Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Lehmann shot Blue Jay in a gorgeous black-and-white that looks like silver gelatin prints (a photographic process that captures boundless gradations of gray), which complements the story's heartfelt simplicity.
  2. The film exhibits a contemplative quiet and attentiveness to detail that enhances its issues of regret, bitterness, and confusion, many of which are rooted in thorny parent-child relations.
  3. The Spierigs had the framework for something wonderful here, if only they’d trusted themselves to keep things simple.
  4. Cahiers-savvy cinephiles will recognize Fanfan as the type of handsome prestige production that the French New Wave overthrew in the early '60s, but this example of the "cinéma de qualité" is hardly a musty artifact, with its compact editing, its breezy and mischievous tone, and, in a country not yet a decade removed from the Nazi occupation, its acrid anti-militarism, clear from the ash-dry narration of the opening battle sequences onward.
  5. Most of the culinary footage is devoted to documenting-in flat, dull DV-the finalists' piece montée, or "sugar showpiece," in which sucrose is manipulated for its chemical properties, and dessert becomes a weird, often tacky sculpture.
  6. A love letter to the group. Packed with fantastic performance footage, it solidly makes the case that, throughout the '80s and early '90s, Fishbone was one of rock's best live acts ever - furiously energetic, innovative, leaping multiple genres in a single song.
  7. While the narrative is familiar — athlete from rough background trains fiercely, with the sport as a means of salvation — directors Zackary Canepari and Drea Cooper make sure the story is all Shields's, keeping her charisma at the center.
  8. Feels like a rough draft at best.
    • 69 Metascore
    • 80 Critic Score
    The real value of this film is its treasure trove of archival footage, rare clips that document this genius of an artist as a young man.
    • 69 Metascore
    • 90 Critic Score
    It's the imaginative background, and Fessenden's talent at insinuating it into the action, that counts--and unnerves--in this most chilling of global-warming movies.
  9. The evocation of passionate love is palpable, what with Amalric's sad longing and Farahani's Nobel Prize–winning face and everything, and the honest undercurrent of melancholy keeps the whole thing from becoming unmoored.
  10. The scenario almost seems an apologia for the film’s own subject matter, crafted with the awareness that audiences have outgrown the May-December trope.
  11. Cannot help but be merely another debacle that Tammy Faye will survive, eyelashes and integrity intact.
  12. de Broca's efficient fencing-mania melodrama brings little that's original to the table.
  13. This sly, sobering doc exposes the grievously fucked-up priorities surrounding the sport in a small town with little else on which to hang its hopes.
  14. The whole of Sunshine State is less than the sum of its parts, but the parts are often lovely, and always true.
  15. The art direction is impeccable, but this is a pop-up book that I was impatient to slam.
    • 69 Metascore
    • 60 Reviewed by
      Ed Park
    His story is sad but not humorless.
  16. Claudia Sainte-Luce's semi-autobiographical indie has a knack for subverting stereotypes without making a big deal about it.
  17. Climax isn’t so much about the inevitability of chaos, but about the sadness of watching something beautiful fall apart. And it is never less than electrifying.
  18. The film courageously shows its reprobate hero sliding further, not redeeming himself.
  19. Style can't fully compensate for a tale that, underneath its gorgeous affectations, proves undercooked, especially during a third act that provides duly titillating answers to its initially beguiling mysteries.
  20. The show that Horrocks puts on when she finally takes to the stage is more than worth the wait.
    • 69 Metascore
    • 70 Reviewed by
      Ed Park
    Nathalie is intricate, provocative, cleanly acted, but it's never entirely convincing--and never more so than in the table-turning climax.
    • 69 Metascore
    • 50 Critic Score
    The banality of Talk To Me is only half disappointing; at least it babbles clichés with conviction.
  21. Employing straightforward, music-free aesthetics that express the grim realities of his story, director Funahashi captures both grief and outrage in equal measure.
  22. The Birth of a Nation offers a troubling tangle of the personal and historical. But above all else it's commercial, an entertainment of purpose and some power. Parker knows how to juice a crowd.
  23. This is the very unsterile subject of the film: the unimaginable violence with which families were sundered, to which this film makes you a witness. The cameras linger on the faces of children as they tell their stories, unaffected and open.
  24. Director Icíar Bollaín mixes Even the Rain's various storytelling modes with an obviousness that ultimately negates enlightening intellectual or emotional discovery.
    • 69 Metascore
    • 90 Critic Score
    Despite the film's leisurely pace, nothing is wasted -- no word, no image, no sound. Every element is blended together to create individual scenes that come to feel like stand-alone photographs, leaving viewers both captivated and even ultimately feeling compassion for the anti-hero.

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