Village Voice's Scores

For 11,163 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11163 movie reviews
  1. Insurgent is so vapid it seems impossible that there's enough story left for another sequel.
  2. Boss is that rare Bollywood action film whose stars are worthy of the pedestal they're put on.
  3. Franco seems the ideal interpreter of The Adderall Diaries, but he's reduced the memoirist's tough introspection to misery porn.
    • 42 Metascore
    • 40 Critic Score
    As sincere as a three-legged puppy.
  4. In Davis's case, marveling at yet another fine performance doesn't stop you from wishing that her first leading role was in a worthier vehicle
  5. If this adaptation of Chinese punk-lit writer Wang Shuo's fiction doesn't survive its Bronx trick-out, you can't really blame Brody, whose luminous autodidact seems caught between camp and coolsville.
    • 42 Metascore
    • 20 Reviewed by
      Ed Park
    Affleck and impressively amazonian Alias star Jennifer Garner (as the ninjitsu-savvy daughter of a wealthy tycoon) are lankier than "Spider-Man's" Maguire and Dunst, which is good if you like lanky, but their relationship substitutes cliché for chemistry.
  6. It's often funny, and the writers are smart, but the film is like an arcless, extended episode of It's Always Sunny in Philadelphia.
  7. Transcendence, written by Jack Paglen, is just more business as usual, one of those "control technology or it will control you" sermons that nonetheless enlists the usual heap of technically advanced special effects.
  8. Convoluted action saga.
  9. It's pure exploitation--the kind of movie after which you need a long, hot shower. German director Marco Kreuzpaintner's movie looks like "Traffic" and "Syriana"--clearly his role models--but is little more than our generation's version of 1979's "Hardcore."
  10. Swanberg has made an inspiring career out of rejecting the aesthetic crimes of Hollywood. It's dispiriting, then, that he so doggedly indulges in its tradition of male gazing.
  11. While Ironclad captures the casual cruelty and flesh-and-bone violence of the 13th century, it fails to do the same in the more intimate material set in the downtime between assaults.
  12. For those of you on a really tight entertainment budget, you'll be paying at least 8 cents per minute not to laugh. Your money is better spent on beans and rice.
  13. It's the casting of Liam Neeson as the nervous breakdown that turns the movie to asphalt -- it's like watching Andre the Giant play Woody Allen.
  14. A taut noirish thriller that unfolds in a fever of firelit ambience.
  15. Overboard is a manipulative mindfuck dressed up as a lightweight, heartwarming comedy.
  16. Because it's made by people who understand the importance of a clever script and want their audience to have fun, Lazer Team may just prove to be 2016's most entertaining superhero movie.
  17. An ugly-duckling fable populated with grotesques out of John Waters, Pizza attempts an unlikely mode: earnest camp.
  18. A movie refreshingly lacking in social graces, Piggie uses the transparency of video to x-ray the psyches of characters obsessed with the essence of things.
  19. A jarring fusion of blue-collar lament and the-more-you-know medical drama.
  20. Despite its ambitious combination of murder mystery and cautionary immigration tale, Motherland doesn't quite hold together, lacking both the fuel to reach a rolling, procedural boil and the intimacy to simmer with emotion.
  21. The result being a film that, devoid of both laugh-out-loud humor and the righteous indignation that characterizes most agitprop efforts, winds up being just a voting-for-dummies primer.
    • 42 Metascore
    • 30 Critic Score
    Amid this malarkey Gustafson is smart enough to let the camera linger on musical performances that reveal mariachi to be dynamic and complex as opera.
  22. A compelling but ultimately unsatisfying film.
  23. Take the Dan Brown out of a Dan Brown movie and all you’re left with is Tom Hanks jogging in mild irritation.
  24. Show 'Em What You're Made Of convincingly argues that these boy-men have something to say about the fickleness of fate — something they knew more about as young men than any of the cynics who dismissed them for dancing in unison. The hardest part will be convincing people to listen.
  25. Green seems to be asking: In the face of beasts whose scale and life cycles we can't begin to grasp, how can we allow our fellow human beings to be so unknowable?
  26. In showing how some men derive primal, perverse senses of pleasure and power from their brutality, how small men make themselves feel large and invincible, the film distills the roots of terror (political, cultural, religious) to truths that are tragically evergreen.
  27. Writer-director Joseph Graham isn't solely interested in hookups, and he uses the encounters between these men (both carnal and cerebral) to construct a compassionate romantic drama.

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