Variety's Scores

Select another publication »
For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,121 out of 17760
  2. Mixed: 7,003 out of 17760
  3. Negative: 1,636 out of 17760
17760 movie reviews
view
per page
  1. Mr. Church
    A crude sugary-sweet fantasy.
  2. Don't Breathe
    A muscular exercise in brutal, relentless peril that should please genre fans.
  3. The Lost Arcade
    The Lost Arcade is an engaging minor movie, but it touches on something that’s being lost in the age of technology that’s much bigger than video-game arcades: the feeling that there’s a reason — driving and inescapable and romantic — to leave home.
  4. David Brent: Life on the Road
    A late third-act turn into sentimental territory, in which the original show’s misanthropy is sugared up, may feel artificial to viewers drawn to the series’ persistent despairing streak; still, it makes a certain sense given that the film would otherwise entirely lack an emotional arc.
  5. My King
    French actress-turned-helmer Maiwenn is concerned first and foremost with her characters, who rank among the most vividly realized of any to have graced the screen in recent memory.
  6. Anthropoid
    The trouble is that for all the narrative intrigue and excitement such an endeavor might suggest, director Sean Ellis’ less-than-dramatic recreation of this daring act of defiance proves surprisingly stiff...barely redeemed by an even more surprisingly intense finale.
  7. The Model
    The screenplay by Matthiessen and co-writers Martin Pieter Zandvliet and Anders Frithiof August is compelling up until the melodramatic, credulity-straining final act, although the characters, apart from Emma, feel underdeveloped.
  8. The Eagle Huntress
    Like Disney’s “True-Life Adventures” of yore, it educates while deploying some likely sleight-of-hand, and doesn’t really invite the kind of methodological scrutiny a more verite-style documentary would.
  9. Bazodee
    Bazodee itself dutifully hews to convention, but its plotting is so torpid that it never feels as if there are any genuine stakes to the protagonist’s which-beau-should-I-choose predicament.
  10. Nine Lives
    Nine Lives is a lot like a cat: It occasionally bestirs itself, and it would like to be stroked with love, but mostly it just sits there. It’s a pet farce so flat it makes you long for the Lubitsch touch of the “Alvin” comedies.
  11. Richard Linklater: Dream Is Destiny
    “Dream Is Destiny” is a pleasurably crafted career snapshot that doesn’t overstay its welcome.
  12. Olympic Pride, American Prejudice
    As a documentary, “Olympic Pride” is a little on the staid side. The film’s writer-producer-director, Deborah Riley Draper, works in a variation on the Ken Burns style.... Yet she does an absorbing job of capturing a historical moment that was even more fraught than it’s generally imagined to be.
  13. The Girl with All the Gifts
    Director McCarthy does little visually that would generate a sense of fear in any viewer, and there’s nothing that will generate so much as a startled jump.
  14. The Mind's Eye
    The film has the visceral kick of brainiacs willing each other into bloody oblivion, but struggles to justify its own stock mayhem, much less plumb Cronenbergian depths.
  15. Front Cover
    While there isn’t much subtlety or surprise in Yeung’s screenplay, his direction is restrained and graceful enough to make this a pleasant if unmemorable bittersweet love story.
  16. Neither Heaven Nor Earth
    The ensemble commits to the premise with utmost gravity and conviction, enabling our belief in even the most improbable interpretations of its core enigma.
  17. Suicide Squad
    On paper, this could have been the antidote to an increasingly codified strain of comic-book movies, but in the end, it’s just another high-attitude version of the same.
  18. The Tenth Man
    This is the sort of quiet, well-observed comedy that is characteristic of Burman’s oeuvre, and it’s in ample supply here.
  19. Embers
    Embers offers a series of compelling premises and never follows through on them, content to drift along on its characters’ dull malaise and allow self-conscious visual poetry to stand in for real emotion.
  20. Spa Night
    Spa Night serves as an homage to the sacrifices first-generation immigrants made in order that their children could achieve their full potential in the States, expanding the concept of “pride” far beyond its protagonist’s gay identity.
  21. Women He's Undressed
    The film overstays its welcome by punctuating his story with ill-advised dramatic fantasy sequences that are meant to illustrate the anguish of a gay man in mid-century America, but come across as heavy-handed and mean-spirited.
  22. Miss Sharon Jones!
    One can’t help but feel inspired by both Jones’ sparkplug attitude and the gentle way those around her respond to her needs.
  23. The Land
    The Land feels a few drafts away from succeeding on its own terms. Still, there’s enough on screen, beyond Lendeborg’s confident star turn, to label Caple as a filmmaker to watch.
  24. Ants on a Shrimp
    Dutch helmer Maurice Dekkers devotes most of his film to the celebrity chef’s extensive foraging, while his abstemious staff harps on about the onerous pursuit of perfection; one crucial missing ingredient, however, is the joy of eating or cooking.
  25. Lace Crater
    First-time director Harrison Atkins never quite finds his own distinct voice. He dabbles in horror and deadpan comedy, experiments in discordant jags on the soundtrack, and suggests a more fluid boundary between the living and the dead, but the film remains stubbornly hazy and obscure in its intentions.
  26. Bad Moms
    Where Bad Moms plunges into zesty new satirical terrain is in capturing the ruthless one-upmanship of the mommy-wars era, when all the progressive thinking of the last 40 years has only ratcheted up the perfectionistic demands on children and parents alike.
  27. Hieronymus Bosch, Touched by the Devil
    Hieronymus Bosch: Touched by the Devil brings us literally closer to Bosch’s images than one could probably get in almost any museum. As directed by Pieter van Huystee, the film offers a true immersion in his artistry. But it’s also a little slipshod — an off-kilter window into the politics of the art world. It’s like a fascinating magazine feature with some missing pieces.
  28. Pete's Dragon
    One of the year’s most delightful moviegoing surprises, a quality family film that rewards young people’s imaginations and reminds us of a time when the term “Disney movie” meant something: namely, wholesome entertainment that inspired confidence in parents and reinforced solid American values.
  29. Nerve
    Nerve is a comic-book vision of how the Internet has become a gladiatorial arena of voyeurism. But the movie, like the game it’s about, is hard to stop watching, even when you know it’s playing you.
  30. Jason Bourne
    This explosive reunion between Damon and director Paul Greengrass further reveals key secrets about Bourne’s origins, bringing its lethal protagonist as close as he’s ever likely to get to total recall.
Page:

Top Trailers

See all »
See all trailers »