Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Canadian documentarian Jamie Kastner (The Secret Disco Revolution) has crafted an entertainingly kitschy version of an Errol Morris film.
  2. The film is as average and forgettable.
  3. Narrative's beside the point in a movie created by two guys who gorge on pop culture's high-fat diet and regurgitate it into something approaching . . . art? Close enough.
  4. This isn't so much a movie about sports as it is a riff on politics in the broad sense of the word, and the ways in which smart, insightful people play along to get along -- and then change the game for the better by following their gut.
  5. For much of its running time, Camp X-Ray stands as the fullest on-screen imaginative treatment of two of the defining developments of the last 15 years of American life: the deployment of women in our volunteer army, and the indefinite detention of men we think, but can't quite prove, deserve it.
  6. Doesn't dawdle and, despite some eye-rolling dialogue, is a generally amiable time-trip.
  7. The film's experts and entrepreneurs have a lot to say worth listening to, but little that illuminates any clear path.
    • 54 Metascore
    • 40 Critic Score
    Writer-director Aaron Katz has a gift for naturalistic dialogue--that alone allows his film to transcend the micro-budget indie gabfest genre. On the other hand, there's a fine line between naturalistic and dull, and Dance Party occasionally crosses it as its young actors talk about life, or don't talk about life.
  8. The biggest surprise: Older, un-messianic, and mostly eschewing cute stunts, Moore somehow makes his one-man show seem almost humble. It plays less like "I'm still here!" attention-seeking than it does a concerned citizen's act of hope.
  9. If you don't know who to vote for by now, whatever you do, don't see this movie. It's only going to tell you bad things. We're having fun here, right?
  10. Solid raw material, but the execution is overcooked.
  11. Exercise in existential tedium that it is, Gerry isn't without devotees.
  12. [A] bitterly funny and warmly empathetic first feature.
  13. Broad but thin and more bleak than uproarious--a humorously downsized homage to foundational '70s classics like "Dirty Harry" and, especially, "Taxi Driver."
  14. This is primarily a film for fans of all involved.
  15. One artist favorably compares the homemade metal scene to state-supported "mediocre cultural activity"--as good a designation as any for Until the Light Takes Us.
  16. Methinks we're meant to actually feel sorry for this overprivileged twerp in neon sunglasses.
  17. None of the dialogue, presumably arrived at through improvisation, is either funny or memorable.
  18. You get enough of a sense of this place and these men — and that widow! — that it's a disappointment when, in the end, we just have to watch it all blow to hell.
  19. Is there such a thing as "tastefully smutty"? Director Im Sang-soo's moody and semi-Shakespearian The Taste of Money walks that line with some artfully lit humping and cross-generational seduction.
    • 54 Metascore
    • 40 Critic Score
    Messina's characters gripe at being typecast as goombah hit men, yet the director seems blissfully unaware that he dooms them to the very fate they protest by painting them with such prosaic, uninspired strokes. (review of re-release)
  20. Gutierrez works some twists on the familiar premise, and one standout thrill of a chase scene employs Brian De Palma’s signature split screens. But as it nears the two-hour mark, the film becomes exhausting, shedding very little light on the futuristic implications of the story.
  21. The film isn't without mirth and charm... But as Surnow steers into serious waters, the direction of the storytelling becomes increasingly misguided.
  22. A mockumentary that exhausts its best joke with its premise.
  23. Raking over the same clichés as "Almost Famous," Rock Star is far less reverential -- it isn't burdened by generational nostalgia and doesn't take itself too seriously.
  24. The worst kind of bastard adaptation, Secret subtracts without adding.
  25. Blunt, loud, and showboaty, Illegal suffers even more when compared with another recent Liège-set film about the horrors faced by paperless immigrants: the Dardennes' "Lorna's Silence."
  26. Writer-director J.B. Ghuman Jr. shoehorns the character into a witlessly stitched homage to other films - notably "Heathers."
    • 54 Metascore
    • 60 Critic Score
    It's silly and excessive, but Fullmetal Alchemist occasionally strikes a note of adolescent truth, as when Ed wishes for "some way to get our bodies back."
  27. A documentary -- based in part on Jian Ping's autobiographical book of the same name -- whose poignancy is lessened by its awkward formal devices.

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