Variety's Scores

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For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,121 out of 17760
  2. Mixed: 7,003 out of 17760
  3. Negative: 1,636 out of 17760
17760 movie reviews
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    • 56 Metascore
    • 50 Critic Score
    The Cable Guy
    Carrey’s character lacks the empathy or poignance to command ongoing interest, and Broderick’s role strains one’s patience because he’s hopelessly dimwitted and slow to react in any way vaguely resembling human behavior.
  2. The Rock
    This is a pure popcorn picture that benefits heavily from its trio of highly skilled, charismatic leading thesps, an unusual setting that provides plenty of visual stimulation, and a confrontational standoff that actually stems from a legitimately provocative premise.
  3. Heavy
    Character-driven to a fault, Heavy proceeds in such leisurely fashion that there are times one wishes it would shed a few minutes in order to get on with its business.
    • 56 Metascore
    • 50 Critic Score
    The Arrival
    A straight-faced updating of the 1950s space monster formula, film stars Charlie Sheen as the rogue scientist who battles E.T.s, uncovers government conspiracies and, most impressive of all, suppresses giggles when confronted with some of the silliest alien effects in memory. [03 June 1996, p.50]
    • Variety
  5. DragonHeart
    Director Rob Cohen has pulled together a simple yarn of an itinerant dragonslayer who decides to team with his prey to rid the land of an evil ruler who has betrayed them both. Tale’s poignancy stems from the fact that fire-breathing, armor-plated, high-flying creature is the last of its kind; when he dies, dragons will have passed entirely from Earth.
    • 25 Metascore
    • 30 Critic Score
    Spy Hard
    The picture that will test the durability of Leslie Nielsen's lowbrow franchise -- and proves the talent of the regrettably absent Zucker brothers-Jim Abrahams team --Spy Hard sticks so closely to the "Naked Gun" formula that one half-expects an O.J. Simpson cameo.
    • 59 Metascore
    • 70 Critic Score
    Mission: Impossible
    All Mission Impossible had to do was not self-destruct. Mission accomplished. Does it ignite? Not really, but Tom Cruise's first adventure as a producer has just enough hightech firepower, old-fashioned star power and a director who knows how to harness it all.
  8. Flipper
    The effectively offbeat casting of Paul Hogan and some impressive underwater cinematography do much to enliven Flipper, an otherwise unremarkable attempt to revive the franchise that spawned two features and a popular TV series in the mid-1960s.
  9. Twister
    Another theme park ride of a movie without an ounce of emotional credibility to it, Twister succeeds on its own terms by taking the audience somewhere it has never been before: into a tornado's funnel.
  10. Dead Man
    Like his previous efforts, Jarmusch's sidelong take on Western conventions relies upon quirky tone, hipsterish performances and a highly refined visual style to put it over.
  11. Cold Comfort Farm
    The fun that Schlesinger and his first-rate ensemble must have had while working on this production is infectious, for there isn't one dull -- or quiet -- moment in the film.
    • 40 Metascore
    • 70 Critic Score
    Barb Wire
    Despite its obvious flaws, Barb Wire does what it sets out to do and does it well.
  13. The Craft
    Four gifted and attractive actresses struggle hard to lend a semblance of dramatic coherence to The Craft, a neatly crafted film that begins most promisingly as a black comedy a la Heathers, but gradually succumbs to its tricky machinery of special effects. Still, young audiences, particularly women, are likely to connect with this energetic high-school tale about the vengeful empowerment of rebellious misfits.
  14. I Shot Andy Warhol
    An exemplary and dynamic work that goes about as far as a narrative film can in both analyzing a complex personality and portraying a cultural scene.
  15. Kingpin
    Peter and Bobby Farrelly aimed low and grossed millions with "Dumb & Dumber," so it shouldn't be surprising that Kingpin, their latest effort, offers a similar mix of pratfalls, gross-out gags and jokes about bodily functions. This time, however, the humor is darker, edgier and occasionally, even more scatological.
  16. The Truth About Cats & Dogs
    What really makes The Truth About Cats & Dogs special in places however, is Garofalo's dry, self-effacing wit and Thurman's ditzy, old-style Hollywood glamour.
  17. Butterfly Kiss
    From its opening shots, Butterfly Kiss exudes a confidence and distinctive feel that promises something rather special. Unlike its characters, the pic knows where it's going.
  18. Mulholland Falls
    Mulholland Falls is a "Chinatown" wannabe that comes up short in every department. Although loaded with talent on both sides of the camera, this sex-and-corruption-drenched mystery meller about a big official cover-up in postwar L.A. simply feels underachieved, as it lacks the heady atmosphere, tasty intrigue and dramatic punch the alluring premise would seem to promise.
    • 35 Metascore
    • 40 Critic Score
    Mrs. Winterbourne
    As calculated as the cries of 'Go Ricki!' on its star's talkshow, Mrs Winterbourne is a sappy, old-fashioned and predictable vehicle for actress-turned-talk maven-turned-actress-again Ricki Lake that delivers requisite warmth but few laughs. Lake's ebullient charm and solid performances by Shirley MacLaine, Brendan Fraser and Miguel Sandoval provide some highlights.
  20. Mystery Science Theater 3000: The Movie
    Filmmakers take a shotgun approach to comedy, inundating the viewer with wisecracks that, more often than not, don't go over. But those that do still add up to lotsa laughs, and the sheer weight of them eventually builds an atmosphere of mild lunacy that it's useless to resist.
    • 55 Metascore
    • 70 Critic Score
    Kids in the Hall: Brain Candy
    The mad scientist/corporate heavy comedy is an odd combination of belly laughs and cerebral humor that will delight those familiar with the sketchcom troupe's antics.
  22. Celtic Pride
    Not quite a three-pointer, but definitely more than an airball, "Celtic Pride" is an uneven but largely likable basketball-themed comedy that should lay up decent B.O. numbers and perform even better in the homevid arena.
    • 41 Metascore
    • 70 Critic Score
    The Substitute
    Though the setup is largely preposterous, the filmmakers go whole-hog for the idea and provide a kinetic entertainment.
    • 24 Metascore
    • 40 Critic Score
    Kazaam
    With its uneven mix of comedy, melodrama and action, pic will need all the help Shaq's name and a rap soundtrack can provide.
    • 77 Metascore
    • 80 Critic Score
    Courage Under Fire
    Edward Zwick's high-minded new outing offers plenty of old-fashioned movie virtues such as believable action, plausible psychology, fully played-out confrontations and honest emotions.
  26. Fear
    The thriller telegraphs most of its suspense payoffs, and the audience is almost always ahead of the game. What's most disappointing is that the characters begin as well-etched individuals, but are gradually turned into mere plot functions.
    • 78 Metascore
    • 100 Critic Score
    James and the Giant Peach
    All in all, James and the Giant Peach is an extraordinary achievement.
  28. Primal Fear
    The major jolt is saved for the very end but, like much else in the film, it is overexplained and underlined when more simplicity and quiet would have provided the revelation with the power of a depth charge.
    • 71 Metascore
    • 40 Critic Score
    A Family Thing
    The handful of powerful speeches here do little, however, to offset story weaknesses that also include soft-edged characterizations, a faintly patronizing air regarding the black characters and a general avoidance of the issue most viewers will want to see addressed.
    • 47 Metascore
    • 50 Critic Score
    Sgt. Bilko
    Even Steve Martin back in his wild-and-crazy mode can't breathe much life into Sgt. Bilko - a somewhat unlikely candidate for translation from the TV sitcom vaults to the bigscreen. Bilko can't really be much more than the series - the exploits of an unscrupulous army scam artist constantly looking for new ways to make a buck.
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