For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
David Rooney
David Duchovny scores considerably higher as director than as screenwriter.- Variety
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Reviewed by
Joe Leydon
A modestly amusing family-friendly comedy about a miniature car race that brings out the worst in overzealous fathers who compete with each other through their children.- Variety
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Reviewed by
Dennis Harvey
Colorful, sometimes endearing but highly uneven picture.- Variety
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Reviewed by
Jonathan Holland
Somewhat wacky tale, based on real events, is kept anchored in reality through attention to detail and by first-rate central perfs.- Variety
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Reviewed by
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- Variety
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Reviewed by
Robert Koehler
Unconvincingly attempts to update the futurist dystopian traditions of Orwell, Huxley and William Gibson.- Variety
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Reviewed by
Ronnie Scheib
Confusing lack of historical set-up considerably dims the potential luster of a great true story: Helmer Alberto Negrin relies instead on competently rendered but cliche-ridden melodrama of nasty Nazis and suffering Jews.- Variety
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Ken Eisner
Track record of helmer Barry Alexander Brown, and scads of clever writing from scripting producer Dan Harnden, should help this little gem find a home, although it is probably too intimate and original to win more than a cult following.- Variety
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Reviewed by
David Rooney
Like the symmetrical word that supplies its title, the mordant comedy-drama recovers ground to become a boldly intriguing if not entirely satisfying subversion of American family values.- Variety
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Reviewed by
Ronnie Scheib
Slicker, funnier and more professional than its predecessor, State Property 2, with Damon Dash at its helm tones down the original.- Variety
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Derek Elley
15 is Asian Kid Rebels 101. So predictable it could almost be a parody of the genre -- though that would require a sense of humor above and beyond the self-reflexive comedy on display here.- Variety
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Reviewed by
Robert Koehler
Saddled with more industry/celebrity baggage than a high-class safari voyage, Sahara is a rousing and only occasionally ridiculous adventure yarn.- Variety
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Brian Lowry
The Farrelly brothers are growing up, which in this case isn't a bad thing. With a tacked-on ending made necessary by the Boston Red Sox's improbable World Series run last fall, Fever Pitch proves a charming romantic comedy against "A Beautiful Mind"-type framework.- Variety
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Reviewed by
Derek Elley
Devoid of genuine inspiration or involving character development.- Variety
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Dennis Harvey
Rude, heavily contrived, pretty funny, just remotely connected to real-world youth life.- Variety
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Reviewed by
David Rooney
Story of a still-grieving widower and his two troubled teenage sons is distinguished by its emotional integrity, sustained mood of aching melancholy and superbly understated performances.- Variety
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Justin Chang
Well-meaning but dramatically lopsided tearjerker bogs down in generic teen angst and domestic squabbling.- Variety
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Reviewed by
Lisa Nesselson
Repetitive and needlessly prolonged tale does build to an inspired final scene, but it's too little, too late.- Variety
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Deborah Young
After a tedious start building up the boys' lives and friendship, feature bow by Elmar Fischer becomes deeply engrossing in its second half, as the viewer learns of the hero's anguish and doubts.- Variety
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Reviewed by
Todd McCarthy
More evident than ever the film is inherently a deeply flawed work that was far from fully realized in both script and shooting.- Variety
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Reviewed by
David Rooney
What might have been a cinephile's wet dream turns out instead to be seductive, stimulating and sodden, in that order, in the three-chapter reflection on love and desire.- Variety
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- Critic Score
Dark, provocative and disturbing, the new film by Lukas Moodysson is definitely not for all tastes but solidifies his standing as the most interesting director working in Scandinavia today.- Variety
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Reviewed by
Robert Koehler
A history of verse is laid alongside that of warfare, and the ways in which they are braided together proves fascinating.- Variety
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While engaging, pic eventually betrays itself as having a trivial attitude to its chosen subject, with a climactic scene that is genuinely, but inappropriately, amusing.- Variety
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Reviewed by
Lisa Nesselson
Hockney designed 11 operas, so buffs will be in seventh heaven here; but docu's potential audience extends to anyone interested in the creative process and life's ironies -- music lover Hockney has gone deaf from a genetic condition that surfaces in middle age.- Variety
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Reviewed by
Dennis Harvey
Potentially shocking expose is weakened by one-sided reportage that leaves too many questions unanswered.- Variety
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Reviewed by
Todd McCarthy
For geeks, action freaks and sensation-seeking teenage boys of all ages, the price of admission will provide a one-way ticket to hard-boiled heaven.- Variety
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Reviewed by
Todd McCarthy
With its exceptional multicamera coverage and dynamic editing, pic provides an amazing ride across the dusty roads and stunningly varied terrain of what could be the world's most demanding vehicle race.- Variety
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Reviewed by
Robert Koehler
The live event was hopefully more engaging than this dull adaptation.- Variety
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Reviewed by
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- Variety
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