Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Slack Bay is nothing if not anti-authoritarian, and while its anarchic energy is appealing in small doses, it becomes tiresome when it turns toward cruelty.
    • 66 Metascore
    • 70 Critic Score
    Hard as it may be to imagine a comedy that inflicts all the psychic torment of "Cries and Whispers," Baumbach has pulled off a more psychologically acute--and funnier--version of the Bergman pastiches that Woody Allen attempted 30 years ago, with a jumpy, nerve-rattling rhythm all his own.
  2. Ultimately, Advanced Style presents these women not as objects of curiosity, but as what they truly are: role models.
  3. The most effective part of Irving's film is how deftly she captures the pelicans' clear anxieties, curiosities, and joys.
  4. An efficient, absorbing example of the form framed in a boy's coming-of-age story set in a snowbound rural Holland in 1945.
  5. What it lacks in artfulness, Wish Me Away makes up for in emotive force.
  6. Wanders all over the map thematically and stylistically, and borrows heavily from Lynch, Jeunet, and von Trier while failing to find a spark of its own.
    • 66 Metascore
    • 50 Critic Score
    Those in search of a liberating treatise about empowered sexuality may find too much of the movie's erotic potential sublimated in sports metaphors, while those looking for a martial arts matinee will find its feats of physical prowess shriveled next to a fully engorged genre workout like "Ong-Bak."
    • 66 Metascore
    • 50 Critic Score
    Never as shocking as it thinks it is, as funny as it should be, or as engaged in cultural critique as it could be, Kick-Ass is half-assed.
    • 66 Metascore
    • 70 Critic Score
    Atsuko the character doesn't speak English; Atsuko the actress, speaking mostly un-subtitled Japanese when she speaks at all, gives a performance that's a marvel of nonverbal reaction.
    • 66 Metascore
    • 30 Critic Score
    This slog adds up to nothing other than the shocking truism that average people will do horrible things primarily because someone tells them to.
  7. Harvest of Empire is never quite wrong, but it's effectiveness is inversely proportional to how hard it's trying.
  8. Liquid Sky has always been caught smack between delirious curio, avant-garde put-on, exploitation cheapie, and naive masterpiece.
  9. While the acting ensemble is crucial, it's not the only asset here.
  10. Director Waters and screenwriter Tina Fey (also cast as the voice-of-reason math teacher) aim less for the usual high-gloss caricature than acutely hilarious sociology, nailing the servile malice of 15-year-old girls.
  11. Pleasant even without reaching much of a destination, Transamerica leaves the basic impression that it's not as self-satisfied as it could have been.
    • 66 Metascore
    • 50 Reviewed by
      Ed Park
    All stand-up comedy is oral aggression, but Cho's is an especially fascinating strain.
  12. A cut above last season's best studio offerings. The performances are well turned out. The morality is stylishly gray. The attitude is almost fashionable.
  13. A voracious vacuum cleaner of a movie --hoovering up a hundred years' worth of junk with the same monotonously unmodulated hum.
  14. It's smart in surprising ways, daring in a few minor ones, moving in the right ones.
    • 66 Metascore
    • 70 Critic Score
    Yet that dissonance is also what makes Strange Powers, a 10-years-in-the-making record of Merritt and his Magnetic Fields bandmates, so intriguing.
  15. Mann has done something transformative with Farrell: The Irish actor has never had this much charisma and natural authority in a role, and as he navigates that gray area between Crockett's real identity and his fabricated one, revealing subtle fissures in the character's cocksure facade, he's fascinating to watch.
  16. Change may be elusive, Optimists confirms, but the will to make it blazes.
  17. [A] slightly uneven yet deeply affecting documentary.
  18. As a visceral experience, it’s entrancing, especially during Shinji’s fight sequences, when his anxieties are cruelly exacerbated by having his body and mind symbiotically bonded to his father’s combat toy.
    • 66 Metascore
    • 50 Critic Score
    Paris, Je T'aime's brimming declaration of love to the City of Lights leaves one breathless but dissatisfied.
  19. Uplifted beyond its merits by a stunning performance from Marion Cotillard, the humdrum biopic of Edith Piaf, La Vie En Rose, jogs obligingly along with Piaf the legend rather than the woman.
  20. Sure, all the studios offer anymore are big, dumb adventure spectacles, but that's not a knock against the achievement of this one, which at least parades wonders before us, not the least being the greatest dragon in the history of movies.
    • 66 Metascore
    • 40 Critic Score
    Unable to organically incorporate their Big Ideas into the narrative, the filmmakers lazily lay them on top, leaving the exposition of Another Earth's structuring fantasy to a blanket of background voiceover.
    • 66 Metascore
    • 70 Critic Score
    Unmade Beds revels in its art-pop sensibility, bursting with the spirit of Jean-Luc Godard and Wong Kar-wai.

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