Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. 10 on Ten is less illuminating than pedantic, as well as tediously self-absorbed.
  2. Expanded by a half-hour from its prior incarnation as a pinku eiga, the formerly titled "Horny Home Tutor: Teacher's Love Juice" is now an apocalyptic political satire.
  3. Like many similarly twisty tales, Reversion's narrative logic is undermined by its characters' irrational behavior.
  4. Great achievements don't guarantee great documentary - or, as A Journey in My Mother's Footsteps proves, they don't even secure a mediocre one.
  5. While New Jerusalem's rigid formalism will surely be off-putting to some, there's beauty to be found in the film's sheen of placid grime.
  6. Save for a couple of visually engaging dance numbers, mostly shot with hand-held digital cameras, MKBKM is dishearteningly banal.
  7. The white saviors are flat, 2D manifestations of virtue... And the film's Indians? They aren't characters at all.
  8. Most oppressively, every inch of Horns is choked in religious metaphor that strangles the fun from the film. Aja clutters the movie with golden crosses and Garden of Eden snakes, but doesn't dare wrestle with the theology behind them — this is a snapshot of a steak, not a full meal.
  9. [An] uneven but intriguing found-footage horror flick.
  10. It can be unsettling, for regular documentary viewers, to take in a film so relentlessly optimistic, communal, and lacking in nostalgia, but those qualities were key to the success of the women of Biolley.
  11. Amelio might just be trifling around, and sometimes that's how the film feels — rudderless and unsure of its own purpose. If fuzzy thematic thrust doesn't bug you, however, the essence of Albanese as a shrugging everyman for post-debt-crisis Europe may be its own reward.
  12. Even if, like me, you agree with the points that it's fumbling toward, The True Cost will likely read as dopey and insulting.
  13. Writer-director Cameron Labine seems to want to prove the obsolescence of the lovable-slacker stereotype even as he flogs it for entertainment value.
  14. Jason Lew's lost-soul drama The Free World offers a modest exploration of innocence and guilt, with occasional interludes of both violence and romance
  15. Turteltaub is too buoyant for horror — the deaths and danger never sink in.
  16. It looks like the recruitment appeal that it is; it will probably be pretty effective on campuses.
  17. This is a maudlin, manipulative film, and while it's never aggressively annoying, that's only because it severely lacks energy. It registers like a pesky little sister who's doped out on Vicodin.
  18. Director Dan Harris (Imaginary Heroes) structures Speech & Debate like a musical comedy that's building up to a cathartic final number, but scene after scene just falls flat.
  19. "There's a midget in the oven!" is about as inspired as the dialogue and set pieces get in this queasy-making entertainment.
  20. Hoping to distract us from the zero ideas found in his film, Levinson demands that his cast act loudly and unbearably, a task for which Demi Moore, as the second wife of Ellen's first husband, is perfectly suited.
  21. A sort of parody "Apocalypse Now," complete with listless coochie dancers entertaining the Burmese troops, the movie finds its own heart of darkness once Rambo drops the doctors in Burma.
  22. This Canadian film seems to be trying to make some points about body dysphoria or modern fame, but the one point it's absolutely sure of is that [Katharine] Isabelle is a startlingly beautiful woman with a well-proportioned (and exploitable) body.
  23. Beyond Skyline is pretty fun, even if it’s completely nonsensical.
    • 46 Metascore
    • 30 Critic Score
    Faced with a long and miserable road on which they make each other sorry or crazy, both Brooke (Aniston) and Gary (Vaughn) dig in hard on the least appealing parts of their stock characters.
    • 46 Metascore
    • 40 Critic Score
    Presumably writer-director Ian Iqbal Rashid chose Grant because Bogie's been done, but that didn't stop him from lifting Touch of Pink's plot wholesale from "The Wedding Banquet."
  24. It's just zombies versus an international research station on the wastes of the Red Planet, with all that such a premise promises.
    • 46 Metascore
    • 30 Critic Score
    There's never been a particularly crisp line between intense, SUPER-AWESOME Tom Cruise and the characters he plays. In Knight and Day, his age-old cool curdles into motormouthed neediness.
  25. With graceless melodramatist Rob Reiner at the helm, it's predictably ironic that The Magic of Belle Isle champions the unparalleled power of imagination while displaying absolutely none of its own.
  26. Derrickson's flick can sour your stomach with piety, which is a shame -- its moments of jolt wattage rate with many J-horrors.
  27. With a character this dull--so dull that we're told over and over how smart and special she is--the resulting glut of date-ad losers seems like just deserts.

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