For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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- Critic Score
This is one of the most fully rounded, unsentimental portraits of an artist you'll ever see on film.- Village Voice
- Posted Apr 16, 2013
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Reviewed by
Alan Scherstuhl
Here's a movie with magic.- Village Voice
- Posted Apr 16, 2013
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Zachary Wigon
Herman's House coasts on the strength of its portrait of two systemic outsiders.- Village Voice
- Posted Apr 16, 2013
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Chuck Wilson
The movie is eerily photographed (by Brandon Trost), but never suspenseful or scary, and eventually, events descend into goat-sacrificing silliness.- Village Voice
- Posted Apr 16, 2013
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Alan Scherstuhl
The good news: Here's a lavish, serious science-fiction picture, one that on occasion transcends big-budget hit-making convention to glance against grandeur...Which brings us to Tom Cruise, the not-necessarily-good news. However engaging its end-times mysteries, Oblivion is still a Tom Cruise movie.- Village Voice
- Posted Apr 16, 2013
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- Village Voice
- Posted Apr 15, 2013
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Simon Abrams
Nautanki Saala's creators spend so much time disinterestedly transitioning from one plot point to the next that they only effectively establish the haphazard nature of RP and Nandini's romance.- Village Voice
- Posted Apr 15, 2013
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Nick Schager
The battles are staged with moderate intensity but a dispiriting lack of surprise that's also characteristic of the story in general.- Village Voice
- Posted Apr 11, 2013
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Chuck Wilson
Papa Cronenberg must be proud, but be advised: If there's a blood test in your future, book it before seeing this movie.- Village Voice
- Posted Apr 10, 2013
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Simon Abrams
As a filmmaker, Drasnin should not have relied so singularly on Rittenberg's testimony.- Village Voice
- Posted Apr 10, 2013
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American Meat won't fully counter the negative sentiment that the meat industry has, but it's not entirely propaganda, either.- Village Voice
- Posted Apr 9, 2013
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Rob Staeger
Like the characters, all conversation and action in the film take turns amounting to nothing.- Village Voice
- Posted Apr 9, 2013
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Simon Abrams
Chashme Baddoor's modest charms dissipate quickly, but they're certainly real.- Village Voice
- Posted Apr 9, 2013
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Alan Scherstuhl
The movie sugars up Robinson's story, and like too many period pieces it summons some vague idea of a warmer, simpler past by bathing everything in thick amber light, as if each scene is one of those preserved mosquitoes that begat the monsters of Jurassic Park.- Village Voice
- Posted Apr 9, 2013
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Alan Scherstuhl
The story's outline may be familiar, but its emphasis and quality are not.- Village Voice
- Posted Apr 9, 2013
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Stephanie Zacharek
For all the absurdity, there's also something strangely touching about it, maybe because for once Malick has allowed himself to be unsure. To the Wonder is an irresolute piece of work, a sketchbook of a movie, one made by a human being rather than an august master.- Village Voice
- Posted Apr 9, 2013
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Calum Marsh
When The Angels' Share suddenly transforms, in its final act, into a kind of farcical heist picture, that fleeting slapstick tendency wins out, regrettably diminishing the film's social consciousness in the process.- Village Voice
- Posted Apr 9, 2013
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Ernest Hardy
This Ain't California is a masterful lie that illuminates a little-known reality.- Village Voice
- Posted Apr 9, 2013
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Alan Scherstuhl
Disconnect might play better a decade from now, when it's more clearly a compendium of contemporary fears rather than some dire expression of them.- Village Voice
- Posted Apr 9, 2013
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Aaron Hillis
Shallow, witless but pretty enough French ode to Woody Allen.- Village Voice
- Posted Apr 9, 2013
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Heather Baysa
The bond between this university graduate and the ragged drifter comes to seem vital and true, undercutting the full-blown sentimentality of the conclusion.- Village Voice
- Posted Apr 5, 2013
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Nick Schager
Wearing out its welcome long before its moralizing finale, the film...does manage to mine contemporary fears about the increasing worthlessness of a college degree.- Village Voice
- Posted Apr 4, 2013
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Zachary Wigon
Viewers may find the narrative aimlessness here frustrating.- Village Voice
- Posted Apr 3, 2013
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Chuck Wilson
The plotting as a whole feels fresh, as does the emphasis on women strong enough to defend themselves.- Village Voice
- Posted Apr 3, 2013
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Nick Schager
Any initial, intriguing otherworldly atmosphere is negated by answers that are more pedestrian than terrifying.- Village Voice
- Posted Apr 2, 2013
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Ernest Hardy
Thanks to Lynch's expert pacing and modulation of narrative tension, even viewers who already know the outcome of the film's central incident will likely be pulled to the edges of their seats.- Village Voice
- Posted Apr 2, 2013
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Chris Klimek
If Simon Killer's tragic drift is predictable, the seedy particulars still engross. And the storytelling is first-rate.- Village Voice
- Posted Apr 2, 2013
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Michael Atkinson
Far from engaged, the film practically surrenders in an arthritic faint.- Village Voice
- Posted Apr 2, 2013
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Zachary Wigon
Trance packs many reveals, and the guessing game of who's who and what's what continues throughout. But with its terribly campy setup (hypnotherapy and gangsters? One's inner child and murderous showdowns?), Trance could have gotten some mileage out of comedy- Village Voice
- Posted Apr 2, 2013
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Stephanie Zacharek
To be bewildered by Upstream Color is to be human; the story is obtuse by design, though the filmmaking is X-Acto precise. But it's a bloodless movie, and its ideas aren't as tricky or complex as Carruth's arch, mannered approach might suggest.- Village Voice
- Posted Apr 2, 2013
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