Variety's Scores

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For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,121 out of 17760
  2. Mixed: 7,003 out of 17760
  3. Negative: 1,636 out of 17760
17760 movie reviews
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  1. The Brand New Testament
    While the ultra-clever first act stockpiles sufficient admiration from audiences to sustain the film, the bulk of The Brand New Testament concerns itself with Van Dormael’s most persistent preoccupation: the tug-of-war between fate and free will.
  2. The Girl in the Book
    Cohn handles all the performers very deftly.
  3. Capture the Flag
    It’s quite possible that two or three generations of extended families will be entertained during group home-screen viewings of this antic and exciting trifle.
  4. Boy and the World
    Beyond its sheer, intense variety and ingenuity, Abreu’s animation remains so appealing throughout because it always feels handmade.
  5. Joy
    Despite another solid performance from Jennifer Lawrence, anchoring Russell’s sincerely felt tribute to the power of a woman’s resolve in a man’s world, it’s hard not to wish Joy were better — that its various winsome parts added up to more than a flyweight product that still feels stuck in the development stage.
  6. The Revenant
    In aiming to steer his dark, fatalistic vision toward something genuinely contemplative and cathartic, Inarritu has managed to appropriate the beauty of Malick’s filmmaking but none of its sublimity — another word for which might be humility. There is plenty of amazement here, to be sure, but all too little in the way of grace.
  7. Stink!
    No matter its cinematic derivativeness, Stink!’s outcry against continuing to use the American citizenry as chemistry experiment guinea pigs carries with it the unassailable whiff of common sense.
  8. Lamb
    Partridge navigates risky material with assurance, delicacy and a deepening sense of intimacy that can turn, without warning, into complicity: The more at ease we feel in the characters’ company, the more disturbingly questionable the situation becomes.
  9. Night Owls
    The execution here is impressively adroit, with a clever script enlivened by two charmingly compatible lead performances from Rosa Salazar and Adam Pally.
  10. The Letters
    Opting for dutiful, reverent beatification over flesh-and-blood characterizations (or insights), the film is merely a clunky primer on how poor storytelling can make even the grandest of figures seem small.
  11. Uncle Nick
    Even at a brisk 81 minutes, this indie can barely sustain its boozy comedic buzz.
  12. The World of Kanako
    While there’s something compelling about an antihero whose obsession is poised on the razor’s edge between love and hate, The World of Kanako buries it in grinding, agitated repetition.
  13. Krampus
    Krampus isn’t especially scary, but it generates goodwill nonetheless for treating its home-invasion-for-the-holidays setup with an appreciably straight face.
  14. Point Break
    The sense of living dangerously is somewhat lacking as Kurt Wimmer’s emotionally vacant screenplay fails to make audiences care enough about the characters to sweat over their physical exertions.
  15. In the Heart of the Sea
    In the Heart of the Sea feels stiff and unconvincing, weirdly devoid of texture, and populated by ciphers who speak primarily in the leaden language of exposition.
  16. Heneral Luna
    Anchored by a charismatic central performance by John Arcilla (“Metro Manila”) and peppered with exciting action sequences, the pic has the all-around energy to overcome the odd moment of bumpy storytelling and prosaic dialogue.
  17. The Barkley Marathons: The Race That Eats Its Young
    Annika Iltis and Timothy Kane’s debut feature documentary finds plenty of rooting interest and colorful characters in a competition whose willful perversity brings an inevitable, generous side helping of gallows humor.
  18. MI-5
    Bharat Nalluri’s chrome-colored thriller plays less as an organic extension of the series’ universe than an all-purpose genre piece nominally tailored to fit the “Spooks” franchise — not to mention the star quality of previously unaffiliated leading man Kit Harington.
  19. Bolshoi Babylon
    “Babylon” actually provides little more than a lot of vague insinuations. Exasperatingly, it doesn’t even offer more detail on the Dmitrichenko affair.
  20. Iraqi Odyssey
    The running time of two hours and 43 minutes is unquestionably self-indulgent; thankfully the clan’s charisma keeps attention from lagging too much despite frequent opportunities for trimming.
  21. A Royal Night Out
    Julian Jarrold’s brightly performed exercise in speculative history scores as a frothier, more feminine bookend to “The King’s Speech” — though it’s no less engaging or accomplished.
  22. Victor Frankenstein
    This reimagining features some fun production design and a performance of undiluted bug-eyed flamboyance from James McAvoy as the titular pale student of unhallowed arts, but its reservoirs of energy and ingenuity run dry long before the finale, leaving the film to lumber to its half-hearted conclusion.
  23. TransFatty Lives
    TransFatty Lives is an unusually playful and emotionally involving first-person chronicle of serious illness.
  24. Chi-Raq
    Lee’s vision of a scarred, gutted city may not please the tourism board, but his movie is better for it: Its seething dramatic texture captures a deeper, more elusive beauty that — like reconciliation, reform or any other human ideal — can only be achieved when the illusion of safety is left behind.
  25. Very Semi-Serious
    A delightful if never particularly deep survey of an American comic institution.
  26. Criminal Activities
    There’s nothing remotely fresh about this revival, but tight pacing and an overqualified cast keep things zipping along nicely.
  27. Ingrid Bergman in Her Own Words
    The lack of any significant investigation into performance styles is acutely felt, particularly given the very different methods of her major directors.
  28. Secret in Their Eyes
    Roberts brings an acrid sense of bitterness and sorrow to this exceedingly sharp-witted sleuth, registering the cruel passage of time and the toll of unspeakable tragedy in every careworn feature and vocal quaver.... it’s a skillful and humane turn from an actress whose darkly penetrating gaze comes closest to fulfilling the mystery of the title.
  29. Creed
    With his “Rocky” spinoff, Creed, writer-director Ryan Coogler confirms every bit of promise he displayed in his 2013 debut, “Fruitvale Station,” offering a smart, kinetic, exhilaratingly well-crafted piece of mainstream filmmaking, and providing actor Michael B. Jordan with yet another substantial stepping stone on his climb to stardom.
  30. The Night Before
    Rogen’s zonked-to-insanity performance is the lifeblood of The Night Before, giving it the sort of joyous, madcap energy that comes from letting loose with one’s closest comrades, even to the point of potential oblivion.
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