Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
    • 59 Metascore
    • 60 Critic Score
    Despite more audience cutaways than the State of the Union Address, the movie's largely a you-had-to-be-there affair--except when the star does an uncanny imitation of a double-wide churchgoer scooting through a narrow pew.
  1. Good game footage, a few clear looks at the kids behind it, but mostly as processed as "Space Jam."
    • 59 Metascore
    • 80 Critic Score
    What is shocking is seeing the aggressive and malicious response to the movement.
  2. Though some more exploration of Tucker's influence would be welcome, the documentary does make fine use of archival materials culled from Tucker's immense collection of scrapbooks from every year of her career.
  3. The filmmakers' hearts might be in the right place, but the film's doesn't kick in until well after you might already have declared it dead.
  4. The further this series drifts into corporate-franchise territory and away from Peli's inventively cheap, slyly psychosexual conception, the more reasons there are to just stay away.
  5. Creadon unveils his story in a haphazard, backwards-unfolding way.
  6. Everything about this berserk, essentially static procedural is just crazy enough to be true. In any case, Herzog has gone beyond Good and Evil to reinvent himself as a candidate for the wiggiest director of comedy in America today.
  7. A surprisingly rewarding romantic comedy.
  8. May be as gimmicky as Ozon's other features, but it's also more resonant and even haunting.
  9. As hokey as "Braveheart" and yet much more apocalyptic, Thanit Jitnukul's muscular jungle bloodbath outdoes Hollywood's recent efforts at combat ultra-realism.
  10. Equally seductive as it is inert, Terry Miles' Cinemanovels manages to cast an alluring spell, despite not amounting to much. It sticks in the memory, mostly due to the playful lead performance by Lauren Lee Smith.
  11. What it lacks, perhaps unavoidably, is a sense of the cosmic Now; the movie recovers, without exactly illuminating, a "long, strange trip" that seems all the stranger as it recedes into the past.
  12. True to Chekhov's dictum, a gun does fire near the end -- by which point eye-rolling audience members may be up in arms too.
  13. As in the films that precede it, the mysteries--and terrors--of desire also propel Handsome Harry, which reunites Gordon with Luminous Motion's Jamey Sheridan, here in the title role.
  14. In the highly imperfect world of contemporary romantic comedies, What If is as close to perfect as anything we've got, not least for the way it captures the abject hopefulness of young people who'd like to be in love but don't know how to go about it.
  15. Adults will be restless as stabled bucks, but even children may need unusually high Ritalin doses to slog through the visual and dramatic indifference on display.
  16. Regardless of Rose's intentions, his underachieving airiness is both entertaining and perfectly fitting for the slacker ennui of his clique's rising years.
  17. Music and Lyrics suggests that it's going to be about redemption, the second act in the life of a punchline, but it feels as though it were made to fit a date on a studio's release schedule. (Happy Valentine's Day!) Oh, well, at least the songs are catchy, and the two-tone video for "Pop Goes My Heart" is inspired.
  18. Director Levan Gabriadze is adept at the sinking something's not right creepiness too few horror films dig into. His techniques are certain to be copy-pasted by imitators.
  19. Ben-Ari elegantly conveys the crippling social pressures that arise when a woman suggests that she might be allowed agency over her own body and that of her child, without adding any words of her own.
  20. Although writer David Ebeltoft's post-apocalyptic story feels familiar at times (reminiscent of parts of Stephen King's The Stand), the scenery and Blackhurst's direction make Here Alone a verdant, suspenseful treat.
  21. No matter how much "Jaws"-hugging zeal he brings to the deck, Stewart has made a vain polemic that never addresses the finning industry's deep-seated cultural significance in Asia (where, rightly or wrongly, shark soup is a symbol of economic prestige), nor elaborates on how the disrupted ecosystem affects us humans.
  22. The film tries--and fails--to swing both ways, nostalgically glorifying its subject only to smugly revel in Levenson's ignominious demise.
  23. Much like marriage, This Is 40 is somewhat formless, and it almost never hurries up. But life is improved by having the option.
    • 59 Metascore
    • 60 Critic Score
    If you have someone under 10 to take to the movies, this one is charming and painless.
  24. Unable to capture either its wit, psychological acuity, or formal rigor, the movie essentially reduces the schematic, seesaw narrative to doomy clichés.
  25. For a quality horny-Italian-teen frolic, you need look no further.
  26. The appealing leads have strong chemistry, but it's the wrong kind: an affectionate big-brother/little-sister rapport that leaves a discomfiting taint on their more amorous clinches.
  27. It's a kids' movie for kids, and Davis approaches it as though he and his cast are merely storytellers trying to reach kids rather than show-offs trying to impress their parents.

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