For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
Its humor and sentimentality equally labored, this by-the-numbers picture will look better, albeit still not good, as a latenight cable or streaming time-killer.- Variety
- Posted Mar 22, 2012
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Reviewed by
Joe Leydon
Newcomer Rachel Hendrix grabs attention and sustains sympathy as a lovely yet troubled 19-year-old student determined to unlock the secrets of her past after learning the circumstances of her birth.- Variety
- Posted Mar 22, 2012
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Reviewed by
Andrew Barker
This would-be inspirational picture has its heart in the right place, but with default-setting characters, loudly telegraphed emotional beats and lack of any real sizzle to enliven its maudlin moralizing, it all feels like a cursory run through a well-trodden routine.- Variety
- Posted Mar 21, 2012
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Reviewed by
John Anderson
Loaded with history, interviews, hole-cam drama and some rather grand digressions, Douglas Tirola's picture seems a bit late for the poker craze, and at any rate will be preaching largely to the converted.- Variety
- Posted Mar 21, 2012
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Reviewed by
Robert Koehler
Mannion's script goes a bit too far in terms of twists, capping the third-act suspense with a plot U-turn, and then another, that leaves audiences feeling played. Worse, the final development loses credibility in retrospect, reducing the film to the level of an exercise in paranoia, effects and one actor's ability to hold attention for nearly 90 minutes.- Variety
- Posted Mar 21, 2012
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Reviewed by
Robert Koehler
The title is an apt one, suggesting that for all its staging and overt theatrics, independent (read: non-WWF) pro wrestling makes huge demands on the body and spirit.- Variety
- Posted Mar 19, 2012
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Reviewed by
Justin Chang
It's hard not to be moved by the words of love, gratitude and resilience spoken by earthquake/tsunami survivors and volunteers in Pray for Japan. But well-meaning platitudes go only so far in this sincerely felt, raggedly structured compilation of footage.- Variety
- Posted Mar 19, 2012
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Reviewed by
Leslie Felperin
Davies is in fine form here, with luminous performances, especially from Rachel Weisz, rounding out a classy package whose only major problem is it may be a bit too true to its period sensibility and legit origins.- Variety
- Posted Mar 18, 2012
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Justin Chang
A watchable enough picture that feels content to realize someone else's vision rather than claim it as its own. Any real sense of risk has been carefully ironed out: The PG-13 rating that ensures the film's suitability for its target audience also blunts the impact of the teen-on-teen bloodshed.- Variety
- Posted Mar 15, 2012
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Reviewed by
Robert Koehler
An unusual example of what can be termed a "gay Christian" film, Cone's feature is among the best of a recent spate of dramas observing American Christian life.- Variety
- Posted Mar 13, 2012
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Reviewed by
Boyd van Hoeij
Tautou is fine but clearly typecast as another whimsical pixie with strong melancholy undercurrents.- Variety
- Posted Mar 12, 2012
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Reviewed by
John Anderson
Marin Ireland makes a winning lead, but the script by helmers David Conolly and Hannah Davis ran out of gas in 2008, which is when the film was made.- Variety
- Posted Mar 12, 2012
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Reviewed by
Joe Leydon
This filmed-in-Texas road movie finds a smooth groove between self-conscious quirkiness and broadly played farce.- Variety
- Posted Mar 12, 2012
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Reviewed by
Peter Debruge
The breakout here is 13-year-old Doret, the Dardennes' latest stunningly naturalistic, non-professional acting discovery.- Variety
- Posted Mar 12, 2012
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Reviewed by
Peter Debruge
Graced with Susan Sarandon's radiant turn as Jeff's all-patient mother-enabler, this sweet but slight effort could modestly expand their audience beyond the slacker set to include middle-aged women.- Variety
- Posted Mar 12, 2012
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Reviewed by
Peter Debruge
This unabashedly derivative, vaguely post-apocalyptic riff on well-worn '80s-movie tropes plays its boilerplate premise with endearing earnestness, but runs thin in no time.- Variety
- Posted Mar 12, 2012
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Reviewed by
Dennis Harvey
A satisfying wartime espionage drama focused on little-noted intersections between Arabic emigres and the French Resistance.- Variety
- Posted Mar 12, 2012
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Reviewed by
Ronnie Scheib
Scripter Lund, himself an ex-teacher, delivers a story that lacks nuance, and mixes badly with Kaye's impatient edits, Dutch angles and extreme close-ups.- Variety
- Posted Mar 12, 2012
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Reviewed by
Justin Chang
A likable enough lark that rarely achieves outright hilarity.- Variety
- Posted Mar 12, 2012
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Reviewed by
John Anderson
Alex Rotaru's very busy documentary focuses more on the kids' stories than on their work; considering how sensational some of them are, it's probably a strategic advantage.- Variety
- Posted Mar 10, 2012
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Leslie Felperin
The Raven is a squawking, silly picture that never takes flight.- Variety
- Posted Mar 10, 2012
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Reviewed by
Peter Debruge
Not since "Scream" has a horror movie subverted the expectations that accompany the genre to such wicked effect as The Cabin in the Woods, a sly, self-conscious twist on one of slasher films' ugliest stepchildren: the coed campsite massacre.- Variety
- Posted Mar 10, 2012
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Reviewed by
Justin Chang
Alas, even Murphy's largely wordless, physically adroit performance can't redeem this tortured exercise in high-concept spiritualist hokum.- Variety
- Posted Mar 8, 2012
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Ronnie Scheib
Documentarian Jarred Alterman emphasizes oddball lyricism in the one-of-a-kind Convento, in which a 400-year-old Portuguese monastery provides the canvas for a Dutch family's artistic experimentation.- Variety
- Posted Mar 8, 2012
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Reviewed by
John Anderson
A droll New Zealand parody with a tone so deadpan it becomes laugh-out-loud funny.- Variety
- Posted Mar 8, 2012
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Reviewed by
John Anderson
Editor-turned-writer-helmer Aaron Rottinghaus has a keen eye, but doles out the details of this mystery at such a dysfunctional pace, it's difficult to get engaged.- Variety
- Posted Mar 8, 2012
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Reviewed by
Peter Debruge
Stanton has been given the resources to create an expansive, expensive world, but lacks the instincts to direct live-action, a limitation that shows most in the performances. Bare of chest and fair of feature, Kitsch doesn't exhibit enough charisma to carry a project of this scale.- Variety
- Posted Mar 6, 2012
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Reviewed by
Peter Debruge
By casting Jonah Hill and Channing Tatum as fish-out-of-water buffoons, the irreverent result feels fresher than most '80s-show reboots, effectively flipping the address Johnny Depp made famous.- Variety
- Posted Mar 5, 2012
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Alissa Simon
A delightful comic cocktail of modern city symphony, police procedural and love story.- Variety
- Posted Mar 4, 2012
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Reviewed by
Peter Debruge
Like one of those kitchen machines that can turn nearly any ingredient into ice cream, Lasse Hallstrom has sweetened the satire right out of Paul Torday's side-splitting political sendup Salmon Fishing in the Yemen.- Variety
- Posted Mar 4, 2012
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Reviewed by