Variety's Scores

For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17760 movie reviews
  1. This dynamically acted, unapologetically contrived pic reps the filmmaker’s best chance to date of connecting with a wider audience — one likely to share the helmer’s bristling anger over corruptly maintained class divides in modern-day America.
  2. So innately compelling is Turing’s story — to say nothing of Benedict Cumberbatch’s masterful performance — it’s hard not to get caught up in this well-told tale and its skillful manipulations.
  3. Something about working with Pacino forces what could have been a breaks-the-mold character portrait into factory-made territory.
  4. The meticulously crafted world is stunning to behold, imagined to the minutest detail and photographed with the sort of dramatic lighting and dynamic camera movement rarely seen in stop-motion. Trouble is, it’s not a place most folks would care to spend any time.
  5. Unfortunately, the glowering, non-pro Gyemant twins, who seem to have only one facial expression (and oddly anachronistic haircuts), continually break the spell woven by the other performers.
  6. Its eventual reach for warm-and-fuzzy emotional catharsis rings hollow among characters that never become more than disagreeably shallow products of unexamined privilege.
  7. The script represents a too-tame middle ground, which gives the unfortunate impression that perhaps the filmmakers want us to empathize with this icky romance.
  8. Though a tad uneven, as a whole the documentary cannily juggles an overview of African-American history in general with the specifics of its photographic representation and talents.
  9. Stewart’s confident, superbly acted debut feature works as both a stirring account of human endurance and a topical reminder of the risks faced by journalists in pursuit of the truth.
  10. So involving is the raw content of The Look of Silence that some might view its formal elegance as mere luxury, yet the film reveals Oppenheimer to be a documentary stylist of evolving grace and sophistication.
  11. The potentially ludicrous story is handled artfully enough here to cast an eerie but not off-putting spell throughout, though the ultimate point is more than a tad murky, and the desired poignancy doesn’t fully come across.
  12. A triumph on every creative level, from casting to execution.
  13. The aural landscape here is key, as Wilson’s strategy is to create a visual theater of the mind in which the majority of the action is heard and not seen.
  14. Jack’s predicament is both revolting and claustrophobic, but he never emerges as any kind of hero or villain, just a passive victim, which makes the pic’s most off-putting quality its endless tedium.
  15. Happiness means steering clear of Hector and the Search for Happiness.
  16. The love and dedication that the filmmakers (including Dominguez’s wife and exec producer, Shelley Morrison) have poured into this project are more than evident onscreen; what it needs now is the sort of strong, supple cinematic vision that could tie its disparate strands together.
  17. The Inbetweeners works by balancing its lascivious nonsense with a disarming sweetness.
  18. Anchored by Keener’s understated, psychologically acute performance, director Mark Jackson’s spare, quietly powerful sophomore feature demonstrates an impressive control of mood and tone and the ability to tell a story largely without words.
  19. [A] ruthlessly unfunny misfire.
  20. Engaging performances by the principal players, including Richard Jenkins as a legendary coach beset by personal demons, are almost enough to win the day, but in the end, the cliched narrative is too slight to put the picture over the finish line.
  21. It all makes for clumsy-fun escapism, not bad as end-of-summer chillers go.
  22. The docu’s accomplished summary of tension-filled events as they transpired from minute to minute comes at the expense of wide-angle historical context.
  23. A digressive, daringly experimental study of a flailing musician, magnetically played by accomplished bluesman and poet Willis Earl Beal.
  24. While the characters’ background details (including their occupations) are kept to a minimum, the emotions the story touches are vivid and accessible.
  25. [A] rather sleazy time-killer.
  26. As willfully lowbrow dumb fun goes, it’s pretty painless.
  27. That Jung and his collaborators haven’t found any new angles to explore in this endlessly overworked religio-horror claptrap would matter far less if they had a firmer grasp of form and technique.
  28. The action sequences are competently directed, but exhibit virtually no flair or invention.
  29. The Tale of Princess Kaguya is a visionary tour de force, morphing from a childlike gambol into a sophisticated allegory on the folly of materialism and the evanescence of beauty.
  30. Wetlands might have landed with the thud of empty shock value were Helen not such an innately engaging character, or Juri so commanding in the role.

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