Variety's Scores

For 17,758 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17758 movie reviews
  1. It’s a competent yet uninspired overview of events.
  2. Everything is at once telegraphed and derivative.
  3. Despite so much cause for grief, what’s striking about the protagonists is their cordiality and resilient hopefulness.
  4. Levy’s funny-sad contemporary drama acknowledges the supportive dynamic that Marc plays in Thomas and Sophie’s lives, even as it centers the gay best friend for a change — not so different from the one he played in “Happiest Season.” All three characters feel well rounded and real, especially in their imperfections.
  5. It’s a film less about any frenetic onscreen shenanigans as it is about its own mood board of sartorial and cinematic reference points — Jean Renoir, Billy Wilder, some vintage Chanel — and as such it slips down as fizzily and forgettably as a bottle of off-brand sparkling wine.
  6. With My Love Affair with Marriage, animator Signe Baumane creates another dense personal narrative that expresses complicated concepts and ideas in images.
  7. The movie, with all that combat, is staged on an impressively grand scale by the returning director, James Wan, but at the same time there’s something glumly standard about it.
  8. Anyone But You is a rom-com for the age of antipathy. It is, in many ways, as prefab as a lot of the rom-coms of the ’90s and aughts, but there’s something zesty and bracing about how it channels the anti-romanticism of the Tinder-meets-MeToo generation.
  9. At least the backgrounds are eye-catching, as a waddle of mallards crack jokes amid beautiful fall foliage.
  10. Barrino’s soul-felt R&B sensibility lends itself to the role, and the patience it took to reach this point mirrors Celie’s long path to finding herself. Barrino may have embodied the character on Broadway 15 years earlier, but the moment is now right, and everyone else in the terrific ensemble seems to have fallen into place around that choice.
  11. The Boys in the Boat is a gentleman’s sports movie, with Clooney working hard to make one “like they used to.” He brings it off, even if there’s a lingering quaintness to it all.
  12. “Rebel Moon,” while eminently watchable, is a movie built so entirely out of spare parts that it may, in the end, be for Snyder cultists only.
  13. Each setpiece is composed and paced much like the last, which only amplifies the sense of Dan as some kind of unflustered, largely unsympathetic man-machine, paused only by the script’s fleeting interpersonal conflicts.
  14. Gazing upon great art often clears our minds, sharpens our thinking and invites new ideas in; in Apolonia, Apolonia, tracing the long-term push-pull of someone else’s artistic process appears to do the same for the woman behind the camera.
  15. Even if narratively Mami Wata never fully reaches a satisfactory apex, its images remain utterly enthralling.
  16. A perfect movie for this moment.
  17. From the exuberant credits and opening sequence through to the end, Tiger Stripes is the work of a confident new talent whose next work will be eagerly awaited.
  18. Inshallah a Boy moves like a sleek thriller, but is full of the unsolved mysteries and dangling question marks of real life.
  19. Dumas was a master of the serial form, and this version of “The Three Musketeers” manages to preserve that thrill-to-thrill sensation. The experience leaves you wanting more, though it’s probably better suited to binge-watching in its entirety.
  20. Contrastingly notable for their absence are emotional depth, narrative cogency or non-scatological humor — lacks that much ultra-violence and a surprising amount of sexual content can only distract from so much over such a long, bombastic, shallow course.
  21. Little Richard: I Am Everything, directed with supreme love and insight by Lisa Cortés, is the enthralling documentary that Little Richard deserves.
  22. It’s a fractious, blood-soaked drama about the will to survive that feels like “Earthquake” crossed with “Lord of the Flies.” What’s gripping is that you watch it and think, “If I were in this movie, what would I do?”
  23. Following events over the course of several years, this cautionary tale has an impact not unlike watching the rise of similar anti-transparency policies and politicians elsewhere of late: dismaying, yet with all the lurid appeal and colorful personalities of any juicy public scandal.
  24. “Wonka” makes you feel good, but it never makes you levitate.
    • 86 Metascore
    • 80 Critic Score
    It’s satisfying without being indulgent, but most of all, it’s a monument to Beyoncé’s status as one of pop’s most enduring figures, and everything it takes to get there.
  25. Silly as it might be, Silent Night gives audiences reason to get excited about the Hong Kong innovator once again, ranking as one of the few bloody Christmas counterprogrammers since “Die Hard” that feels worthy of repeat viewing down the road.
  26. It’s the lame jokes and repetitive dialogue that keep it from landing any laughs. The cast is essentially left stranded, mugging for the cameras as they desperately try to compensate for the undercooked script.
  27. The funny moments in Genie, and there are a handful of them, emerge mostly from McCarthy just tossing off lines with her dislocating insouciance.
  28. Despite a few lapses into lumpy melodrama, Yamazki’s thoughtful script holds firm and is dotted with delightful humor at just the right moments.
  29. For this warm and lovely film’s most natural audience, which will most likely be families struggling with illness, the documentary’s final inconclusiveness may feel like a feature, not a flaw: Music is forever, and so is chemo, in some cases. Holding those elements in balance is one way to create a symphony.

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