Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. A show about nothing—its jokes based on stick-figure stereotypes, its lunges at humanism premised on imbecilic pity.
  2. Just when you think it can't get any worse, Maze rams home a body blow -- equating the involuntary spasms of Tourette's with the ungovernable impulses of the heart.
  3. Vertical Limit's real problem is its digitized sheen. Every shot seems to have been CGI-enhanced, so the movie has an overpasteurized, Velveeta-like glow -- processed movie food.
  4. Hardly the idiosyncratic Mickey Finn you'd expect from the men behind 1998's underrated "Zero Effect" and 2000's discomfort-splooge "Chuck & Buck."
  5. Close enough in spirit to its freewheeling trash-cinema roots to be a breath of fresh air.
  6. A final twist stamps this as a companion or corrective to The Shape of Things, this time with the man as the monster. This isn't as bracing as that film, but it's far from the horror show LaBute's detractors often accuse him of writing.
  7. Rise of an Empire might have been essentially more of the same, but for one distinction that makes it 300 times better than its predecessor: Mere mortals of Athens, Sparta, and every city from Mumbai to Minneapolis, behold the magnificent Eva Green, and tremble!
  8. Lockout is, not unexpectedly, a potluck of derivative references.
  9. Picasso and Braque's primary merit is its archive-raiding evocation of the period discussed through vintage nitrate images.
  10. It is suggested that Trungpa was in possession of yeshe chölwa-the title's "crazy wisdom" - and, as a sort of holy fool, his apparent misbehavior could be read as a manifestation of higher spiritual truths. If you're determined to see something, it's easy to find it - so those inclined to interest in Tibetan Buddhism will discover something here.
  11. Much of Carnage Park is merely a sun-bleached desert creepshow, a murky soup of a murderer toying with his victims simply because he's cra-a-azy.
  12. It’s atmospheric, and all the music is lovely, but unfortunately nostalgia can only do so much of the heavy lifting.
  13. The messy but charming concert doc Straight Into a Storm works best if you treat unfocused on-camera interviews with the members of Rhode Island–based folk/grunge-rock group Deer Tick like an unintrospective but affectionate video memoir of the group’s rise to alt-rock prominence.
  14. Stallone looks great (even if his face doesn't quite move when he talks), while Hill (48 Hours, The Warriors) brings lean economy to the film's bloody, unapologetic mayhem.
  15. The facts are more gripping than the filmmaking in Marco Amenta's routine docudrama about tenacious teen informer Rita Atria.
  16. The Den's commitment to its presentational conceit leads to a number of implausible scenarios, but what's more disheartening is the gore-fest it turns into once the curtain is thrown back on the mystery propelling both Elizabeth and the narrative.
    • 48 Metascore
    • 40 Critic Score
    If the film's first two-thirds are dreary and preposterous, give Soref credit for a truly--what's the proper cinematic terminology?--batshit-crazy finale.
    • 48 Metascore
    • 60 Critic Score
    Another oil-slick ode to man-on-auto lust, Initial D offers enough full-speed money shots to eke out a victory over its barrage of clichés.
  17. His lightning-fast fingers can't fail to impress even those unschooled in the classical idiom, but when not center stage, Heifetz proves a far more elusive figure, firmly out of the grasp of Rosen's film.
  18. Cassavetes puts over this simple, poorly acted story with moody lighting, self-consciously "beautiful" gore, and an annoying penchant for impressionistic quick-cut flashbacks, all of which get in the way of rather than enhance the supposed fun.
    • 48 Metascore
    • 50 Critic Score
    At once deeply felt and devastatingly cynical, I'm Still Here's bone-dry satire couldn't exist without the celebrity media feedback loop. But its apparent attack on the Hollywood machine is so insidery, so vicious, that to us-the everyday consumer-it's just not clear why this stunt needed to exist at all.
  19. The Girl on the Train, though an enjoyable enough ride, goes idle once it slows down long enough for you to take in the full view of things.
  20. Angels & Demons is still no more than another treat for whacked-out male conspiracy theorists.
  21. Although largely devoid of dramatic interest, Journeys With George does convincingly document the horror of life within the campaign "bubble."
  22. It has Adrien Brody in his last pre-"Pianist" role, leading one to assume that the film -- which veers torpidly from antic humor to mortifying sentimentality -- would have remained shelved were it not for his Oscar coup.
  23. Secret trials and buried atrocities are no match for a plucky (and rich, and svelte) young heroine, least of all Ms. Ashley Judd, who eyebrow-cocks her way through Carl Franklin's witless High Crimes.
  24. Not only light on laughs but discomfitingly didactic in its disgust.
  25. If you can suspend your disbelief regarding Nello's naïveté, this film offers some quiet pleasures.
  26. A ridiculous soft-core kung-fu porn film about a ridiculous hard-core one, Orgazmo is the kind of movie that improves according to the lateness of the hour.
  27. Things pick up a little bit when Orson Welles, Peter Sellers, and Woody Allen stumble into the scene, but the total experience remains boringly incoherent.

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