Variety's Scores

For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17760 movie reviews
  1. This sentimental film takes things one step at a time.
  2. A sexually frank but narratively flimsy girl-meets-girl romance that never gets under its gorgeous characters’ amply exposed skin.
  3. You could call The Circle a dystopian thriller, yet it’s not the usual boilerplate sci-fi about grimly abstract oppressors lording it over everyone else. The movie is smarter and creepier than that.
  4. NOLA Circus (the title refers to both a lead character and the abbreviation for New Orleans) is the kind of hideously unfunny folderol in which most cast members are encouraged to act at the top of their lungs to compensate for the witless script.
  5. An engaging and sympathetic documentary.
  6. Ultimately, the film’s elaborately-mapped plots are unraveled in a blow-by-blow account that doesn’t give the brain much of a workout, but makes it suitably accessible for a wider audience.
  7. When Tomorrow starts to make intellectual as well as geographical leaps and to draw macroeconomic, political, and social factors into its bright-eyed, approachable orbit, that’s when cynicism gives way to admiration, and admiration can flare into inspiration.
  8. Victoria Day (a very Canadian holiday) is expertly put together, the editing and framing so sturdy and right that the twin currents of the film flow over the viewer unimpeded.
  9. If, overall, Obit is merely pleasant in a predictable, innocuous way, it’s nonetheless well-crafted and moderately educational.
  10. Slee’s film boasts such a high level of writing, acting, and overall production polish that youngsters may be fooled into thinking they’re watching a mindless blockbuster, when in fact, they’ve actually been fooled into thinking.
  11. After 40 or so minutes of teasing hints that its makers may have hit upon a fresh approach to found-footage thrillers, “Phoenix Forgotten” indicates the genre may be having its last gasp on life support as the movie devolves into yet another threadbare patchwork of mounting hysteria, faux cinéma vérité, and shaky-cam visual clichés.
  12. Competent if pedestrian Urban Hymn takes a familiar walk down the path of inspirational youth drama.
  13. It’s the narrative non sequiturs and comic vignettes sprinkled throughout that give the freewheeling pic its playful charm.
  14. The dialogue is dirtier than ever, and the gags outrageous, and yet, like the two central characters and the seven-year relationship they labor to keep alive, “Love Off the Cuff” shows signs of fatigue.
  15. Cranston humanizes his sociopathic character, which is essential, considering that Wakefield is essentially a one-man show whose star grows increasingly creepy as his beard fills in and his fingernails lengthen and turn back.
  16. This portrait of the artist as an old woman is a gentle-hearted gem, as profoundly subtle as it is subtly profound.
  17. Shot for shot, line and line, it’s an extravagant and witty follow-up, made with the same friendly virtuosic dazzle. Yet this time you can sense just how hard the series’ wizard of a director, James Gunn (now taking off from a script he wrote solo), is working to entertain you. Maybe a little too hard.
  18. There was a time when audiences lined up around city blocks to see the movies of Lina Wertmüller. Behind the White Glasses lets you revisit a bit of that passion, without quite nailing what it was.
  19. There are moments in “Let It Fall” that feel like a significant reframing of the riots, both in terms of what actually happened and in terms of who’s really to blame.
  20. It’s tawdry “Sleeping With the Enemy”-style fun while it lasts, boasting a better cast and splashier production values than the next closest Lifetime movie, while being so ridiculous at times that audiences can’t help but talk back to the screen.
  21. The movie just about pulses with contemporary resonance.
  22. While the humor mostly misfires, there’s a certain pleasure to be had simply from spotting the celebrity cameos in Sandy Wexler.
  23. Everything Harry Dean Stanton has done in his career, and his life, has brought him to his moment of triumph in “Lucky,” an unassumingly wonderful little film about nothing in particular and everything that’s important
  24. The 10-year run of the “Fast and Furious” roadshow isn’t slowing down a bit in Fast Five, by most measures the best of the bunch, combining fresh casting choices, interesting Rio locales and literally smashing bookended action sequences.
  25. It’s hard to imagine that even the least demanding of tykes will ask for a second sampling of this thoroughly second-rate animated feature, which has all the charm, and twice the volume, of a barking dog.
  26. Axelrod plays along with her eccentric subject’s insouciant attitude vis à vis his own identity to mostly delightful effect.
  27. Writer-director Jared Moshé’s solidly entertaining period drama...can be enjoyed as both a straight-shooting homage to crotchety sidekicks and shoot-’em-up conventions, and a well-crafted movie about loyalty, betrayal, and redemption.
  28. A standard-issue piece of heart-tugging reportage better suited to small screens than art houses.
  29. “Chasing Trane” is a seductive piece of middle-of-the-road documentary filmmaking; it gives you the basics, but beautifully.
  30. The film benefits greatly from its ability to review events from the viewpoints of the men on the ground in Houston.

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