Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Tobia approaches comedy in the same way that John Cassavetes did, which is to say that he embraces the absurdity of human behavior at the same time that he recoils from it.
  2. Nan Goldin: I Remember Your Face conjures the aura of Goldin's halcyon days with the ease of diaristic reminiscence, and for that it proves a valuable record. But on the subject of her cultural significance the film remains oddly quiet.
  3. A major achievement in sunny wretchedness, Álex de la Iglesia's splatter-comedy Witching & Bitching projectile pukes its outrages at you with a gusto recalling the early days of those (sadly) reformed upchuckers Sam Raimi and Peter Jackson.
  4. Provost's film, like its heroine, is full of active, sparking nerves.
  5. The persuasive power of individual moments suggests that director William Eubank has a bright future — and could push himself harder when writing his scripts.
  6. The Rover might not be about anything at all, but the dust it stirs up sticks to you after you leave the theater.
  7. Lapid is so unconcerned with crafting a conventional crime drama that merely titling his film Policeman reads as a minor subversion, a way of defining the narrative in relation to a genre it hardly fits into.
  8. Gerster and Schilling are more successful when they allow Niko's behavior to be their main subject.
  9. Rarely has the terminal seemed as interminable as it does in Lullaby.
  10. What the film does accomplish is making you think, especially about how universities are spending their ever-increasing tuition on top-notch campus amenities and their own disastrous loans, and how state governments and federal agencies are similarly passing off their education cuts onto the young people who they expect to one day run the economy and society.
  11. Hellion offers Paul his most adult screen role so far, and he's very fine, but the movie belongs to Wiggins, a newcomer whose innate gifts are a perfect echo of Paul's.
  12. A dead-eyed, lyrical art film that kicks you in the throat.
  13. Because the battle for legalization is still being fought in most other states, the lack of an up-to-date perspective is frustrating.
  14. Claudia Sainte-Luce's semi-autobiographical indie has a knack for subverting stereotypes without making a big deal about it.
  15. The plot is needlessly busy, and much of the action is more manic and indistinct. But How to Train Your Dragon 2 cuts deeper than the first picture — it will be particularly resonant for anyone who has ever worked with or adopted rescue animals — and there are a few sequences of cartoon grandeur.
  16. You could call it Bring It On meets The Craft and stop right there with considerable accuracy. But why would you, when All Cheerleaders Die actually delivers as much trashy, gory fun as a movie with such a title suggests?
  17. For all the hurtling plot, and its occasional workaday scenecraft, Burning Bush proves an engrossing historical drama, low-key but in its final moments devastating.
  18. 22 Jump Street isn't uncharitable or mean-spirited; at worst, it's just confused. Tatum is, predictably, adorable. His Jenko is a pumped-up naïf bumbling through life with a crooked smile, and Hill again makes a great sparring partner.
  19. An important film despite some baffling presentational choices.
  20. Driving both the filmmaker and her subjects is wonder and wanderlust. Their enthusiasm for the Camino is contagious, and it might make you drop everything and head for Spain.
  21. There are many reasons to see this very difficult film, not least to face the grim realities in Liberia, and to wonder what more could be done to save lives and preserve the human spirit when it is so clearly yearning to burn bright given any small small chance.
  22. Restaging the 1978 Jonestown massacre for a present-day suspense movie is by most definitions tasteless, although The Sacrament infuses the past with ghoulish immediacy.
  23. This film is like another work in the canon of baseball poetry.
  24. It's an over-the-top cautionary doc less convincing than the weight-loss ads on Facebook.
    • tbd Metascore
    • 40 Critic Score
    It's complicated with superficial obstacles are treated with the subtlety of a hammer hitting a nail.
  25. The horror's a long time coming, but Goldthwait and company make the waiting worth it.
  26. The film isn't as biting as The Player or Swimming with Sharks, and neither Howard's struggles nor Lydia's mystery is a match for the electricity of the supporting actresses in their brief roles.
  27. Spry, if sprawling, Supermensch warmheartedly affirms the Gordonian style of karmic contemplation.
  28. The resulting creep show has some frantic action scenes, but never quite enough spring in its step.
  29. It's a throwback film in both style and sentiment, and what it lacks in depth, it make up for with warmth.

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