For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
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Reviewed by
Serena Donadoni
Lehmann shot Blue Jay in a gorgeous black-and-white that looks like silver gelatin prints (a photographic process that captures boundless gradations of gray), which complements the story's heartfelt simplicity.- Village Voice
- Posted Oct 5, 2016
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Reviewed by
Nick Schager
The film exhibits a contemplative quiet and attentiveness to detail that enhances its issues of regret, bitterness, and confusion, many of which are rooted in thorny parent-child relations.- Village Voice
- Posted Oct 1, 2013
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Stephanie Zacharek
The Spierigs had the framework for something wonderful here, if only they’d trusted themselves to keep things simple.- Village Voice
- Posted Jan 7, 2015
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Jessica Winter
Cahiers-savvy cinephiles will recognize Fanfan as the type of handsome prestige production that the French New Wave overthrew in the early '60s, but this example of the "cinéma de qualité" is hardly a musty artifact, with its compact editing, its breezy and mischievous tone, and, in a country not yet a decade removed from the Nazi occupation, its acrid anti-militarism, clear from the ash-dry narration of the opening battle sequences onward.- Village Voice
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Melissa Anderson
Most of the culinary footage is devoted to documenting-in flat, dull DV-the finalists' piece montée, or "sugar showpiece," in which sucrose is manipulated for its chemical properties, and dessert becomes a weird, often tacky sculpture.- Village Voice
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Ernest Hardy
A love letter to the group. Packed with fantastic performance footage, it solidly makes the case that, throughout the '80s and early '90s, Fishbone was one of rock's best live acts ever - furiously energetic, innovative, leaping multiple genres in a single song.- Village Voice
- Posted Oct 4, 2011
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Abbey Bender
While the narrative is familiar — athlete from rough background trains fiercely, with the sport as a means of salvation — directors Zackary Canepari and Drea Cooper make sure the story is all Shields's, keeping her charisma at the center.- Village Voice
- Posted Jun 23, 2016
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- Village Voice
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- Critic Score
The real value of this film is its treasure trove of archival footage, rare clips that document this genius of an artist as a young man.- Village Voice
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- Critic Score
It's the imaginative background, and Fessenden's talent at insinuating it into the action, that counts--and unnerves--in this most chilling of global-warming movies.- Village Voice
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Reviewed by
Chris Packham
The evocation of passionate love is palpable, what with Amalric's sad longing and Farahani's Nobel Prize–winning face and everything, and the honest undercurrent of melancholy keeps the whole thing from becoming unmoored.- Village Voice
- Posted Aug 14, 2012
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April Wolfe
The scenario almost seems an apologia for the film’s own subject matter, crafted with the awareness that audiences have outgrown the May-December trope.- Village Voice
- Posted Jan 11, 2018
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Reviewed by
Michael Atkinson
Cannot help but be merely another debacle that Tammy Faye will survive, eyelashes and integrity intact.- Village Voice
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Reviewed by
Michael Atkinson
de Broca's efficient fencing-mania melodrama brings little that's original to the table.- Village Voice
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Mark Holcomb
This sly, sobering doc exposes the grievously fucked-up priorities surrounding the sport in a small town with little else on which to hang its hopes.- Village Voice
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Reviewed by
Jessica Winter
The whole of Sunshine State is less than the sum of its parts, but the parts are often lovely, and always true.- Village Voice
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J. Hoberman
The art direction is impeccable, but this is a pop-up book that I was impatient to slam.- Village Voice
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Reviewed by
Heather Baysa
Claudia Sainte-Luce's semi-autobiographical indie has a knack for subverting stereotypes without making a big deal about it.- Village Voice
- Posted Jun 10, 2014
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Reviewed by
Bilge Ebiri
Climax isn’t so much about the inevitability of chaos, but about the sadness of watching something beautiful fall apart. And it is never less than electrifying.- Village Voice
- Posted May 16, 2018
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Reviewed by
Melissa Anderson
The film courageously shows its reprobate hero sliding further, not redeeming himself.- Village Voice
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Nick Schager
Style can't fully compensate for a tale that, underneath its gorgeous affectations, proves undercooked, especially during a third act that provides duly titillating answers to its initially beguiling mysteries.- Village Voice
- Posted Oct 22, 2013
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Amy Taubin
The show that Horrocks puts on when she finally takes to the stage is more than worth the wait.- Village Voice
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Ed Park
Nathalie is intricate, provocative, cleanly acted, but it's never entirely convincing--and never more so than in the table-turning climax.- Village Voice
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- Critic Score
The banality of Talk To Me is only half disappointing; at least it babbles clichés with conviction.- Village Voice
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Reviewed by
Nick Schager
Employing straightforward, music-free aesthetics that express the grim realities of his story, director Funahashi captures both grief and outrage in equal measure.- Village Voice
- Posted Dec 10, 2013
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Reviewed by
Alan Scherstuhl
The Birth of a Nation offers a troubling tangle of the personal and historical. But above all else it's commercial, an entertainment of purpose and some power. Parker knows how to juice a crowd.- Village Voice
- Posted Oct 6, 2016
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Reviewed by
Chris Packham
This is the very unsterile subject of the film: the unimaginable violence with which families were sundered, to which this film makes you a witness. The cameras linger on the faces of children as they tell their stories, unaffected and open.- Village Voice
- Posted Sep 20, 2012
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Reviewed by
Nick Schager
Director Icíar Bollaín mixes Even the Rain's various storytelling modes with an obviousness that ultimately negates enlightening intellectual or emotional discovery.- Village Voice
- Posted Feb 9, 2011
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- Critic Score
Despite the film's leisurely pace, nothing is wasted -- no word, no image, no sound. Every element is blended together to create individual scenes that come to feel like stand-alone photographs, leaving viewers both captivated and even ultimately feeling compassion for the anti-hero.- Village Voice
- Posted Jul 24, 2014
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