Variety's Scores

For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17760 movie reviews
  1. A not-bad futuristic actioner with three or four astounding sequences, an unusual hero, a nifty villain and less mythic and romantic resonance than might be desired.
    • 51 Metascore
    • 60 Critic Score
    Riddled with more coincidences and implausibilities than Hitchcock permitted himself in his entire career, The Net still gets by as a reasonably suspenseful, very au courant thriller.
  2. A well-crafted and entertaining pic with broad, cross-generational appeal.
  3. An amusing look at the perils of film production, Living in Oblivion is an inside joke with a generosity of heart that makes it accessible to anyone who would take an interest.
  4. A fresh, disarmingly bright and at times explosively funny comedy well worth a trip to the mall, even if it eventually runs out of gas.
  5. Indian in the Cupboard is yet another example that Hollywood can make movies in which critics of sex and violence can find nothing to complain about. It’s also a reminder that family values can be, well, kind of boring.
  6. Bogosian provides some much-needed comic relief to the slogging tale. He turns in solid work, as does Everett McGill as his head strongman, but they and others are saddled with pedestrian dialogue and motivation.
  7. An exceedingly safe and conventional Chris Columbus comedy.
    • 49 Metascore
    • 70 Critic Score
    A propulsive sci-fi actioner genetically engineered from spores of the Alien and Terminator series, Roger Donaldson's Species provides a gripping if not overly original account of an extraterrestrial species attempting to overwhelm our own.
  8. Literate, sober-minded and almost rigorously chaste, First Knight sweeps the viewer up in the doings of these impressive, larger-than-life characters and offers a credible portrait of regal personages whose priorities are well sorted.
  9. It's exceedingly linear structure, while unavoidable, renders it rather methodical and shallow in characterization.
    • 59 Metascore
    • 90 Critic Score
    The Disney artists have created a vivid palette for the picture.
  10. The audaciousness that marked Todd Haynes’ earlier work has been supplanted by self-important preachiness in Safe.
  11. Yet while Schumacher has largely accomplished the goal of delivering a cinematic comic book, he's also left the movie hollow at its core -- a distinction that may not trouble Saturday-night audiences but that nonetheless dulls the film's impact beyond its sheer and unrelenting visual grandeur.
  12. Pic's potentially inspiring story too often remains grounded by a problematic script and unshapely direction.
  13. Too often goes off on a tangent with unessential anecdotes and then fails to deliver in more important areas.
  14. Whatever John Patrick Shanley's script may have tried to do in adapting Crichton's book, it clearly feels as if the picture were edited to leave the action sequences in while removing any connecting material that might have helped them make sense.
  15. This trifle about a dizzy downtown New York scenester who gets a grip on her life is energized by several attractive characters and enough youthful pep to put it over as an upbeat diversion for teens and twentysomethings, though it has no more substance than bubblegum music.
  16. Given the intelligent restraint of the treatment, this is about as fine an adaptation of this material as one could hope for, although there is still something of a gap between the impressive skill of the filmmaking and the ultimately irredeemable aspects of the source.
  17. It takes some time, but ultimately “Fluke” turns into a charming, positive message story about love of life in whatever form it assumes.
  18. Another demonstration of the hazards involved turning a six-minute animated short into a big budget movie, Casper will doubtless spur nostalgic recognition among grown-ups but skews so heavily toward children that it offers little to divert anyone over the age of 8.
  19. Overall, pic’s conception of the future isn’t terribly original or inventive, and viewers not into the head trip of bigscreen computer graphics will want to download a lot sooner than Johnny does.
    • 68 Metascore
    • 80 Critic Score
    The sort of massive vanity piece that would be easy to disparage if it didn't essentially deliver.
  20. An astonishing work of studio artifice, A Little Princess is that rarest of creations, a children's film that plays equally well to kids and adults.
  21. An overinflated mishmash that compels the audience to sift through a lot of rubble for the few requisite thrills, this second "Die Hard" sequel leaves a lot of creative wreckage in its wake.
  22. Just as quirky and idiosyncratic as the Gotham-based writer-director's earlier efforts, this one pushes the spiky humor a bit more to the fore while unfolding a tale loaded with offbeat oppositions and odd character detailing.
  23. A highly charged, coolly assured directorial bow graced by riveting work from a trio of accomplished leads, Little Odessa immediately etches a firm place on the map for 25-year-old New York newcomer James Gray.
  24. While skillfully crafted to maximize visual excitement and dramatic fireworks through the first hour, relentlessly paced pic sports a fancy new package for a rather shopworn doomsday scenario that unravels to increasingly familiar effect as the finale breathlessly approaches.
  25. As always, Techine is excellent at exploring “tiny” personal flashes that assume larger meaning when placed against the broader historical context.
  26. A frank, intimate look at a phenomenal popular artist and his extraordinarily dysfunctional family, Crumb is an excellent countercultural documentary.

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