. CQ
    Endearing but pointless, at once cluttered and tinny, this film-dork fantasia suggests a shopping spree at a high-end vintage emporium underwritten by Daddy's blank check.

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