Variety's Scores

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For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,121 out of 17760
  2. Mixed: 7,003 out of 17760
  3. Negative: 1,636 out of 17760
17760 movie reviews
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    • 46 Metascore
    • 70 Critic Score
    Undercover Blues
    The moderately enjoyable “Undercover Blues” plays like a big-screen, big-budget pilot for a TV series.
  2. The Joy Luck Club
    Wang has made a dramatically confident move into the mainstream on his own terms with highly congenial material.
    • 25 Metascore
    • 30 Critic Score
    Boxing Helena
    The numerous sex scenes are good and steamy.
  4. Three Colors: Blue
    Bold final sequence is a visual and aural crescendo calibrated to show that while each person is fundamentally alone, every life inevitably touches other lives.
  5. Needful Things
    Moviegoers aren’t likely to be similarly spellbound, as Heston employs a too-slow buildup to an explosion of mayhem that incorporates gruesome violence with awkward attempts at dark humor.
    • 33 Metascore
    • 30 Critic Score
    Son of the Pink Panther
    Starring Italian comedian Roberto Benigni as the new bumbling inspector, it is a tired pastiche of recycled sketches and gags.
    • 46 Metascore
    • 70 Critic Score
    The Thing Called Love
    Perhaps there's not much new to say about the dues and disappointments involved in breaking into the country music scene, but the scenes are fresh and the emotions real in Peter Bogdanovich's tune-laden, mixed-mood drama.
  8. King of the Hill
    King of the Hill has all the rich satisfactions of a fine novel.
  9. Hard Target
    A briskly vigorous, occasionally brilliant actioner.
  10. Manhattan Murder Mystery
    Woody Allen once described himself as "thin but fun," and the same could be said for his latest effort, Manhattan Murder Mystery. Light, insubstantial and utterly devoid of the heavier themes Allen has grappled with in most of his recent outings, this confection keeps the chuckles coming and is mainstream enough in sensibility to be a modest success.
    • 17 Metascore
    • 10 Critic Score
    Jason Goes to Hell: The Final Friday
    Jason goes to hell, and not a moment too soon. His descent has been far too long in coming, as the exhausted, witless Jason Goes to Hell: The Final Friday demonstrates.
  12. The Secret Garden
    Executed to near perfection in all artistic departments, this superior adaptation of the perennial favorite novel will find its core public among girls , but should prove satisfying enough to a range of audiences to make it a solid performer for Warner Bros.' family entertainment banner.
    • 89 Metascore
    • 50 Critic Score
    Searching for Bobby Fischer
    Unfortunately, as scripter, debuting director Steven Zaillian (who wrote Awakenings) also feels compelled to throw in Karate Kid-type flourishes, a rather stale genre that doesn’t lend itself all that well to chess. The narrative is ruthlessly edited, jumping around in a manner that skips needed exposition and abandons characters.
  14. Body Bags
    Scary moments are scattered throughout the teleplays by Billy Brown and Dan Angel, with a few jittery jolts to grab attention (particularly during the first episode), but the writing and stories are pedestrian.
  15. The Fugitive
    A consummate nail-biter that never lags, it leaves you breathless from the chase yet anxious for the next bit of mayhem or clever plot twist.
  16. The Wedding Banquet
    The Wedding Banquet slides down easily even if it doesn't leave much aftertaste.
    • 56 Metascore
    • 40 Critic Score
    Rising Sun
    Rising Sun waters down the more contentious aspects of Michael Crichton's controversial bestseller about Japanese influence in the United States, while remaining faithful to its mechanical plotting and superficial characterizations.
  18. So I Married an Axe Murderer
    So I Married an Axe Murderer may have to dodge some angry Scotsmen but otherwise should click with those looking for slightly upscale humor that’s not averse to a few well-placed cheap shots. It’s a delightful and unexpected surprise.
  19. Robin Hood: Men in Tights
    Robin Hood: Men in Tights marks a return to the wild, anarchic scatological comedies that made Mel Brooks a marquee name around the world. It is a film for his diehard fans and for a new generation who only know Mad Mel from legend.
  20. Poetic Justice
    Poetic Justice is a hermetic inner-city love story elevated by resonant social commentary.
  21. Coneheads
    A sweet, funny anarchic pastiche that should find broad based popularity. Its sly combination of the outrageous and the mundane is a surprisingly appealing screen entertainment that transcends the one-joke territory it inhabited on television.
  22. Another Stakeout
    The most amazing thing about Another Stakeout is that even though some of its skits are dopey and cloying and its plot recycled and derivative, the movie is still very amusing.
  23. Chantilly Lace
    An amiable, middle-brow entertainment, Chantilly Lace provides a knowing, bittersweet look at the complex lives of modern American women.
  24. Free Willy
    An astute, intelligent family picture, the film is a potent reminder that you can have your heart in the right place and still produce a gripping, satisfying entertainment.
  25. Hocus Pocus
    With Bette Midler and her onscreen sisters shamelessly hamming things up, it looks as if those involved in making this inoffensive flight of fantasy had more fun than anyone over 12 will have watching it. Still, the blend of witchcraft and comedy should divert kids without driving the patience of their parents to the boiling point, leaving a chance to conjure up a little box office magic among that contingent before the pot tips over.
  26. In the Line of Fire
    What neophyte scripterscripter Jeff Maguire's plot comes down to, however, is the cat-and-mouse game between Horrigan and Leary, and the craftiness and strategies involved on both sides, while not exactly ingenious, are tantalizing enough to compel interest.
  27. Weekend at Bernie's II
    A mildly diverting farcical caper... stretches a thin idea even thinner, but it offers enough puerile fun and well-executed gags to lure fans of the 1989 predecessor back to theaters before a more robust future on homevideo.
  28. Rookie of the Year
    A warm, comic "what if" yarn, it's rife with humor and sentimentality but is just one run away from the game-winning score.
  29. Much Ado About Nothing
    A film that is continuously enjoyable from its action-filled opening to the dazzling final shot, one that offers a very generous welcome to newcomers to the play, and reminds those familiar with it of its heady pleasures. Only real drawback, and not an insignificant one, is pic’s visual quality, which is unaccountably undistinguished, even ugly, especially considering the sun-drenched Tuscan location.
  30. The Firm
    Rebounding from his biggest career flopflop with "Havana," Sydney Pollack has done an ultra-pro job in giving spit and polish to this star-driven, sure-fire commercial project.
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