Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
    • 51 Metascore
    • 70 Reviewed by
      Ed Park
    A sign of The Baxter's charm is that it's essentially spoiler-proof: We know from the get-go which couples will pair off, and the pleasures lie in the spring-stepped vibe, the natty throwback wardrobe, and the intricate goofball patter.
    • 51 Metascore
    • 50 Critic Score
    The melodramas that prolific Anders Thomas Jensen has sculpted over the years have been among the richest works to come out of Scandinavia since Bergman's heyday. But no road is without its pockmarks and Adam's Apples may be the low point of the wunderkind's career.
  1. If Iron Fists is sometimes badly made, it is refreshingly badly made. It has a homemade charm that comes from a sense of having gestated in a lifelong obsession.
  2. The couplings have an artful intensity lacking in pornography, which favors athleticism and disconnectedness, and the lighting — well, the best thing in the movie is the look of it all, which in a tony sex-flick counts for a lot.
  3. By the standards of today's bombastic "event" movies, this is a refreshingly modest endeavor—one in which the main event is the skillful holding of our attention, all the way from "Once upon a time" to "Happily ever after."
  4. Valerian is at times so mind-meltingly beautiful and strange that I’m still not sure I didn’t just dream it all.
  5. Sam's racist behavior may be intended to make him a menacing sign of our times, but such unbelievable mustache-twirling makes him as threatening as a C-grade Freddy Krueger knockoff.
  6. Fortunately, Live From New York! isn't all overblown hagiography.
  7. Mackenzie and Marber opt for an anonymous viewpoint of clinical detachment, which generates about the same psychodramatic tension as reading the "DSM-IV."
  8. A largely genial but frequently wearying feature-length toy ad.
  9. Despite spending nearly 15 years documenting this phenomenon, Lilien proves wholly uninterested in investigating his human subjects' habit of vigorously anthropomorphizing, and projecting their personal hopes, dreams, fears, and Daddy issues onto the striking hawk.
  10. The filmmakers skillfully evoke the sense of menace that nature holds for many urban dwellers. -- Sometimes, though, the editing is choppy, and the film could use more of a script.
  11. It may not be particularly innovative, but the film's crisp, unaffected style and air of gentle longing make it unexpectedly rewarding.
  12. Aiming for Almodóvar lite, the flick is more reminiscent of "The Love Boat" -- drenched this time in cheery polysexuality. Everyone is an angel (and a horny little devil) in this breezy earthly trifle, even if the zaniness never quite takes wing.
    • 51 Metascore
    • 50 Critic Score
    Entranced by the natives, Le Divorce reduces the knowing ditziness of Johnson's novel to vapid, exchange-student wonderment.
  13. This dreadfully earnest inversion of the "Concubine" love triangle eschews the previous film's historical panorama and roiling pathos for bug-eyed mugging and gay-niche condescension.
    • 51 Metascore
    • 60 Critic Score
    Naked reads, in places, like a street fair on the Santa Monica Pier. But it's utterly sincere about the practices it depicts.
  14. [An] intense and dazzling new documentary.
  15. It's little more than droopy ditties draped around a threadbare plot.
  16. Enduring a day-long session of couples' therapy is more fun (and flies by faster) than this film.
  17. Though Snitch loudly announces itself as a social-issues movie, its nominal outrage over the severity of our nation's sentencing laws for first-time drug offenders is quickly subsumed by a jacked-up narrative of a father going to extremes to save his son.
    • 51 Metascore
    • 40 Critic Score
    Amid all the cameos (Anna Paquin, Usher, Lil' Kim), only Prinze, who has the ethereal, gentlemanly quality of a young Anthony Perkins, gets enough screen time to really make an impression.
  18. I almost admire the laziness of the scripting. In this overworked, underpaid country of ours, why begrudge a screenwriter seizing the chance to knock off early?
    • 51 Metascore
    • 40 Critic Score
    The film's true focus is the friendship between the two girls, although this tends to get lost between Elizabeth Allen's jittery direction and the screenplay's contrivances.
  19. When our hero finally does get his moment in the sun--c'mon, would someone have bought the movie if he didn't?--My Date With Drew offers the surreal spectacle of pursuer and pursued pleasantly gabbing, obliviously immersed in a mutual PR stunt.
  20. Bening and Harris have excellent chemistry.
  21. The story... could have worked well as a pitch-black comedy, but first-time director John Slattery (Mad Men's Roger Sterling) takes the material so seriously that the mood never changes much after leaving the funeral home.
  22. From the end to the beginning--or is it from the inadvertently ridiculous to the would-be sublime?--Noé's stunt is an exploitation movie with a gimmick, not to mention a vacuous philosophy.
  23. Cliff Curtis is appealingly low-key as Christ, humble in a way that the film around him would have done well to emulate.
    • 51 Metascore
    • 40 Critic Score
    The movie has more lags in action than either of the previous episodes, and somehow the dialogue is even more daft

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